De Graaff tobacconist

Nowadays a truly good tobacconist sadly is a rare thing here but decades ago The Netherlands boasted lots of them. Specialist stores where the knowledge of the salesmen was of crucial importance because the clients relied on it. These days we can simply look up information on the digital highway but back then you had to trust the expertise of your tobacco vendor. One of the most well known and respected tobacconists in that time was G. de Graaff in the political heart of our small country: The Hague.

Churchill at the Congress of Europe in 1948 ©Haags Gemeentearchief

Founded in 1928 by Gerard de Graaff (who was later joined by his son Frits de Graaff) the business was located at the Heulstraat no. 27. Not far from Noordeinde Palace, Council of State, Council for the Judiciary and the Binnenhof in the old city centre. They got well-known both at home and abroad very quickly, mainly because of their excellent house-brand G. de Graaff cigars, which were made by 5 different cigar factories in The Netherlands. Even the legendary Winston Churchill had heard of them. Dutch Pipe Smokers Forum member Willem tells: “My father, who had a high ranking job at the Ministry of Finance, knew De Graaff very well because he always bought his cigars there. So when Churchill visited The Hague for the Congress of Europe in 1948 my father arranged some special Cuban cigars for him which came, of course, from De Graaff.” Other famous people who visited the store throughout the years were amongst others Bill Clinton, prince Bernard, Josip Tito, François Mitterrand and Konrad Adenauer.

Frits de Graaff 1978 ©Haags Gemeentearchief

After the war the sons of Frits, Robbert and Gerard de Graaff, entered the business. But soon father Frits realized that letting Gerard and Robbert work together was not a good idea. So Gerard kept himself busy with the production side and Robbert took care of the sales in the store. Frits de Graaff was a remarkable man, a real old world salesman. He lived above the store and was always impeccably dressed, like the true gentleman he was, with his trademark bow tie. Also he was a man of principles, if he did not believe in a brand he would not sell it. Willem tells: When I had my practice in The Hague, around 1976-1980, the De Graaff store had something special, something chic. In that time I smoked MacBaren. When I asked for such a tin at the store Mr. Frits always said that the tobacco contained too much glycerine “Which is not good for your throat!”. Like the polite man I was and still am I then bought a tin of Flying Dutchman, which was much better according to him. 

Frits de Graaff 1982 ©Haags Gemeentearchief

Also I know that De Graaff did not sell Peterson because of the P-Lip mouthpiece, the often shabby finish, the many fills and because of the long time it took to break in a pipe. I think he liked Dunhill better, Dutch Pipe Smokers Forum member Rob tells: Once I was in the store together with Mr. De Graaff. While talking he took a Dunhill pot-shaped pipe out of his pocket and told this was his father’s favourite pipe. You could see the pipe was old and that it had once been a heavy sandblasted Shell Briar but because of the use the surface had become smooth. After his death he kept the pipe and smoked it several times a week. As far as tobacco went Frits de Graaff liked latakia very much. Rob tells: I remember well that I was a boy of about 18 years old when I stepped inside the store to buy a pipe. When the conversation drifted towards pipe tobacco he pointed out “the only tobacco” latakia to me. Besides the pipe I let myself be persuaded to also buy a tin with latakia and indeed, I was swept away. Back in those days that fine tobacco was significantly more expensive than e.g. Mac Baren so I smoked latakia in moderation, because I had to pay for it from the proceeds of my newspaper round. Sadly Frits de Graaff passed away in 1996, Robbert took over the business but he sold the store in 2005. The new owners tried their best but the grandeur of days past never really came back. Just recently I learned that the shop at the Heulstraat no. 27 is closing, the owners want to merge it with another store of them at another location.

Klaas and myself

My own story with De Graaff began in 2011. I was just discovering the realm of the dark leaf when I began exchanging messages and tobacco samples with Klaas. Because of him I was able to try wonderful blends like Balkan Sobranie Original Smoking Mixture, GL Pease Westminster and De Graaff Kegelbaan Mixture and Back in Town. The last 2 were house-blends. I knew sh*t about pipe-tobacco in those days but what I noticed was that they were all of very high quality. Klaas saw that I really enjoyed the De Graaff tobaccos, generously gave me some tins and told the following story: I discovered the De Graaff house-blends fairly late, in the 90’s, but I was immediately smitten. I really invested in them and bought loads of tins. Suddenly at the end of the 90’s I was told in the store that the house-blends were being discontinued. I panicked a bit and decided to buy all the tins I could get my hands on. In the store and in other tobacco shops in The Netherlands who also carried the De Graaff house-blends. Of course during the years I smoked a lot of them but I still have some left. The only thing I always wondered was where those fabulous tobaccos were made. It was a well kept secret that De Graaff never told to anyone..

Louis

Throughout the years I smoked some excellent De Graaff blends which were given to me by Klaas and another forum member. Also whenever I was in a tobacco-shop I asked if they had some old tins stashed away somewhere. Now and then I even got lucky and I was able to buy some old De Graaff tobaccos meant for home-blending, which I did and created lovely blends with them. But when I heard that the actual shop at the Heulstraat was closing down I decided to write a blogpost about De Graaff and do some research. At that point all I had were the names of the 2 sons of Frits, Gerard and Robbert. So I asked yet another forum member, Rudi, who had a tobacco-shop in Middelburg for years, if he had a contact address or something like that. He didn’t but he pointed me towards a Belgian man who made cigars for Gerard. I contacted him but he knew very little, only that, very sadly, Robbert had passed away a few years ago. Damnit! Robbert was the mastermind behind the pipe-tobaccos, so I was pretty gutted when I heard that. Then I decided to use an old contact of mine, Louis Bracco Gartner, founder of the Historical Tobacco Museum in Delft and the Tobacco History website. He helped me before with my Diepenveensche Tabaks Centrale blogpost and when I mailed my questions to him he responded with “call me, I know more.” So I phoned him and he turned out to be friends with Gerard de Graaff. I got the mail-address of the latter, contacted him a couple of times and got no response besides a mail which said I had the wrong man and that he did not know anything about pipe-tobacco..

So I phoned Louis again, told him this (according to him the mail-address was correct) and said I only wanted to know where De Graaff house-blend pipe tobaccos were made. “Oh but I know that!” “Ehmm.. Excuse me??” “Yes I know that, the house-blends were made by Dunhill in London.” Wowwww…. I was gobsmacked.. Made by Dunhill.. Hmmm, the 60’s and 70’s ok, Dunhill was still Dunhill, but during the 80’s and 90’s Dunhill blends were made by Murray. Those tobaccos were not highly acclaimed, not just by me (I smoked some) but also by others. The De Graaff blends I smoked dated from the 90’s and were of exceptional quality, way better than Murray-era Dunhill. Then from out of the back of my head I remembered I read something on the Dunhill page of the great late John Loring. Something about blends still being made (in the 80’s and 90’s) at the Dunhill Duke Street shop: One exception to the 1981 blending transfer (from Dunhill to Murray) should be noted. The Dunhill Duke Street shop continued to offer custom blending for the next two decades and as part of that continuation, a small batch blender in London (I suspect with Dunhill associations) continued to produce a number of My Mixture blends available only from the Duke Street shopSo it could very, very well be that that was the way the De Graaff house-blends were made.

Now about those house-blends. I don’t know precisely when the first pipe-tobacco house-blends were made but Rob has to say this: It must have been 1967 when I first visited De Graaff. I remember that in the room where the pipes were there also was a display with pipe tobaccos, sold under their own name. A couple of years ago I luckily had downloaded through the Wayback machine the original house-blend descriptions from the old De Graaff website. Here they are with notes from myself and pictures:

-Abu Riha-
Exceptional aromatic flake with a good deal of Latakia, as well as Turkish, and Red Virginia tobaccos. Excellent composition over a glass of Single-Malt whiskey. I smoked some tins of this one and I can best describe it as the prefect marriage between Smoker’s Haven Krumble Kake and Esoterica’s Penzance. In fact, it looked and tasted so much like those blends that I decided to mail J.F. Germain (and added some pictures) and they responded: These are very interesting pictures, we did not make any tobacco for De Graaff but I understand why you ask the question the tin and the tobacco look like Penzance from years ago.

-Back In Town-
One of our most successful mixtures, an ex-cigarette-smoker assisted in composing this blend. A fine composition of light and dark Virginia’s, Syrian Latakia, Kavalla (Macedonian tobacco) and Carolina Cavendish. A medium mixture with a pleasant flavour. A pleasant flavour indeed! This is one of the De Graaff classics, Syrian latakia, Kavalla, nomnomnom! Perfectly blended, very harmonious.

-Carl’s Own Blend-
Carefully composed by the HOUSE OF GOOD TASTE. Is the choice of a man of FINE TASTE. Born and bred in the THEATRE OF ROYAL TASTE. Full-flavoured mixture on the basis of Virginia tobaccos (Flue Cured East Carolina and Georgia) and a small quantity of Latakia. Sadly I never smoked this blend.

-Coronation-
This blend has been already produced for more than a century for the discerning smoker. Very mild, not burning the tongue. For the morning. I once had a sample of this blend but can’t remember it any more..

-De Kegelbaan-
An unique blend of first class tobaccos: Syrian Latakia, Old Belt Virginia, Brown Cavendish and Turkish tobaccos (Yenidshe). Mild taste, cool, slow burning. This is another big classic, I just finished a tin and only 1 word: exceptional. And not just a couple of times, no every time! The Yenidje is immediately recognizable (for those that have smoked Yenidje Supreme) and sings together nicely with the Syrian Latakia and Virginia’s. The Brown Cavendish mellows it all out a bit. I think that the creator Robbert De Graaff tried to imitate the old Balkan Sobranie with this one if I see the ingredients. And for me he absolutely succeeded!

-Golden Virginia-
Cool, somewhat sweet Virginia Bright Leaf. This is one of the oldest varieties of “flue cured” tobacco. Pleasant taste. I used this blend a couple of times in home-made mixtures. It reminded me a bit of Dunhill Flake, but then in a ribbon-cut. I had several tins but threw them away in a fit of cleaning rage before I could take a picture..

-Latakia-
Jebeli is also called “Abu Riha” (Father of the pleasant smell) by the Syrian population. The flavour is acquired by drying the tobacco over a fire of camel-dung (nice commercial story but not the truth..). Tobacco especially for mixing. And that is precisely where I use it for. When you open a tin, whoaaa… It smells so damn good! Also when you smoke it straight it is very yummie. On the tin it says Mountain Blue Syrian, of course made famous by Balkan Sobranie 759, the stuff of legends.

-No 27-
This tobacco gives evidence of craftsmanship. Composed of the best Golden- and Middle Belt Virginias, Corolina Cavendish, completed with a pinch of Lousiana Perique, for the perfect taste. Especially made for those smokers who prefer a Virginia blend. This tobacco is particularly aromatic and yet mild of taste. The only thing I can remember about this one is “tastes a bit like Dunhill Elizabethan“.

-Perique-
The Perique tobacco is unique, its history is dating back to the Choctaw and Chicasaw Indians. It adds a spicy flavour to all tobacco blends. It is without “bite”, although it is far too heady to be smoked straight. Well, Aleister Crowley did! I use it only for home-blending.

-Seamen’s Club-
Matured dark Virginia. This warm, dark tobacco is mild in taste and can be smoked pure or in mixtures. Unadulterated Red Virginia, I used it many times in home-blending for some Virginia backbone.

-Turkish-
Excellent burning qualities. Suitable for mixing, can also be smoked pure. Extremely mild with sweet undertone. I used this once in home-blending, it tastes like there is some Kavalla in it.

De Graaff also had house-brand pipes. Several Dutch Pipe Smokers members have such a smoking device. They were made in London and later in France. But where? No idea.. So I mailed Louis again, he asked around and came with a name: GDD! Ehrrr, I guess you mean GBD? He wasn’t sure but I now know it was GBD indeed, just look at the picture beside this paragraph. Where the pipes were made in France I sadly do not know..

Of course there is much more to tell about De Graaff, especially their cigars, but since this is a pipe-smoking blog it is enough for now. One last thing, here is a PDF document of 2 interesting old booklets/flyers from De Graaff, in Dutch.. I would like to thank all the forum members and people who have helped me and made this blogpost possible!

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Hospitable Heukelum 2017

Label of the 2017 forumbeer

As every year the annual meeting in Heukelum of the Dutch/Belgian pipe-smokers forum marks the beginning of dark and rainy autumn. At least, that is what the weather-forecast said. And when I looked outside the window on Sunday 29 October I believed it. Oh well.. Like always I picked up Mark at the Deventer train station and together we drove to the carpool place where Ed would be waiting or us. Normally Johnny would also be there but he had to finish some work first and came later. So the three of us rode to Heukelum and to my surprise the weather cleared up; blue skies, sunshine. Very un-Dutch-like. When we arrived at ‘T Kuipertje owner/brewer Henk had made a tent at the front of brewery with most sides closed. As the inevitable rain began to fall we were glad about Henk’s foresight.

Martin’s new self-made pipe

Inside I almost immediately walked to stone-cutting tamper-maker extraordinaire Martin, who like every year organised the meeting, to get my name-badge and drinking coupons. Yup, for the money (€27,50) you get two drinks, there is a big BBQ with all kinds of tasty fresh meat, sauces, salads and baguettes, the rent of the brewery is included and last but not least you get one bottle of special forum-beer with a label made by myself! Since this year Martin is also active in the field of pipe making. And like with stone also wood seems to have no secrets for his hands. He had brought his latest creation with him and I immediately loved it. A perfect mixture between a classic and organic shape.

Like always there was also a little business to be done. The week before I had mailed Rudi, the tobacconist who always comes to our meetings, if he could bring with him a tin of the new Danpipe Fred the Frog, which I already smoked at the Inter Tabac fair in Dortmund. €10 for 50 gr., not bad for this fine blend! Friend and mentor Klaas had offered some vintage tobaccos for sale a couple of weeks before the meeting. I mostly was interested in a couple of older Robert McConnell Pure Latakia tins with in them perhaps some Syrian dark leaf so I bought 3 of them. When I met Klaas he immediately apologised. “Hello Arno, I am sorry, I made a mistake. I thought I had more Pure Latakia but I only had 1 left for you. So you know what, I am going to give you 2 De Graaff Latakia tins.” Wowwww!!! Very generous! Once upon a time De Graaff in The Hague was one of the best tobacconists in The Netherlands and they had their own range of house-blends. They were made by a company in London but exactly which one De Graaff always kept a secret. Nowadays the blends are sadly discontinued. Klaas still has quite some tins under which the pure latakia. And that is not some regular pure latakia, no, it is the Syrian Mountain Blue dark leaf made famous by the legendary Balkan Sobranie 759. Soon I am going to do some home-blending and these tins will come in very handy!

For Frisian pipe-maker Meindert I also had something. Weeks before Heukelum I was looking on ebay when I suddenly saw a beautiful Dunhill. Most of the times it is an auction and in the end the price is way too high for this cheap Dutchman. This one had a Buy It Now price of €100. Hmm.. There must be something wrong with it, I thought. So I took a better look and to my surprise the Dunhill dated from 1943, a patent era wartime pipe, pretty rare! Only thing I could discover was that the rim was very slightly damaged but that was it. So I bought it. When I received the pipe in the mail and unwrapped the package it even looked better than on the pictures, it even still had the inner tube. But still the Dunhill needed some work with the rim and stem. So I handed over the pipe into the skilled hands of Meindert.

I had to laugh when I saw the entrance of forum member Kees (nickname Kiske). For a while he was absent from the forum due to ehm.. differences of opinion with the administrators and moderators of the forum but now he was back. For some time he had been (jokingly) saying that our usual name badges were no good and that we all should wear tiaras instead. Of course you should never say that aloud on the forum because someone made an actual tiara for him. Luckily it was no problem for Kees to actually wear it, it suited him!

Erik Stokkebye and me with the pipe I won

Thinking back the weeks before the meeting the Pipe God really was smiling upon me. On a Wednesday afternoon I had a meeting with other pipe-smokers and forum members at tobacconist Willem Schimmel in Zutphen. Erik Stokkebye, blender and son of the very well known Peter Stokkebye, was there to promote his 4th Generation tobacco range. We had a fun evening, it truly was a delight to speak to the very knowledgeable Erik, which culminated in a contest in which you could win a 4th Generation pipe made by Neerup Pipes. Several questions were asked and the one who had everything right in the end would win. I can’t remember all the questions but the last one was where the 4th Generation tobaccos were made. So I blurted out “In the Orlik factory!” Well, not entirely correct… “In the Orlik factory of the Scandinavian Tobacco Group!” Which was the right answer, I had won the pipe! Back home I quickly noticed that it was a rather large pipe, I mean, my thumb fully fitted in the bowl. Too big for my taste. So I decided to put up a lottery on the forum which was won by Frans. In Heukelum I gave him the pipe, I hope he gets many enjoyable smoking hours from it.

Ton

Last year I bought some pipes for the father of a friend of mine, Ton. At that time he was visiting The Netherlands because he lived abroad. Since a month he moved back to our wet, cold and flat country so I invited him to the meeting. Since he is living alone some company is always welcome, so he accepted my offer. Afterwards he told me he stared his eyes out. Ton is an old-fashioned smoker, preferably he smokes the same blend in the same pipe over and over. “What a pleasant gathering of people and what a lot of pipes they did bring with them! And so many bent ones!” Ton only smokes straight billiards  and thinks everyone smokes those because they smoke the best. Well, ehmm.. Ehrrr… Guess I have to teach an old fox some new tricks. Later I was approached by Jos, “Arno, I have something for you, do you want it now or later?” Ehmm, now? He presented me a wrapped package, so I unwrapped it and saw a bottle of Huppelolie (hopping oil)! Yummie! Huppelolie is a tasty “kruidenbitter” (no translation), sometimes my stomach pains me and a small glass of Huppelolie does wonders. But why the bottle? I asked Jos. Because years ago I gave him some tips about buying tobacco overseas. So kind of him!

I also was glad Shaun was there all the way from Belgium and of course all the others of the Fuming Four. For months they have been pestering me that I should go with hem next year to Scotland again. Not only to the beginning of the Highlands this time but all the way to the utmost North point at Kearvaig, where the home-bothy stands of the Kearvaig Pipe Club. An almost spiritual journey. But I still don’t know if I want to go.. I mean, beautiful country, Scotland, but a big chance of bad weather, cold, midgets ehrrr.. midges, mediocre food (although Matron’s curry was excellent!) and the worst of all, no comfort! The bothy has no shower, no soft bed and no toilet which means digging a hole outside if you have to take a dump.. I admit that throughout the years I turned somewhat into a sissy boy, I just like a little bit of luxury mmkay? But who knows, I like organizing such trips so perhaps while doing that I fully decide to go. The other guys of the Fuming Four had a request for me. I am a bit different from them as I don’t have a beard and I don’t have tattoos. Now they wanted me to design the latter. And I also should get it. Ehmm.. I have a virgin skin and I like to keep it that way. But in Shaun’s eyes I already could see his evil plan: Get Arno piss-drunk and then…… *evil laugh*

The rest of the afternoon and evening in Heukelum was very pleasant as usual. So many people, so many conversations, so little time. Around 5 o’clock Henk told us that the BBQ was ready and we could eat. I don’t know what it is but when someone says something like that no one wants to be the first one. But when Arno is hungry Arno is hungry you know? So I began putting tasty meat on my plate and the rest soon followed. A bit earlier then expected the majority of the forum members began to pack and went home. So not long after that Ed, Mark and I also decided to leave. When I got home Ellen was snoring on the couch and woke up when I entered the room. “Did you have a good meeting?” “Yes darling, it was another great day.”

I would like to thank Martin for organizing the meeting! All pictures were made by Klaas, Dirk, Martin and myself.

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State Express London Mixture

© GL Pease

State Express London Mixture © GL Pease

The first time I read about State Express London Mixture was years ago in an article by master-blender GL Pease. It was about re-hydrating the bone-dry contents of an old tin of this classic English blend. What struck me most was not the story (although since then I often used the described re-hydration methods), but the picture on top of it. It showed the lid of a State Express London Mixture tin and I immediately fell in love with it. It had a classy, luxurious, nostalgic old world appearance which instantly appealed to me. So I went searching on e-bay and pretty soon I stumbled upon a sealed and unopened tin from the late 1980’s. To my utter joy I won the auction and soon I had the object of my desire in my possession. With trembling hands I pried off the lid and heard the beautiful hiss that indicates the air-seal was still intact. I filled up my pipe and here comes the sad part, at that point I only had been smoking pipe for about a year so I could not appreciate the blend. My taste-buds were not developed enough. I stashed away the tin until a year later when I re-hydrated the contents and tried it again. This time I was able to enjoy the mixture and acknowledge the genius of the blenders. It tasted absolutely great, a harmonious yet adventurous blend of bright golden Virginias, Syrian latakia and the costly Greek and Turkish (oriental) tobaccos Samsun, Izmir, Xanthi and Cavalla.

img_5587I always kept searching for another tin but that proved to be rather difficult. Or it was empty, or the seal had been broken, or it was too expensive or the seller did not want to ship to The Netherlands. A couple of weeks ago on an evening I spotted a tin. It looked somewhat rusty on some spots but eejj, that is the risk you have to take. But I kept that in mind, set the bid not too high and went to sleep. The next morning I saw to my utter amazement that I had won the tin! Needless to say, I was a happy man. When I received the package (with some extra customs office costs.. Grrr…) I had to laugh. In the box was a message which read: “This tin is old and contents are not for use! Frankly, it would choke a horse!” “Well, we will see about that madam ebay-seller!” I thought. I could not wait to open the tin. I felt like Howard Carter when I pried open the lid but unfortunately no hiss this time and indeed the contents seemed mummified. Of course I immediately started re-hydrating the blend.

img_5594In the mean time I started digging for information about the tin. On the seal it said “US Distributors Faber, Coe, & Gregg Inc. Newark, New Jersey 07108”. I had no idea so decided to ask for information on the PipesMagazine.com forum. Luckily Jon Guss roams there and Jon is a first class researcher and author of many pipe and tobacco related books and articles. He saw my question and responded: There are two key indicators that enable me to date it to within a relatively narrow span: the measurement of the weight of the contents, and the reference to a Newark address. When first released (about 1967) SELM (State Express London Mixture but shorter) tins were denominated in ounces; sometime over the course of 1972-73 this was switched to 50 grams (listed as 1 3/4 oz in the States). As for Faber Coe’s location, their NJ headquarters address changed from Newark to Clifton in the second half of 1978. Your tin therefore dates from 1972-78. That could be narrowed a bit further by consulting RTDA annuals for 1972 and 1973, neither of which I happen to have handy. But in the scheme of things knowing your tin is forty years old plus or minus a couple of years is a pretty good outcome. So in other words, I could have a birth-year tin in my hands! Whoohoo!

Ardath tobacco offices and factories in 1914

Ardath tobacco offices and factories in 1914

I was already happy with this bit of information but Jon came with even more! A history of the blend and Ardath, the manufacturer: State Express London Mixture was made by Ardath Tobacco Company, Ltd. There is info readily available online about Ardath (much of it wrong or misleading), but in a fairly small nutshell what later became Ardath Tobacco Company, Ltd. was founded by Albert Levy in 1895. He was joined by a partner, Barnett S. Gluckstein, in 1903. In a complex set of transactions apparently triggered by his desire to retire, in January of 1926 Gluckstein sold his shares “to a financial house in the City” and a holding company was created which held all the outstanding shares (Gluckstein’s and Levy’s) of Ardath.

british_american_tobacco_logo-svgAt the time it was coyly announced that British American Tobacco Company Ltd. (BAT) had acquired an “interest” in this new holding entity, and a collaboration in overseas markets was to begin immediately. Levy, who remained as head of the company, announced that despite BAT’s interest, the business of Ardath would be “carried on independently, exactly the same as before”. Half a year later it became clear that the new holding company (“Universal Tobacco Company”) was in reality controlled and managed by BAT, and Ardath had become in essence a subsidiary. The long sad litany of events Ardath suffered under its new master, including the eventual outsourcing of its manufacturing and closure of its factories, is wholly irrelevant to the story of SELM. Likewise the convoluted relationship between BAT, Imperial, and what remained of Ardath’s brands and the geographic rights thereto.

The famous State Express 555 cigarettes

The famous State Express 555 cigarettes

More to the point, by the time SELM came on the stage in the late 1960s Ardath had been a creature of BAT for generations, and what remained of the original company was apparently mostly a collection of brand names (along with a distribution function tacked on later). By then State Express, originally a cigarette brand trademarked by Ardath in 1896, was one of the largest assets left over from the Ardath acquisition, and had been exploited over time through a series of brand extensions and entries into international markets. SELM, a new pipe tobacco based on the marque, was developed in the mid-1960s. It was then trademarked in a variety of countries, including Canada (March 20, 1967), Australia (April 21, 1967), the U.S. (April 4, 1968), Germany (March 30, 1969), and Kenya (1970). It was advertised for sale in the US by the end of 1968. Internal company documents make it clear, however, that despite the various international trademark filings the blend was “created largely with the U.S. market in mind”.

State Express London mixture trademark

State Express London mixture trademark

As far as I can tell SELM was only ever available in 2 ounce (from launch until about 1972-73) and 50 gram (1972-73 onward) rectangular tins. The product was considered to be successful enough that two expansions were considered: a) introduction into the UK (per documents dating to late 1974), and b) development of a cigarette incorporating SELM tobacco. It’s not entirely clear to me whether either ever got off the ground. I should add SELM had a run of a bit over two decades. It was withdrawn from production sometime between 1989-1992: SELM appears in the 1988 RTDA almanac, but the US trademark was allowed to expire on November 3, 1992. It remains possible that the blend continued to be available in other countries thereafter, but given the importance of the US market to the brand that seems unlikely.

Now over to the review of the blend, I go a bit back and forth between the 1970’s and 1980’s version.

img_5556Description from the producer – Package/tin:
At the bottom of the 70’s tin you can read: Bright Golden Virginia and dark latakia spiced with rare Greek and Turkish tobaccos. Further on the bottom is a sticker with the image of the blend inside. On the 80’s version this sticker is omitted. There is also (I guess on even older tins) a bottom which held an English penny to help open the tin. The frontal image on the lid is together with the old Balkan Sobranie and Marcovitch artwork the most beautiful I have ever seen. It is an old looking stylized map of Anatolia (or Asia minor) and surrounding areas with on the bottom left a sailing ship and on the bottom right a mariner’s compass. In the map are the names of the places where (most of) the ingredients originate from like (Syrian) Latakia, Samsun, Izmir, Xanthi and Cavalla. Above the card in a classy golden looking rectangle is the name of the blend. “State Express” in serif characters and “London Mixture” in a script font. On top of it all is a coat of arms, the royal warrant, granted to Ardath by King George VI in 1946 and again later by Queen Elizabeth II.

img_5565Once you remove the lid of the 70’s version you are greeted by a golden wrapper, the 80’s one has sober wrapping which repeatedly states “Supreme British Tobacco”. On top of the golden wrapper is a small but wonderful booklet. It contains information about the State Express brand, the London Mixture blend and has a beautiful (educational) illustration of the tobacco leaves used in the mixture. On the backside of the front lid of the 70’s version the royal warrant is repeated together with the name of the blend and the description of it. The 80’s version is empty, I guess they had to cut back costs.. A pity, because as Jon Guss his father would say: packaging is marketing. A wise man.

img_5578Ingredients/Contents/Cut:
In an old document I found the recipe of State Express London Mixture, it consisted of 35% bright flue cured golden Virginia, 25% orientals (Samsun, Izmir, Xanthi and Cavalla) and 40% (Syrian) latakia. In the same file the manufacturing process is also explained, an interesting read which you can see here. Upon opening the 70’s tin I was greeted by the beautiful sight of 1 whole oriental leaf placed upon the mixture. According to information given to me by Jon there once also was a version with 2 different varieties of oriental leaves laid crossways over the blend. The 80’s version tin contained no whole oriental leaf at all, once again, perhaps they had to cut back costs. The mixture itself looks identical in both tins, I guess the contents have darkened in colour by age. Dark brown/black latakia, light orange/green and dark yellow Virginia and darker orange/green and light-brown orientals. The cut for both versions is a typical ribbon cut, although the 70’s one had a few chunkier pieces.

noseSmell from the tin:
Both versions smell aged, I can’t really describe it, those who have sniffed the contents of 20+ year tins know what I mean. A kind of “musty but in a good way” smell. If I look (smell) beneath that I am a bit surprised that the latakia is so toned down. Ok, that is common with the ageing of the dark leaf and Syrian latakia is not as assertive as its Cyprian cousin but still, there is 40% of the stuff in the blend. For the rest the hay-like, raisin Virginia dominates with mildy pungent underlying notes of the exotic oriental tobaccos.

011Taste:
Both versions were an absolute utter delight to smoke, but there were differences. They start with a kind of strong black tea taste in which the dark fruit sweetness of the Virginia and exotic orientals slowly become more and more prominent. Like with the smell the latakia also tastes toned down. Don’t get me wrong, it is ideal for the blend, it really is in perfect sync with the other ingredients. And you get used to it, after having smoked SELM for days and days I wanted something a bit different and lit up a bowl full of (the new and excellent) John Cotton’s Smyrna, which has a moderate amount of Cyprian latakia. My taste buds who are used to a good portion of the dark leaf went like: whoaahh, latakia bomb! Anyway, the difference between the two vintages becomes apparent halfway the bowl when the oriental tobaccos take main stage. The 80’s version is taste-wise like a roller-coaster. Essences of fragrant exotic herbs and spices roll around your taste-buds with every puff while still being in harmony with the other ingredients. A true delight for the adventurous pipe smoker. The contents of the 70’s tin have melted together more. No big highs and lows here, I compare it with the curry I make, there is a kind of great basic taste and if you pay attention you can discern some ingredients. All the while with both versions the Virginia together with the latakia provide a sweet and smoky backbone. In the last third of the bowl the mixture gains flavour and intensity. The Virginias sing together with the orientals while the latakia softly but surely hums underneath. The 70’s version even has a kind of cigar-like heaviness in the end.

10679974_10205010273567619_6481518945363759545_oMiscellaneous:
I had to laugh when I read more of the old document because the maker of State Express London Mixture had a, ehmm, more limited view of how long a tin on the shelf should last than we have nowadays. It states: “Should be smoked as soon as possible for maximum taste. Tendency after three months to noticeable loss of flavour. Loss of colour in ‘Brights’ increasingly noticeable after three months.” Perhaps the man who wrote that is related to the e-bay woman who sold me the 70’s tin. SELM is a smooth smoke, no bite whatsoever. Nicotine-wise it is moderate, I am under the impression that the 70’s version contained a bit more of vitamin N. Burn-wise both vintages were excellent, no trouble at all throughout the bowl, only some fine grey ash was left.

thumbsRoom-note:
Despite the toned down latakia Ellen really did not like the smell of SELM. She even became short of breath from the smoke.. “*coughs* Perhaps the e-bay woman was right that it would choke a horse!” I on the other hand quite liked it (that is why it is not a full thumbs downs room-note). When I came into the living-room the mornings after I smoked it I detected a quite pleasant smoky, herbal odour.

moneyPrice:
Years ago I paid $100 for the 80’s tin. At the time not so much because the dollar was low and the euro strong. Good ol’ days.. So with that price in my mind I was absolutely not sure if I would win the auction for the 70’s tin. I had a lower budget so I set a not too high maximum bid. In the end I won the vintage State Express London Mixture for $30.

img_5583_1Conclusion:
For me State Express London Mixture belongs in the same pantheon of legendary pipe tobacco blends as for example the Sobranie mixtures, Marcovitch and the old Dunhill offerings. It has an unique old world quality inside and on the outside of the tin. Sadly blends like this one can’t be made today. Syrian latakia is no longer made and sourcing the specific oriental tobacco varieties is nearly impossible. Something which I really regret because for me the key to adventure in pipe tobacco lies with the latter. Well ok, perhaps McClelland could pull it off with their stock of Syrian latakia and Grand Orientals series. But still, there is more to pipe tobacco than just putting ingredients together. I can’t really choose between the 2 vintages. The 80’s version was a fantastic roller-coaster taste-wise. If you hit a piece of oriental leaf in the bowl *booom!*, lots of flavour! On the other hand the 70’s one had an absolutely great basic taste with more subtle flavours of herbs and spices from far away. But it is not only the ingredients, also the classy look of the tin is absolutely superb. When you see it it almost calls out to me: “See the exotic places mentioned on my luxurious lid. I promise that if you smoke me and close your eyes your mind will be transported to far away countries where you will experience all their delights.” And I must say in all honesty, it did that to me, it was that good.

I would like to thank Jon Guss for his essential contribution to this blogpost.

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The legend of Renaissance (Reserve)

The Dark Lord

The Dark Lord

Once upon a time in a far away country lived a mysterious man named GL Pease. But he was not just any mortal man. No, for he possessed the divine gift to be able to work with a magical dark leaf called “latakia“, which came from the mystical ancient land of Bilad al-Sham. Pease made marvellous blends with this exceptional leaf that could be smoked in a clever device called a “pipe”. All over the earth people went ecstatic when they tried his creations. He was so good in this that his followers honoured him with the nickname “The Dark Lord”.

Pease_RenaissanceAt the pinnacle of his genius, during a haunting full moon, inside his secret room of wonders, he crafted his magnum opus. Anno Domini 2001 he unleashed a blend upon the world that it had never seen before, unique and magnificent, mesmerizing all who smoked it. Of course it contained the magical leaf from Bilad al-Sham but also a very reminiscent yet bolder cousin of it, coming from the mysterious island of Alashiya. The mixture was completed by red, golden and matured leaf from the Old Dominion and smaller deliciously exotic leaves from the unknown East. The Dark Lord named the blend “Renaissance” because it was the beginning of a period of new growth and activity.

Westminster, one of the best blends ever containing

Westminster, one of the best blends ever containing Alashiya leaf

Unfortunately this period did not last long. In the 11th month of Anno Domini 2004 an infernal hellish fire consumed the hoard of dark Bilad al-Sham latakia leaf. Pease was struck down by grief and with a heavy heart had to discontinue his magnum opus, Renaissance. In the years that followed many people offered (according to them) genuine Bilad al-Sham latakia to the Dark Lord. Sadly it was not the same as the magical leaf he first used. Luckily his divine talent was not diminished so with help of the more pungent, assertive Alashiya leaf he succeeded in creating many awesome blends. But the Dark Lord would always lament the loss of his magical Bilad al-Sham latakia leaf.

© GL Pease

Renaissance Reserve © GL Pease

Fortunately the ancient pipe-smoking Gods had something else in mind. Fast forward to Anno Domini 2015, this is an excerpt from Pease’s hidden diary: Both exciting and frustrating. During Cornell & Diehl’s (the Dark Lord’s grand supplier of leaf) move from the Old North State to South Carolus, several pounds of Bilad al-Sham Latakia leaf turned up. I was send a letter, and asked, “Do you want to do something with this?” A silly question. The right question was what I would want to do with it. That was easy to answer, too. I’ve always said that if I could ever again got my hands on the right Bilad al-Sham leaf, the mixture I’d most want to bring back would be Renaissance. It was always special to me, and has remained one of my faves. Knowing this would be a limited edition, I worked diligently over several months in my secret room of wonders to faithfully recreate the blend using the finest leaf available, taking no short-cuts, not stopping until I had achieved that ultimate goal. True to the original, Renaissance Reserve is a mixture of magical leaf from Bilad al-Sham and Alashiya, matured red and golden leaf from the Old Dominion and smaller deliciously exotic leaves from the unknown East. It is blended in just the right measure, aged in bulk, then given an additional six months in the tins before release, resulting in a rich, complex and sophisticated smoking experience. Unfortunately, we were only able to produce 500 tins of this exquisite mixture to be released and once it’s gone, it’s gone. It’s fantastic now, and will continue to develop in the specially designed tins for many years to come, for those who have the patience. I only wish we’d had ten times the amount of Bilad al-Sham leaf we had…

I was so happy I could dance!

I was so happy I could dance!

And here a legend becomes reality, because on 12 July the 500 available tins of Renaissance Reserve became available for us humble pipe-smokers. But where to buy them.. I choose for my regular online tobacconist, 4noggins. This because I know that Rich, the owner, most of the times updates his website around 13:00 CET. So around that time I was refreshing the GL Pease page on his site like a lunatic. 13:00, nothing. 14:00, nothing. 15:00, nothing. Damned! I took a look at the Dutch/Belgian pipe-smokers forum and read there that a member had actually phoned with Rich. He was a little late but the site-update was nearby. Finally at 15:45 I was able to order 2 tins (the maximum) and I was ecstatic! At last I was able to smoke one of the greatest blends ever (according to many) containing the fabled Syrian latakia. My expectations were high..

IMG_5108Description from the producer – Package/tin:
I’ve often said that if I ever again got my hands on the right vintage Syrian latakia the tobacco I’d most want to bring back would be Renaissance. Last year my wish was granted when several pounds of that superb leaf were discovered. True to the original formula, Renaissance Reserve is a blend of Cyprian and Syrian latakias, several matured virginias, and balkan orientals blended in just the right measure and aged for many months to provide a rich, complex and sophisticated smoking experience. Only 500 tins of this exquisite blend were produced. The tin is a typical American one with a pull-off lid. The artwork on it is nice but not really remarkable. On an underground of what looks like parchment the name of the blend dominates the tin. Under it a long clay pipe is depicted with in it “G.L. Pease Tobacco Company”. The blend-description is on the backside.

IMG_5110Contents/Ingredients/cut:
Upon opening the tin I was greeted by the familiar GL Pease carton inlay. When I lifted that I saw a mixture that was pretty light in colour for a latakia blend. The ingredients are Cyprian and Syrian latakia, several matured Virginias and Balkan Orientals. The cut is one which which is typical for lots of GL Pease blends, a sort of rough ribbon cut with some chunky pieces.

noseSmell from the tin:
I expected to smell leathery latakia when I stuck my nose in the tin. Instead I was greeted by a very pleasant mellow, exotic smoky odour. Once I smelled an empty wine barrel and I had to think about that. That combined with the grassy sweetness of the Virginias and tangy spiciness of the orientals typifies the odour of Renaissance Reserve for me.

011Taste:
The keyword with this blend is balance. I can’t stress that enough, no ingredient overshadows another one. I have never smoked a mixture which had such a great harmony. Especially the cooperation between the Syrian and Cyprian latakia is masterfully done. When I smoke a blend like McClelland’s 3 Oaks Syrian the Syrian dark leaf is a bit too mellow for me. MacBaren tried to solve this with their tasty HH Vintage Syrian by adding some smoky dark-fired Kentucky. Mr Pease used Cyprian latakia to support its Syrian cousin. And the exciting thing is that you can really notice it. I taste the wine-like, woody, smoky but mellow Syrian leaf. But because of the addition of the more assertive, pungent, leathery Cyprian leaf the two latakias as a whole become more than the sum of their parts. Of course the other ingredients also play a large role. The matured Virginias provide the backbone of the blend with their earthy, dark sweet taste. They are supported by the Red Virginias which taste tangy and yeasty. Golden Virginas provide a grassy, hay-like and citrus flavour. The orientals fall in line with the Virginias and give the mixture a spicy, nutty and pleasantly refreshing sour note. I would place this blend in the “light English” department. It is no latakia-bomb and the orientals work harmonious with the rest of the ingredients. The mixture is complex, but in a good way. Some blends drown in complexness but Renaissance Reserve is easy accessible and heightens the curiosity with every smoke. What do I taste now? Cedar? Thyme? A member of the Dutch Pipe Smokers Forum who smoked a sample from me even tasted some hashish.. Also the mixture behaved well in most pipes, always the sign of a great blend. But I got the tastiest results in my (Dunhill) prince shaped pipes.

IMG_5114Miscellaneous:
Renaissance Reserve smokes smooth like butter on my bald head. Not a bite in sight. Nicotine-wise I rank it mild, although my tolerance for vitamin N has gone up due to the use of some snuff tobacco. Burn-wise I had no problems at all and it left almost no moisture in the bowl.

thumbs2Room-note:
For a blend that contains latakia it has a surprisingly nice room-note. I had no problems at all with Ellen. The wife of a member of the Dutch Pipe Smokers Forum even said it smelled good! And indeed, when I walk into the living room the next morning I smell a pleasant faint incense-like BBQ odour.

moneyPrice:
On the website of 4noggins I paid $11.25 (± €9,98) for a tin. Considering this was a limited blend (only 500 were made) I suspect that in some years the remaining tins will fetch good prices at e-bay.

IMG_5115Conclusion:
Renaissance Reserve just utterly wowed me. It felt like having steamy sex with the gorgeous babe you never ever thought you were going to nail. I just had to keep smoking it. Normally when I am roughly at 3/4 of a tin I lose interest and give or throw the rest away. Now I smoked it up to the last crumb. Although at first taste this blend did not seem really remarkable, it soon grabbed me at my balls and left me wanting for more every time. Like a geisha it constantly teased me, giving me something and promising pleasure with every puff to come. Smoking Renaissance Reserve is an exiting journey in which you constantly discover new tastes. And you know what the best thing is? I got one full, sealed tin left in my tobacco closet. I am a happy man.

Pleasures of life in Belgium 2016

Group picture

Group picture

Like every year for me the annual meeting of the Dutch/Belgian Pipe Smokers Forum (PRF) at Wuustwezel (Belgium) halfway March always marks the beginning of spring. The lengthening days, the slowly rising temperatures and the anticipation of the meeting make all the shadows in my mind from the dark, grey and rainy winter disappear. For some reason (probably the location in Belgium near the Dutch border and cheap beer) the Wuustwezel meeting always has been the best attended one. This year about 70 people applied and like last year Matron, a Scotch-man and Florian, a German, both from the (in)famous Kaervaig Pipe Club, were there. Tobacconist Rudi even brought a special guest, more about that later.

20150912_163327

Gates at the Deventer train station

The day of the meeting began at 07.30 am but I was already awake because of my bad back… Great, ageing… But when I came from under the shower and had a small breakfast (their would be plenty of food and drinks during the day) I felt re-energized and ready for the day. Normally good friend Ed would have picked me up but he moved away from his old town near me to a location pretty far away due to some private stuff. So now I had to first pick Mark up at the train station in Deventer. I parked my car there and texted him where I stood but no response. And I waited, and waited.. In the end he turned up. At the train station they have small gates and Mark’s public transport pass malfunctioned so only after a lot of trouble with the security guards he could get through. That soon was forgotten and we drove to a parking lot somewhere beside the highway where Ed waited for us together with Johnny.

Pipe-smokers munching away

Pipe-smokers munching away

After a pleasant ride we arrived in Wuustwezel where, just like the other times, our first stop was the local liquor store. Only once a year I get the chance to properly re-fill my beer basement and I take that chance with both hands (while carrying a stocked beer-crate of course). “No cash payment  because we got robbed” said a sign on the door. How sad.. I mean, Belgian beer is so delicious that one could steal it but to actually do that.. Bastards.. Inside the store I noticed I was not the first Dutchman there that day because the shelf with the delicous St. Bernardus Abt 12 was already half empty. Luckily there was enough left and together with my standard favourites and a few tips from Johnny my beer basement bulges out again now. Then we went to the snack-bar. Unfortunately Zodiac from last year closed down permanently. No not the recession, the owners were old and decided to quit. Thank the fried-heavens another snack-bar was open, the one we went to in 2014: Fritsnack, with the remarkable choice of Dutch (sweet) and Belgian (sour) mayonnaise. I went for the Belgian one this time together with a snack called “Twijfelaar” (doubter), which includes small bits of all their meat snacks on one stick, very yummie! Half the establishment was already taken by hungry familiar looking pipe-smokers under which Matron and Florian (this time with no hang-over from the previous evening). Matron had brought the prices which I won at the KPC raffle with him: a tin of Bothy Flake and Holger Danske Royal Navy Flake. Thanks! I sat across Arjen who had a big portion of fries (and in Belgium that is BIG, I had a medium fries which was too much for me..) together with two more snacks. While we were talking I watched with amazement how he devoured it all in no time. Wowzers!

Rob and his home-made tin-guitar

Rob and his home-made tin-guitar

When we arrived at the Bellekes Hoeve, the location of the meeting, organiser Jan sat beside the door to collect the money for the traditional Belgian sausage rolls and rent of the place. Which by the way was only €1 per person due to the fact we drank so much last year. Jan used the profits he made then to keep the entrance fee low for us. First thing I did when I put away my belongings and shook a few hands was order a Vlaamsche Leeuw at the bar. Utterly delicious! Which was also the opinion of Matron, Florian and Ed who all praised the Belgian beer. Then I bumped into Rob who had made a guitar out of an empty tin of WO Larsen Indigo, hilarious! On a table I made some space to place a mason jar which had to serve as a money box. In September my girlfriend Ellen is going to climb the Mont Ventoux in France for a cancer fund. Louis, one of the forum members, suggested that I put a money box at the meeting so people could make a small contribution. Well, small, in the end €131,60 was put in the mason jar! So unbelievably great! By the way, supporting Ellen is still possible through this site.

Marielle

Marielle

For Marielle I had some Amphora pouches. The evening before the meeting she asked on the forum if anyone had some and could bring it to Wuustwezel. Last year on the Inter Tabac PipesMagazine.com host Brian Levine gave me some Amphora pouches since MacBaren produces them. I never smoked Amphora and to be honest the blend not really seems my cup of tea, so giving hem away to a lovely lady was pretty easy. And in return she gave me a tin of one of the only aromatics I smoke: DTM’s Sweet Vanilla Honeydew. But I had more for Marielle. For some years I own a small 1980 Dunhill group 1 pipe which in essence is a ladies pipe. It came from the time when I snatched up every Dunhill below a certain price but I never had a click with it. So Marielle could have it, I mean, a pipe is meant to be smoked. But surprisingly she did not want it. What I did not knew was that Marielle is a filter-smoker and the Dunhill is non-filter. So she said “Give it to someone who really wants it and is really going to smoke it.” Ok, so if any female pipe-smoker reads this and you want this Dunhill, mail me at arnovangoor@gmail.com with a picture of yourself while smoking pipe and perhaps you are the lucky one! And gents, please no pictures of yourself in a dress or lingerie while puffing away ok? Thank you.

Per Jensen and his wife

Per Jensen and his wife

Talking about Amphora and MacBaren, Rudi tapped me on the shoulder, “Look there, our special guest, he wants to speak you”. I turned around and saw Per Jensen, the product manager of MacBaren who I already met at the Inter Tabac. Wow! I know he goes to big American meetings but a humble Dutch/Belgian one.. So nice to see and speak to him again. He brought all kinds of MacBaren tobaccos that are not for sale here so we could try them out. I lit up a pipe filled with the excellent HH Pure Virginia. Per had a question for me, he was busy with re-creating an old Amphora blend but he could not find any info of it. So if I perhaps could dig up some information. I’ll do my best Per! Of course I also had question for Per. This year I am busy with a new forum tobacco made by Samuel Gawith, but over 2 years perhaps MacBaren is a nice option. So a bit hesitant I asked Per if he was interested in producing one of our forum tobaccos. Hesitant because I know MacBaren only produces large quantities and around 250 tins is just total peanuts for such a company. But surprisingly he was willing! I get back to you in 2 years Per!

Freek

Freek

The generosity of the people on the forum never ceases to amaze me. I saw Freek sitting and he motioned for me to come closer. Last year at the Heukelum meeting I got a bottle of Westvleteren blond from him. One of the best blonde beers I ever drank. But now with a sly smile he produced 2 bottles of the mythical Westvleteren 12! “Here, these are for you. They were a gift to me but I don’t really like the beer.” Wowowowowowow!!! I mean, Westvleteren 12 is chosen as best beer in the world multiple times. What Balkan Sobranie is in the pipe-tobacco world, Westvleteren is in the beer world in my opinion. Last week I drank one bottle and I must say, a truly exceptional brew! Thanks Freek!

Klaas on the left

Klaas on the left

Still with a smile I bumped into Klaas, one of my pipe tobacco mentors. “Arno, I enjoyed your Upper Ten blogpost so much, here is a tin of De Graaff Kegelbaan for you.” Wow again! One of the earlier latakia blends I smoked through Klaas was the no longer made Kegelbaan, one of the house-blends of the once famous tobacconist De Graaff in The Hague. This mixture is really something special and spoiled my taste buds. It contains Syrian latakia, Old Belt Virginia, Brown Cavendish and the elusive Yenidje. Thanks Klaas! Later I spoke with Andre, who has a very good site where he sells refurbished estate pipes for beginning pipe smokers or people with a small budget. At Heukelum he gave me a blasted Orlik bulldog, a surprisingly fine smoker, and now he produced another Orlik, a good looking billiard. I could also have that one. Thanks Andre!

print-19-mar-2016_em5-7612Suddenly every one was being hushed to silence. Nick took the floor and directed himself towards Arjen. In a couple of months Arjen is getting married with a lovely Canadian woman called Misty. Behind his back the forum members collected money so we could give them a dinner at a restaurant. Well, we ended up with giving the soon to married couple a 5-course meal at the fancy Las Palmas restaurant, a night at the Hotel New York Rotterdam and two glasses and a bottle of bubbles.

WinslowYou probably know the feeling when you see a pipe and that it just speaks to you like in, I am beautiful, I will smoke good, buy me! I got that when I looked at a pipe amongst Rudi’s wares. A gorgeous D-grade Winslow bamboo. It was precisely what I was looking for, a small to medium sized pipe in which I could smoke Virginia or VaPer mixtures and flakes. And Winslow bamboos are relatively rare. I already have one (a B-grade) which is a terrific smoker. I must say, all my Winslows are excellent smokers and I can’t say that of all my Dunhills.. Rudi saw me (almost drooling) looking at the pipe but the only thing holding me back was the price. But Rudi knew he had the fish on the hook and only needed to haul it in. He made me an offer I could not refuse, a discount. I immediately shook his hands, the deal was closed.

IMG_0138I am a big fan of Lemmy from Motörhead and so is Matron. When we heard about his death we were both devastated. During an e-mail conversation we came up with the idea to bring a toast to Lemmy in Wuustwezel. Of course that would happen with the favourite drink of Lemmy, a Jack Daniels/cola. So I brought half a bottle of Jack with me (the other half I drank on the evening of the day I heard Lemmy died..) and to my delight I saw that Matron had taken 2 Motörhead shirts with him. His shirt was without sleeves. “You know, this shirt once had sleeves. But on a day when I was hiking I realized I forgot to bring tissues with me when I just had taken a shit. So I ripped off the sleeves of my shirt…” The shirt he had for me was a perfect fit, “size fat bastard” he said to me with a wink. We filled our glasses and raised them in honour of our fallen hero. R.I.P. Lemmy!

My acquisitions

My acquisitions

In the morning when we drove to Wuustwezel Johnny said “Always when I go to a meeting time suddenly goes very fast from the moment I enter the building until I leave it.” I also precisely had that. It was a fun day as always, I had spoken with lots of people, also did not speak with lots of people (better next time!), the sausage-rolls were delicious, the tobaccos great, the beer tasty etc. Around 20.30 we shook hands with the remaining forum members and half an hour later (you know how it goes..) we finally sat in the car on our way home. After a long journey which seemed short we arrived at the parking lot beside the highway. It appeared our cars were well guarded by some men around and in a van who were.. Ehmm.. Jerking off. So we hastily said goodbye to each other (and of course wished the masturbating men a pleasant evening) and went on our merry way.

I want to thank Jan, Sas, Miep and Dirk for organising the meeting and keeping us all hydrated. All pictures were made by Klaas, Jan, Dirk, Nick and Jef.

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oremy_28oremy_71EDIT 09-05-2016: The Dunhill ladies-pipe has a new owner! Lots of pictures of ravishing pipe-smoking ladies were send in. Some even showed me totally new and quite interesting ways to smoke a pipe.. And no you pervs, I won’t show those photos! In the end there was a clear winner: Italian pipe-smoking lady Emilia. She is the vice-president of the Pipa Club Italia and owner of one of the biggest pipe-smokers website communities: Fumare la Pipa. She started smoking when she was 21 years old. Her first pipe, a Savinelli, was given to her by a friend. Her second pipe she bought at the Peterson factory during a study-holiday in Dublin. Today Emilia attends many events where she had the opportunity to meet many pipe-smokers and pipe-makers (like Tom Eltang and Manduela). For 90% Emilia smokes Italian made pipes. Her favourite is the Kronos pipe, made by Bruto Sordini from Don Carlos. Surprisingly (for a woman) Emilia likes the taste of latakia! Her favourite tobacco is GL Pease Maltese Falcon and she often likes to smoke Tuscan cigars. Emilia is also participating in the slow smoking Italian Championship for several years. Last October she even contented in her first World-Championship in Italy near Venice: 71st out of nearly 300 participants. Currently she holds the women’s title in Italy. Emilia, I wish you lots of happy smokes with your Dunhill!

Sniff that snuff

First snuff acquisitions

First snuff acquisitions

I was introduced to the wondrous world of snuff tobacco by Rob during the last Zutphen meeting. There I had some Pöschl Gletscherprise and I actually quite liked it. Some weeks later I went to a local tobacconist and bought all the snuff tobaccos he had (sadly not much..). Being a cheap Dutchman I must say, snuff taking is a lot easier for the wallet as pipe smoking! I started using it on a regular basis, for example at the office. Because of my stomach problems I unfortunately can’t really handle coffee any more and a sniff provides just the kick I need. In the time that followed I purchased more grinded tobacco products from another snuff snorting nation, England, and discovered to my amazement that snuff is still being made here in The Netherlands! But first some history and please remember, I am leaning here very, very heavily on Wikipedia.

Brazil natives taking snuff

Brazil natives taking snuff

Native people from Brazil were the first that grounded tobacco to snuff. They would grind the tobacco leaves using a mortar and pestle made from rosewood, so the tobacco also got that delicate aroma. The resulting snuff was then stored airtight in ornate bone bottles or tubes to preserve its flavour for later consumption. Snuff-taking by the Taino and Carib people of the Lesser Antilles was seen by Ramón Pané, a Franciscan monk, on the second voyage to the New World by Colombus in 1493. Friar Pané’s return to Spain with snuff signalled its arrival in Europe.

Front of the Real Fábrica de Tabacos

Front of the Real Fábrica de Tabacos

In the early 16th century, the Spanish Casa de Contratación (House of Trade) was established. It held a trade monopoly in the first manufacturing industries of snuff in the grand city of Seville, which became Europe’s first manufacturing and development centre for snuff. The Spanish called snuff “polvo” or “rapé”. At first there were independent production mills were scattered throughout the city but were eventually concentrated in one place for health reasons and to facilitate state control of the activities. Seville’s (and Spain’s) first tobacco factory was in the Plaza de San Pedro in the heart of the medieval city. In 1725 it was decided to build a large and grand industrial building outside the city walls. And so the mighty Royal Tobacco Factory (Real Fábrica de Tabacos) was built. It became Europe’s first industrial tobacco factory and Spain’s second largest building at the time. At first snuff was produced and tobacco was auctioned. Later the famous “cigarreras” got to work there and more emphasis was put on cigars. For more info about tobacco in Seville and the Real Fábrica de Tabacos please read my 2 blogposts “Springtime in Seville” part 1 and part 2.

Jean Nicot

Jean Nicot

In 1561 the French ambassador in Lisbon, Jean Nicot, introduced snuff to the Royal Court of Catherine de’ Medici to treat her persistent headaches. She was so impressed with its relieving abilities that she promptly declared the tobacco would henceforth be named: Herba Regina (Queens’ Herb). Her royal seal of approval would help popularise snuff among the French nobility. In 1611 commercially manufactured snuff made its way to North America. John Rolfe, the husband of Pocahontas, introduced a sweeter Virginia variety which was also used for the production of snuff (also see my blogpost “Voluptuous Virginia“). Though most of the colonists in America never fully accepted the English style of snuff use (they preferred chewing or dipping tobacco), American aristocrats used the product. Snuff use in England increased in popularity after the Great Plague of London because people believed snuff had valuable antiseptic properties, which boosted its consumption. By 1650 snuff use had spread from France to England, Scotland, Ireland and throughout Europe, as well as Japan, China, and Africa.

Snuffy Charlotte

Snuffy Charlotte

In the 17th century some prominent opponents to snuff-taking arose. Pope Urban VIII banned the use of snuff in churches and threatened to excommunicate snuff-takers. In 1643 in Russia, Tsar Michael,who prohibited the sale of tobacco, instituted the punishment of removing the nose of those who used snuff, auwtsch! On the other hand, King Louis XIII of France was a devout snuff-taker. By the 18th century snuff had become the tobacco product of choice among the elite. Snuff use reached a peak in England during the reign of Queen Anne. It was during this time that England’s own production of ready-made snuff blends started. Prominent snuff users included: Pope Benedict XIII who reversed the smoking ban set by Pope Urban VIII. King George III‘s wife Queen Charlotte, referred to as “Snuffy Charlotte”, who had an entire room at Windsor Castle devoted to her snuff stock! And King George IV, who had his own special blends and hoarded a stockpile of snuff. Napoleon, Lord Nelson, the Duke of Wellington, Marie Antoinette, Alexander Pope, Samuel Johnson and Benjamin Disraeli all used snuff, as well as numerous other notable persons. The taking of snuff helped to distinguish the elite members of society from the common people, who generally smoked their tobacco.

English Rose snuff

English Rose snuff

Unfortunately the image of snuff as an aristocratic luxury resulted in the first U.S. federal tax on tobacco, created in 1794. In the late 1700’s, taking snuff nasally had fallen out of fashion in the United States. Despite this, during the 1800’s until the mid 1930’s, a communal snuff box was installed for members of the US Congress. Perhaps because a floral-scented snuff called “English Rose” is provided for members of the British House of Commons. This is due to smoking in the House being banned since 1693. A famous silver communal snuff box kept at the entrance of the House was destroyed in an air raid during WWII. A replacement was presented to the House by Winston Churchill. Sadly very few members are said to take snuff nowadays. In the 20th century the rise of cigarettes and cigars pushed back the use of snuff. However, in recent years, because of the ban on smoking in enclosed public places, the practice of snuff-taking is once again gaining popularity among men as well as women. This goes especially for youngsters from Morocco, Cape Verde and Germany.

Old memorial stone of

Old memorial stone of “De Snuif Molen” in Amersfoort

Here in the Netherlands we were snorting away vast quantities of the finely grinded tobacco product by 1560. Besides, we made some of the best snuff available in the city of Amersfoort, it even was more famous than the stuff coming from Virginia! It was exported to most West- European countries, in which Germany, France en Italy were the biggest consumers. Snuff was also used in the mines in Limburg because underground the miners could not smoke because of the explosion danger. Of course snuff was also produced in other places like in for example Rotterdam. And, how very Dutch-like, it was made there in windmills. Now only 2 of those mills remain: “De Lelie” (The Lily) and “De Ster” (The Star). The great thing is, they are still in operation!

Lelie windmill

Lelie windmill

In 1740 “De Lelie” windmill was built, although its name back then was “De Ezel” (The Donkey). The first mention of “De Lelie” windmill (I guess they renamed it) was found in a deed of sale from 31 January 1777. Thijs van Zevenster and Jacob van de Werken then sell a piece of land with a windmill on it. After several owners the mill, together with a house and warehouse, was sold to Isaac Hioolen, master baker in 1803. Apparently business was going well for Isaac, because in 1829 he gave orders to constructed the corn-mill “De Nieuwe Star” (The New Star) at the Korte Kade in Kralingen. Sadly, when some years passed by, after being struck by lightning the mill burned down. At the site snuff and spices mill “De Stier” (The Bull), coming from Rijswijk (windmills are in essence big construction kits, dismantling and reconstructing is pretty easy), was rebuild in 1865. This mill was named “De Ster” after his predecessor.

De Ster

De Ster windmill

The following Hioolen generations mainly focused on the production of snuff and spices. After the possessions of the Hioolens at the Kralingse Plas were expropriated because of the planting of the Kralingse Bos, the mills were rented to the foremen in 1916. When in 1962 “De Ster” burned down for the second time it brought an end to an industry that for over 160 years had existed at Kralingen. In 1970 the reconstruction was completed and since then the windmills were managed as a monument. In 1996 an enthusiastic group of volunteers began with making visible once again the old ways of snuff manufacturing to a wide audience. Interested folks, families, everyone can visit the windmills now and see how the snuff and spices are still made there.

IMG_3669So a select group of pipe-smokers of the Dutch/Belgian Pipe Smokers Forum stopped by the Kralingse (part of Rotterdam) snuffmills on a lovely Saturday. A bit too lovely because when we arrived the wings of mill were not turning. Oh well, we went inside and were warmly greeted by miller Jaap Bes. We sat down in a rather small room which served as reception chamber, canteen, museum and shop. Jaap is a retired teacher what was noticeable because with a natural calmness he stood before us and begun to tell about the history of the mill and his work. He also had prepared a sample of a new snuff with a mocha and coffee aroma but he was not really satisfied with it. Which shows his drive for perfection. I had a sniff of it and had a bit the idea that I was snorting grinded coffee.. Jaap also had an old book which practically fell apart with brown pages from 1862, with in it all kinds of snuff recipes! A lot of the current mill snuff offerings come from that book. Although often a bit changed. I mean, river-water as an ingredient? Not a good idea.. Soon we moved on to the spaces of the mill where the snuff actually is produced.

IMG_3693

Inside the mill

At the windmills two kinds of the grinded tobacco product are made: rapé (grated) snuff and stem snuff. The latter is made from the stems and midribs of tobacco leaves and also whole leaves. Those are chopped directly in the casks in the mill. After that the snuff is sieved and grinded with the millstone, it is often mixed with flavourings such as rose oil, lavender oil and menthol. The mill only uses 2 species of tobacco: Virginia and Kentucky. 3 kinds of stem snuff are made: Virginia, fermented Virginia and latakia. Huh?? Latakia? Well, ehm, no. Despite in the old days the more mellow Syrian latakia was used for the making of snuff, the latakia of the mill is in fact Kentucky and Virginia. The Kentucky is fire-cured so the snuff gets a smoky aroma. First the raw leaves are sauced, then chopped, sieved, grinded and flavoured. Only the delicious Latakia Ao 1860 has no flavour. I also recommend the A/P and prize winning Chococrème-L- snuff. The Virginia snuff is the most easy to make. The raw leaves are not sauced but immediately chopped, sieved, grinded and flavoured. A good example is the Prins Regent snuff. With the fermented Virginia the raw leaves are sauced, chopped, sieved, grinded and flavoured. Then ammonium chloride and potash are added and the whole is put away for a while for further fermentation. After that you get a snuff like Son de Tonca No. 1.

Rob with a carrot

Rob with a carrot

To make the rapé, first the tobacco leaves are sauced. The composition of the sauce differs per snuff. Frequently used ingredients are for example kitchen salt, potash, rose water, liquorice water and juniper berries. After the saucing the tobacco leaves are stripped, weighed, wrapped in a linen cloth and entwined with a tight rope. This process is repeated after a week or two, then the rope and the cloth are removed. The carrot (such as the tobacco bundle is now called) is wrapped again, but now with a thin rope. That process is called “ficelleren”, I found no real English translation of it but “thin frapping” or “thin winding” comes near. Then the carrots go in storage so the fermentation process can take place. This can take months, sometimes years, but mostly about half a year. After the fermentation the carrots are finely grated or chopped. The name rapé snuff is derived from the French word for grating. Instead of grating by hand, carrots are also chopped in the mill. St. Omer No.1 is the name of the only rapé snuff that is sold.

Jaap preparing a carrot

Jaap preparing a carrot ©Jan

It was fascinating to see Jaap preparing a carrot. All the handwork that comes with it.. Very labour-intensive! Suddenly outside the wind picked up and the mill sprang to life. Around us big and smaller wooden and metal parts grabbed together, moved, twisted and turned in a cacophony of movement and sound. Like being inside an old fashioned clock, just magical. When we went to the top of the mill I even got more respect for the people that once designed such a building. All that machinery that works from just a rotation of the blades, amazing! After the tour we of course could not resist buying vast quantities of the excellent quality snuff Jaap and the other volunteers made. The visit ended at neighbouring restaurant “De Tuin” where we had a pleasant High Tea. Other customers certainly must have thought we were “high”, seeing us snorting away our new acquisitions.

Schnupfer_correctedNow a bit about the technique of snuff taking. It is with snuff as it is with pipe tobacco, every snuff requires a sniffing technique of its own. In general, do not sniff too hard. It will get in your throat then which is not a nice experience, believe me! Just slowly but surely inhale, one nostril at the time. You want the snuff to be in the lower part of your nose, not fully up there, so you can taste it. With some snuffs you will have to sniff a bit harder, softer, longer or shorter. Experience is the key. Which way to take snuff  depends for a great deal on how it is packaged. Here are some methods.

IMG_39261. The anatomical snuffbox. When you stick out your thumb sidewards a small hole will appear in which you can put some snuff. I use this method with packages with a small hole.

2. The three finger method. Put your index finger, middle finger and thumbs together. This creates a space in which you can put the snuff. I use this method with packages with a small hole.

IMG_39163. The “take a pinch method”. Take a pinch of snuff out of the tin between your index finger and thumb. I use this method with classic snuff tins.

IMG_391624. The “classic take a pinch method”. Take a pinch of snuff out of the tin between your index finger and thumb. Then move the index finger a bit back across the thumb. I use this method with classic snuff tins.

Here are some personal snuff recommendations:
– Bernard: Fichtennadel
– De Kralingse Snuifmolens: A/P, Chococrème-L-, Latakia A0 1860, Prins Regent, Son de Tonca No. 1, St. Omer No. 1
– Fribourg & Treyer: High Dry Toast
– McChrystal’s: Original & Genuine
– Pöschl: Gawith Apricot, Gletscherprise, Ozona
– Samuel Gawith: Kendal Brown Original
– Toque: USA Whisky & Honey
– Wilsons: SP Best, Grand Cairo

Here some informative links (if you know more links, let me know!):
– THE snuff forum with very friendly folks: Snuffhouse
Modern Snuff

Some nice videos (in Dutch) from the snuffmils:

Last but not least a short clip of the immortal Laurel & Hardy

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UPDATE 20-10-2016: Sadly De Kralingse Snuifmolens stopped selling snuff.. On Snuffhouse.com miller Jaap Bes explains it: Thanks for all your kind words. We are talking about to things that make me decide to stop selling snuff. First the mills are sold to a new owner without any consultations of the crew who runs the mills and this means we are not certain about the future. I intended to go on and look how things should go. Secondly I looked into the new EU regulations for tobacco: http://ec.europa.eu/health/tobacco/docs/dir_201440_nl.pdf Was it before this regulation became law in The Netherlands it was enough to fill out the forms about the products we make and the ingredients we use. Now we have to make determinations for example of the pH and % nicotin in every product.Also we have to give the exact tobacco composition of each product and also of all our used ingredients. All these demands can fulfilled by commercial companies, but as we are a non profit organisation run by volunteers with the aim to preserve historical production methods we can not. So I decided to stop selling snuff all together.

Marvellous Motzek

Herbert Motzek

Herbert Motzek

Like I said in my last blogpost “Luxury tobacco from Lauenburg” this year the destination for the summer holiday of Ellen and myself was Germany. Of course I planned to visit several tobacco-shops and the number 1 on my list was the store of Herbert Motzek in Kiel, one of the major maritime centres of Germany. With a lot of you the name “Motzek” will ring a bell.. Motzek.. Motzek.. Ah! From the Strang-Curly (rope-curly)! I first heard of the existence of that tobacco from Dutch pipe smokers forum member and walking pipe and tobacco encyclopaedia Huub, who has been smoking it, to his utter delight, for years. But that excellent tobacco is not the only thing Motzek has to offer..

Tobacco tins stacked up to the ceiling

Tobacco tins stacked up to the ceiling

The store is located at a busy street with lots of traffic and in front of it beside the door the Dannebrog, the Danish flag, proudly flutters. The signal that the business of Motzek, which he operates with his from origin Danish wife Lizzie (hence the flag) since 1975, is open. Inside the store the sound of buzzing traffic becomes even less than a background noise and a relaxed atmosphere prevails. Smooth jazz music is playing through the shop and behind the counter the tobacco tins are stacked up to the ceiling. As soon as I saw Herr Motzek I immediately began to ramble about the Strang-Curly and ask him questions. “Easy, easy! Time enough, do you want some coffee?” Ah! The sign of an old-world tobacconist. We were placed in some soft chairs and the hot dark liquid was served. Motzek sat opposite us and took a good look at me. “An old habit, when a new customer comes in, I always ask myself, what pipe would probably look good with him. But please, fill your pipe and smoke something!”

IMG_3276For me the shop has one big plus, cigarettes are nowhere to be seen! Motzek fulfils the wishes of smokers who smoke for their enjoyment. In 1978 he received a license for (pipe) tobacco production (recognizable by German tax number 12502) and is the only tobacconist in Germany who produces his own tobacco. Well, that is not entirely true, Herr Motzek does not produce tobacco himself. In a factory in a small town just a couple of kilometres outside of Kiel the entire range of Motzek tobaccos is made by his wife Lizzie. “She has acquired loads of knowledge at seminars and trainings, that is why I leave the mixing to her. However, for the final end control I take over again because I want to exactly know what I am selling.” In addition to the finest cigars from around the world in one of the largest walk-in humidors of Schleswig-Holstein, the shop holds a wide range of pipes. Currently about 1000 pieces. But there is something special. Not only can you buy pipes from well known manufacturers like Winslow (a personal friend of Motzek), Peterson, and Vauen but you can also purchase a real “Motzek”. Herbert Motzek is the only pipe maker in Kiel and one of only a few in Schleswig-Holstein.

3Together with the opening of his business Motzek learned the craft of pipemaking from Viggo Nielsen in Danish town of Faaborg. “I did not only wanted to sell pipes, I also wanted to know how they are made.” says the trained stained-glass painter (his original profession). The thought behind it was originally that Motzek could offer his customers a low-cost repair service without long waits. From that the pipe making has grown. “At some point I was ready, so I dared to offer my pipes for sale”. 6 to 10 hours, from start to finish and nearly 80 individual steps it takes to produce a pipe in his small workshop. Motzek manufactures about 40 to 50 pipes per year, mostly on order. “First the pipe should smoke technically perfect, second comes the design that can extra delight a customer.” says the 69 year old. Even if the design is of secondary importance, the fact is that the pipes must smoke well and look good. So each piece of briar Motzek takes into his own hands in order to “read it”. To look closely at the wood and its grain before going to work. And sometimes it brings out so much that it is difficult for him to sell the pipe. “I have a pipe that I am working on for almost 13 years. That is perhaps my masterpiece. It has a perfect birds eye but I dare not properly complete it, because there is a small chance it might break..” Motzek gets a lot of recognition and positive reactions from his customers. For him the joy of a customer when he smokes a Motzek-made pipe or tobacco means almost more than the money he gets for his work.

4When asked if he had famous people in his store he nods. “Oh yes, Sigfried Lenz, Vanessa Mae, Herbert Wehner, Vicky Leandros, Blacky Fuchsberger… Motzek thinks and sighs wistfully. “I had so many customers in this store. Especially creative people took on pipe smoking. The looking into the smoke, slowly sipping the pipe, the thought and consideration process. That has inspired artists.” says Motzek philosophically. In Berlin’s trendy pubs young hipsters transport pipes in their jute bags back and forth. But whether this trend also goes for the rest of the country? Kiel certainly has not been reached yet. Motzek is increasingly relying on his regular customers. “Every time pipe smoking is a new trend, but it is also politically incorrect. Why do many public persons smoke in secret? The times when Helmut Kohl (former Chancellor of Germany) was still to be seen with his pipe on the election poster are long gone. Once the pipe was a symbol of reliability and dependability. Today society is health conscious and keeps on doing fitness into old age. The pipe does not fit with that.” With his 69 years Herbert Motzek thinks harder and harder about quitting. Only one problem, “I can let go so badly.”

Me and Motzek

Me and Motzek

The fact that a visit to the store for customers is not “just” shopping almost goes without saying. Things are not “just” bought. There is conversation, there is smoking going on and there are discussions on equal terms. But many customers Motzek does not know personally, a sign of the times. Even on the Internet he sells his wares to customers throughout Germany, The Netherlands, England, the Mediterranean region and several other countries around the world even as far away as Dubai. Asked about the health hazards of smoking Herbert Motzek responds with a sly smile with a quote from Swiss-German physician Paracelsus (1493 – 1541): “Dosis facit venenum. All things are poison. Only the dose makes that a thing is not a poison.”

At the shop I bought two of Motzek’s house-tobaccos. Of course the well known Strang-Curly but also an English blend: Herbst 84. I already knew the Strang-Curly, I received samples from forum-member Smoking Rob from both the cut and uncut version for which I am still grateful! Here is a review of the two blends.

motzek_packagingPackage/tin description (translated from German):
Strang-Curly:
A strang (rope), a speciality, rare to find nowadays: fine virginias filled with dark burley are spun together with a spicy but mild perique. This speciality is for connoisseurs, we deliver it cut or uncut. The strang is packed in a large sealed zip-lock bag of 100 gram.
Herbst 84: The classic amongst the English mixtures. Fine oriental tobaccos, bright light and red virginias are rounded off with spicy latakia. The slow cool burn guarantees a high smoking pleasure.
The mixture is packed in 50 gram pouches and sealed zip lock bags of 100 and 200 gram.

IMG_3667Contents/cut:
Strang-Curly:
Virginias, burley and perique. It is a rope tobacco which is a delight to look at. In general the core of the rope is a bit darker with lighter leaves around it with traces of tobacco-stems in between.
Herbst 84: Bright light and red virginias, oriental tobaccos and latakia. Remarkably Motzek still has some Syrian latakia, although not much, only 20 kg is left from his once large stock. “I can’t get it any more these days..” he sighs. When I asked if Syrian latakia was used in Herbst 84 he was unsure. “My wife better knows the exact ingredients of the blends. But if it is in, it only will be a couple of strands..” It is a ribbon cut with a beautiful presentation of light and dark tobacco strands.

noseSmell from the pouch/bag:
Strang-Curly: An earthy but sweet and inviting smell comes from the strang. Hay and figs with a slightly dark nutty undertone are pleasing my spoiled nostrils.
Herbst 84: When I opened the pouch I immediately thought that the name of the blend was well chosen. It brings forth a pleasant, earthy and slightly salty peaty smell that is strongly reminiscent of autumn leaves, forest floor and freshly harvested fields. In my head it smelled like a mix of Samuel Gawith’s Squadron Leader and Pipes & Cigar’s Magnum Opus. Needles to say, my anticipation grew.

011Taste:
Strang-Curly: A few puffs after lighting the pipe-bowl the mildly sweet virginias come forth upon a broad earthy, yeasty and slightly nutty layer. The flavour is complex but almost unbelievable very well balanced. It grabs your attention and basically stays the same throughout the bowl. I would almost say it has a signature taste, once you smoked it you can recognize it blindfolded a next time. Towards the middle of the bowl the flavours broaden and become a thoroughly enjoyable symphony of natural tobaccos. In short I would say, think of toasted bread with some walnuts on it and a small splash of honey. I can’t really detect the perique but I guess it adds some zest to the strang. At the end of the bowl an ashy taste begins to appear. A messenger that the fun is almost over. Oh, I very much recommend the uncut Strang-Curly as opposed to the cut version. The taste is just, fuller, better, more intense.
Herbst 84: What can I say, like the strang this one is also unbelievable very well balanced. The smoky latakia stays in the background throughout the bowl together with the orientals and both support the dominant and sweet virginias in perfect harmony. Mid-bowl the floral orientals pop out now and then which provide interesting counter-flavours to the virginias. Towards the end of the bowl the well orchestrated blend gradually fades out into grey ash. Like with the smell I also had to think of Samuel Gawith’s Squadron Leader and Pipes & Cigar’s Magnum Opus when smoking it.

IMG_3664Miscellaneous:
Strang-Curly: The strang is wetter than Ellen when she sees me coming out of the shower.. I am used to tobaccos that are pretty moist (hello Samuel Gawith flakes) but this one requires some serious drying time. At least 2 to 3 hours. Or less if you nick the hair-dryer of your friend/girlfriend. I tend to rub out the cut coins, it makes packing the bowl easier. Nicotinewise the strang is medium, it won’t kick you off your feet but will satisfy your cravings.
Herbst 84: The blend packs and burns perfectly. Although it dries out pretty fast in the pouch. Motzek refuses to use hygroscopic agents like sorbitol, propylene glycol and glycerine to keep the tobacco wet. Only water is used to moisten the tobacco.

thumbs2Room-note:
Strang-Curly: Ellen has no trouble when I smoke this one inside. Although I kind of dislike the cigarette-like odour in the room the next morning.
Herbst 84: Because it is not a latakia-bomb Ellen has no objections when I smoke Herbst 84 inside. The next morning only a slight incense odour was left.

moneyPrice:
Strang-Curly: Tobaccos made by Motzek are relatively cheap compared to other German offerings. 100 gram will only cost you €15,50 (± $17.28)
Herbst 84: A 50 gram pouch will set you back at €6,25 (± $6.97). 100 gram costs €12,- (± $13.38) and 200 gram €23,- (± $25.64).

IMG_3658Conclusion:
Strang-Curly: I congratulate Lizzie Motzek, this is the best rope tobacco I smoked so far. Period. It has a signature taste that does not get boring. And bear in mind that the strang I smoked was pretty fresh. Imagine what a few years of ageing will do. Ooooh yeah…
Herbst 84: For me this is one of the best latakia-blends made on Europe mainland. It utterly surprised me in a most pleasant way. I never expected such an excellent tobacco could come out of a pouch. I will be stocking up on this one. Because it has a more than good price-quality ratio and who knows when Motzek finally decides to quit…

EDIT 01-12-2015: Sadly (for us pipe-smokers) Motzek decided to quit.. This is written (in German) on his website: After a working career of 51 years, 46 years within the industry and 40 years with my own business, I’m almost 70 now and I want to retire. I’m looking for an able successor for my unique shop (Cigar lounge, pipe repair shop, and tobacco manufacturing license) in Kiel. Interested parties please inquire per phone +49 431 554162.

EDIT 18-04-2016: Motzek’s retirement is definitive now. His website states that he will say “goodbye” Thursday 28 April 2016. However, the store is not closing down because Herbert has found a successor who will begin on 1 May. I heard that he is currently learning the ropes of making THE rope, the Strang-Curly. So I have high hopes that the legend of the Strang-Curly will continue.

EDIT 08-05-2016: The successor for Herbert Motzek is pipe-maker Thomas Darasz! He also took over the Motzek name and the tobacco tax-number needed for producing the house-blends (under which the Strang-Curly). So it looks like the future of the store is secured.

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