May 9, 2019

Lohmar pipe-show 2019, the last one…

One of the highlights of the year for me is always a visit to the Lohmarer Pfeifenmesse (Lohmar pipe-show) the first Saturday in May. So you can imagine the shock when I first heard that this years pipe-show would be the last one. What?? No more Lohmars? Disbelieve.. You know, beyond all the exhibitors with their beautiful wares I mostly enjoyed the atmosphere created by all the pipe-smokers. I met so many lovely people there. Organizer Volker Bier explained it all in a YouTube video. For those of you who don’t speak German, in a nutshell it comes to this: Next year the location where the pipe-show is always held, Villa Friedlinde, is getting a big renovation. So no activities then. Also Volker had enough of organizing the show year in year out. All those years were great, but now it is enough. Luckily two friends of Volker, Kelvin and Toto, stepped in. I was immensely happy to hear that next year a brand new pipe-show is organized by them in Hamm on May 16th.

Mark

Back to this year. Normally I would have drove along with good friend Rob, except he could not make it, he had to work. Regarding pipe-meetings it is “the more the merrier” so I asked Mark (the organizer of the annual Dutch pipe smokers forum Zutphen meeting) if he wanted to tag along. He was happy to go together with me. Only, one day before the pipe-show he texted me and I had to silently laugh a bit. The week before Lohmar Mark started in the gym, his first time ever. Being enthusiastic in trying to shed some weight, gain some muscle and improve his condition he tirelessly outdid himself. Only to discover that the next morning he could not get out of bed because of all the muscle pain. “If this continues I won’t be able to go with you tomorrow.. I can’t even get in the car this way!” he said. “Just relax and let me know early in the morning.” I answered. I was happy that apparently the aches lessened because Mark felt good enough to visit Lohmar.

The Lohmar 2019 pipe-show blend © HU Tobacco

The drive there went smooth despite the whimsical weather. Which was really sad because with almost all the previous Lohmar editions it was good to excellent. We arrived pretty early which had a reason, I wanted to go to the table of HU Tobacco as fast as possible. A couple of days before Lohmar I read on the Facebook page of Hans Wiedemann (owner and master-blender of HU Tobacco) that he was releasing a special pipe-show blend. A mixture of sweet Virginias, Burley and Latakia, advertised as: Is it a Virginia blend with Latakia in the background or is it an English mixture with a pronounced Virginia sweetness? But the thing was, there were only 50 tins! I tried to reserve a tin on Facebook and crossed my fingers. When I had finally reached Hans through the vast crowd at his table I was disappointed. All pipe-show tins were gone.. In fact, lots of Hans’ blends were already sold out! Especially the newer ones that I wanted to try.. So besides some tins that friends had asked me to buy I ended up with Moroccan Bazaar (as a lover of the oriental spice markets I just have to try this blend) and RaiKo InBeTween (formerly known as RaiKo ChocoLat, due to German regulations).

Thomas Nietsche putting some final drops of aroma on my No. 7 blend

Beside the table of Hans there stood a guy with lots of jars filled with all kinds of mixing tobaccos in front of him. It was Thomas Nietsche, the master-blender of Kohlhase & Kopp. I also read on Facebook that he and Hans had put up a contest. You could create your own blend there and let it mix by Thomas. After Lohmar all the entries are smoked and the best will become the 2020 Hamm pipe-show blend plus you get a €50 HU Tobacco coupon. I know I have been not so positive about Kohlhase & Kopp in the past but I have to say this was a brilliant initiative and Thomas is a very nice bloke. While I was waiting for my turn I explained to Mark (in Dutch) the purpose of all of this. “I understood some of that!” Thomas said jokingly while blending some tobaccos. When it was my turn I had a faint idea in my head. I wanted a kind of Balkan blend with a touch of aromatics. Very tricky because Latakia does not do well with added flavours. I instructed Thomas to begin with 30% Cyprian Latakia, then 20% orientals. I asked if he had a good Red Virginia and he did have some aged one, he put in 30%. To round it off I let him add 10% Bright Virginia and 10% unsweetened Black Cavendish. I already saw that he had some small bottles with concentrated flavours so I instructed Thomas to add just a few drops of milk-chocolate and vanilla essence to the mixture. The result was a blend that at least smelled heavenly. Vanilla-like toffee with a smoky background. Thomas saved a sample for the contest (entry no. 7 on the list) and the rest was given free of charge to me.

The Lucifer’s Pipe duke and HU Tobacco’s Moroccan Bazaar

Because of the bad weather it was crazily busy in the tents where a lot of the exhibitors showed their wares. I opted to go to the villa itself, still crowded, but more space to manoeuvre. Almost immediately I bumped into Rudi, Fred and Paul. Especially the last one I had not seen in quite a while. After talking a little bit we discovered we were in the way so I went along. There are many skilled pipe-makers at Lohmar but often the prices they ask.. Woww.. So I was pleasant surprised when I saw a pipe I wanted for a fair sum made by Berlin based Lucifer’s Pipe. It was a nicely shaped duke made of morta. Since I always wanted a pipe made of the dark wood I did not have to think long of buying it. I even got a discount without asking for it! When I turned around a gentleman approached me. “Hello Arno do you remember me?” Although his face was vaguely familiar I could not remember him. “I am Hans-Walter, we met here some years ago, there is a picture of me on your blog. Which I love by the way! The history of for example De Graaff or Capstan blends is what interests me.” Some wheels turned in my head and suddenly I remembered him. If you read this, Hans-Walter, sorry I did not recognize you immediately! I meet so many people… And thanks for your kind words! Hope you will come to Hamm next year.

Me fitting a bracelet, on the left is Adrian

Back in one of the tents I decided to pay a visit to Adrian. Every year he is there with his hand-made leather wares and is he a very nice chap. I always have to think a bit of Blackbeard the pirate when I see him. Well, actually I see him sometimes that way because Adrian loves to celebrate the carnival dressed up as a pirate in his home city of Cologne and puts pictures of it on Facebook. After talking a bit to him I took a look at his leather stuff and spotted a cool bracelet I liked. I fitted it and yes, I wanted to buy it. The price was a tad high but with my inborn Dutch skills I haggled it down. Mark also succeeded in that while buying a pipe at another stand, not my kind of pipe but really something Mark would go for. It is good we don’t all have the same taste.

The Ashton Pebble Grain I bought at Peter Heinrichs

Mark and I almost wanted to go (the weather got worse and worse) when we bumped into some Belgian pipe-smokers forum members: Geoff, Paul and his wife. We told them we were heading to Peter Heinrichs in Bergheim for a smoke in their pipe-museum/smoking lounge and maybe something to buy. The more the merrier so the Belgians agreed to join us. On the way really everything that could fall from the sky (except aeroplanes) hit us. Snow, rain, hail.. Blah.. When we arrived we were greeted by the widow of Peter Heinrichs (who is in charge together with her lovely daughters). I must say the old lady has an iron memory. Once I had mentioned I liked estate pipes, especially vintage Dunhills. So she produced some cases with in them old Dunhills, Charatans, Ashtons and more. I face-palmed myself because I knew this was going to cost me money. Lucky for my wallet there was no Dunhill that really took my fancy. But I did like an Ashton Pebble Grain Zulu like shape, which I bought. I also purchased a tin of Château Henri No. 24; Latakia from Syria (although I beg to differ…) and Cyprus, Virginia, a bit of Burley, orientals and Java-tobacco. In the smoking lounge I could not resist smoking the Lohmar No. 7. It was way to freshly mixed but despite that, not bad, not bad at all!

Dinner!!!

At 4 o’clock Heinrichs closed. I wanted to do some shopping at the German Lidl in Bergheim and afterwards get some dinner. The rest agreed and went with me. I just love to go to the Lidl in Germany. They have many products that we in The Netherlands do not have, they are cheaper and of better quality! Almost every time I am in Bergheim, regardless of whom I am with, I go to Dönerburger for dinner. It is a Turkish style take-away restaurant where you can also just sit and eat. Nothing fancy but the quality of their food is excellent and cheap. I repeat, cheap! That always makes this greedy Dutchman happy. I had a big plate of Döner kebab (lamb meat, I also had the choice to go for chicken) with fries, tzatziki sauce and a cola and I had to pay exactly €10! In The Netherlands you can’t go out and eat like that for that price.

The Belgians at the Rauch Lounge

To round off the day I proposed a visit to the Rauch Lounge in the German town of Wassenberg. I had never been there and since it was more or less situated on the way home (also for the Belgians) we decided to go there. Inside we immediately bumped again into Rudi, Paul and Fred. They had gone there directly from Lohmar. Very nice because now I had the chance to talk to them a bit longer. Rauch Lounge has not been active for long, since November 2015. I must say, kudos to them, starting a tobacco shop in these anti-tobacco times. The store is loaded with all kinds of pipes, tobacco, spirits and cigars. And the best thing, they have a modern smoking lounge which is open late. It was bigger than I had imagined looking at the pictures on their site. Mark and I picked out some cigars in the humidor and together with the Belgians we sat down and smoked. The day had been perfect, a fitting goodbye to the Lohmar pipe-show.

I would like to thank Volker Bier for organising all those excellent editions of the Lohmarer Pfeifenmesse, I will remember them fondly and hope to create new memories next year in Hamm. Further thanks go out to the convivial Belgian delegation, always nice and educational to talk to them and of course Mark, who had to endure my music and farts in the car. Sorry man! All pictures (except the © ones) were made by Mark and myself.

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January 3, 2017

State Express London Mixture

State Express London Mixture © GL Pease

The first time I read about State Express London Mixture was years ago in an article by master-blender GL Pease. It was about re-hydrating the bone-dry contents of an old tin of this classic English blend. What struck me most was not the story (although since then I often used the described re-hydration methods), but the picture on top of it. It showed the lid of a State Express London Mixture tin and I immediately fell in love with it. It had a classy, luxurious, nostalgic old world appearance which instantly appealed to me. So I went searching on e-bay and pretty soon I stumbled upon a sealed and unopened tin from the late 1980’s. To my utter joy I won the auction and soon I had the object of my desire in my possession. With trembling hands I pried off the lid and heard the beautiful hiss that indicates the air-seal was still intact. I filled up my pipe and here comes the sad part, at that point I only had been smoking pipe for about a year so I could not appreciate the blend. My taste-buds were not developed enough. I stashed away the tin until a year later when I re-hydrated the contents and tried it again. This time I was able to enjoy the mixture and acknowledge the genius of the blenders. It tasted absolutely great, a harmonious yet adventurous blend of bright golden Virginias, Syrian latakia and the costly Greek and Turkish (oriental) tobaccos Samsun, Izmir, Xanthi and Cavalla.

I always kept searching for another tin but that proved to be rather difficult. Or it was empty, or the seal had been broken, or it was too expensive or the seller did not want to ship to The Netherlands. A couple of weeks ago on an evening I spotted a tin. It looked somewhat rusty on some spots but eejj, that is the risk you have to take. But I kept that in mind, set the bid not too high and went to sleep. The next morning I saw to my utter amazement that I had won the tin! Needless to say, I was a happy man. When I received the package (with some extra customs office costs.. Grrr…) I had to laugh. In the box was a message which read: “This tin is old and contents are not for use! Frankly, it would choke a horse!” “Well, we will see about that madam ebay-seller!” I thought. I could not wait to open the tin. I felt like Howard Carter when I pried open the lid but unfortunately no hiss this time and indeed the contents seemed mummified. Of course I immediately started re-hydrating the blend.

In the mean time I started digging for information about the tin. On the seal it said “US Distributors Faber, Coe, & Gregg Inc. Newark, New Jersey 07108”. I had no idea so decided to ask for information on the PipesMagazine.com forum. Luckily Jon Guss roams there and Jon is a first class researcher and author of many pipe and tobacco related books and articles. He saw my question and responded: There are two key indicators that enable me to date it to within a relatively narrow span: the measurement of the weight of the contents, and the reference to a Newark address. When first released (about 1967) SELM (State Express London Mixture but shorter) tins were denominated in ounces; sometime over the course of 1972-73 this was switched to 50 grams (listed as 1 3/4 oz in the States). As for Faber Coe’s location, their NJ headquarters address changed from Newark to Clifton in the second half of 1978. Your tin therefore dates from 1972-78. That could be narrowed a bit further by consulting RTDA annuals for 1972 and 1973, neither of which I happen to have handy. But in the scheme of things knowing your tin is forty years old plus or minus a couple of years is a pretty good outcome. So in other words, I could have a birth-year tin in my hands! Whoohoo!

Ardath tobacco offices and factories in 1914

I was already happy with this bit of information but Jon came with even more! A history of the blend and Ardath, the manufacturer: State Express London Mixture was made by Ardath Tobacco Company, Ltd. There is info readily available online about Ardath (much of it wrong or misleading), but in a fairly small nutshell what later became Ardath Tobacco Company, Ltd. was founded by Albert Levy in 1895. He was joined by a partner, Barnett S. Gluckstein, in 1903. In a complex set of transactions apparently triggered by his desire to retire, in January of 1926 Gluckstein sold his shares “to a financial house in the City” and a holding company was created which held all the outstanding shares (Gluckstein’s and Levy’s) of Ardath.

At the time it was coyly announced that British American Tobacco Company Ltd. (BAT) had acquired an “interest” in this new holding entity, and a collaboration in overseas markets was to begin immediately. Levy, who remained as head of the company, announced that despite BAT’s interest, the business of Ardath would be “carried on independently, exactly the same as before”. Half a year later it became clear that the new holding company (“Universal Tobacco Company”) was in reality controlled and managed by BAT, and Ardath had become in essence a subsidiary. The long sad litany of events Ardath suffered under its new master, including the eventual outsourcing of its manufacturing and closure of its factories, is wholly irrelevant to the story of SELM. Likewise the convoluted relationship between BAT, Imperial, and what remained of Ardath’s brands and the geographic rights thereto.

The famous State Express 555 cigarettes

More to the point, by the time SELM came on the stage in the late 1960s Ardath had been a creature of BAT for generations, and what remained of the original company was apparently mostly a collection of brand names (along with a distribution function tacked on later). By then State Express, originally a cigarette brand trademarked by Ardath in 1896, was one of the largest assets left over from the Ardath acquisition, and had been exploited over time through a series of brand extensions and entries into international markets. SELM, a new pipe tobacco based on the marque, was developed in the mid-1960s. It was then trademarked in a variety of countries, including Canada (March 20, 1967), Australia (April 21, 1967), the U.S. (April 4, 1968), Germany (March 30, 1969), and Kenya (1970). It was advertised for sale in the US by the end of 1968. Internal company documents make it clear, however, that despite the various international trademark filings the blend was “created largely with the U.S. market in mind”.

State Express London mixture trademark

As far as I can tell SELM was only ever available in 2 ounce (from launch until about 1972-73) and 50 gram (1972-73 onward) rectangular tins. The product was considered to be successful enough that two expansions were considered: a) introduction into the UK (per documents dating to late 1974), and b) development of a cigarette incorporating SELM tobacco. It’s not entirely clear to me whether either ever got off the ground. I should add SELM had a run of a bit over two decades. It was withdrawn from production sometime between 1989-1992: SELM appears in the 1988 RTDA almanac, but the US trademark was allowed to expire on November 3, 1992. It remains possible that the blend continued to be available in other countries thereafter, but given the importance of the US market to the brand that seems unlikely.

Now over to the review of the blend, I go a bit back and forth between the 1970’s and 1980’s version.

Description from the producer – Package/tin:
At the bottom of the 70’s tin you can read: Bright Golden Virginia and dark latakia spiced with rare Greek and Turkish tobaccos. Further on the bottom is a sticker with the image of the blend inside. On the 80’s version this sticker is omitted. There is also (I guess on even older tins) a bottom which held an English penny to help open the tin. The frontal image on the lid is together with the old Balkan Sobranie and Marcovitch artwork the most beautiful I have ever seen. It is an old looking stylized map of Anatolia (or Asia minor) and surrounding areas with on the bottom left a sailing ship and on the bottom right a mariner’s compass. In the map are the names of the places where (most of) the ingredients originate from like (Syrian) Latakia, Samsun, Izmir, Xanthi and Cavalla. Above the card in a classy golden looking rectangle is the name of the blend. “State Express” in serif characters and “London Mixture” in a script font. On top of it all is a coat of arms, the royal warrant, granted to Ardath by King George VI in 1946 and again later by Queen Elizabeth II.

Once you remove the lid of the 70’s version you are greeted by a golden wrapper, the 80’s one has sober wrapping which repeatedly states “Supreme British Tobacco”. On top of the golden wrapper is a small but wonderful booklet. It contains information about the State Express brand, the London Mixture blend and has a beautiful (educational) illustration of the tobacco leaves used in the mixture. On the backside of the front lid of the 70’s version the royal warrant is repeated together with the name of the blend and the description of it. The 80’s version is empty, I guess they had to cut back costs.. A pity, because as Jon Guss his father would say: packaging is marketing. A wise man.

Ingredients/Contents/Cut:
In an old document I found the recipe of State Express London Mixture, it consisted of 35% bright flue cured golden Virginia, 25% orientals (Samsun, Izmir, Xanthi and Cavalla) and 40% (Syrian) latakia. In the same file the manufacturing process is also explained, an interesting read which you can see here. Upon opening the 70’s tin I was greeted by the beautiful sight of 1 whole oriental leaf placed upon the mixture. According to information given to me by Jon there once also was a version with 2 different varieties of oriental leaves laid crossways over the blend. The 80’s version tin contained no whole oriental leaf at all, once again, perhaps they had to cut back costs. The mixture itself looks identical in both tins, I guess the contents have darkened in colour by age. Dark brown/black latakia, light orange/green and dark yellow Virginia and darker orange/green and light-brown orientals. The cut for both versions is a typical ribbon cut, although the 70’s one had a few chunkier pieces.

Smell from the tin:
Both versions smell aged, I can’t really describe it, those who have sniffed the contents of 20+ year tins know what I mean. A kind of “musty but in a good way” smell. If I look (smell) beneath that I am a bit surprised that the latakia is so toned down. Ok, that is common with the ageing of the dark leaf and Syrian latakia is not as assertive as its Cyprian cousin but still, there is 40% of the stuff in the blend. For the rest the hay-like, raisin Virginia dominates with mildy pungent underlying notes of the exotic oriental tobaccos.

Taste:
Both versions were an absolute utter delight to smoke, but there were differences. They start with a kind of strong black tea taste in which the dark fruit sweetness of the Virginia and exotic orientals slowly become more and more prominent. Like with the smell the latakia also tastes toned down. Don’t get me wrong, it is ideal for the blend, it really is in perfect sync with the other ingredients. And you get used to it, after having smoked SELM for days and days I wanted something a bit different and lit up a bowl full of (the new and excellent) John Cotton’s Smyrna, which has a moderate amount of Cyprian latakia. My taste buds who are used to a good portion of the dark leaf went like: whoaahh, latakia bomb! Anyway, the difference between the two vintages becomes apparent halfway the bowl when the oriental tobaccos take main stage. The 80’s version is taste-wise like a roller-coaster. Essences of fragrant exotic herbs and spices roll around your taste-buds with every puff while still being in harmony with the other ingredients. A true delight for the adventurous pipe smoker. The contents of the 70’s tin have melted together more. No big highs and lows here, I compare it with the curry I make, there is a kind of great basic taste and if you pay attention you can discern some ingredients. All the while with both versions the Virginia together with the latakia provide a sweet and smoky backbone. In the last third of the bowl the mixture gains flavour and intensity. The Virginias sing together with the orientals while the latakia softly but surely hums underneath. The 70’s version even has a kind of cigar-like heaviness in the end.

Miscellaneous:
I had to laugh when I read more of the old document because the maker of State Express London Mixture had a, ehmm, more limited view of how long a tin on the shelf should last than we have nowadays. It states: “Should be smoked as soon as possible for maximum taste. Tendency after three months to noticeable loss of flavour. Loss of colour in ‘Brights’ increasingly noticeable after three months.” Perhaps the man who wrote that is related to the e-bay woman who sold me the 70’s tin. SELM is a smooth smoke, no bite whatsoever. Nicotine-wise it is moderate, I am under the impression that the 70’s version contained a bit more of vitamin N. Burn-wise both vintages were excellent, no trouble at all throughout the bowl, only some fine grey ash was left.

Room-note:
Despite the toned down latakia Ellen really did not like the smell of SELM. She even became short of breath from the smoke.. “*coughs* Perhaps the e-bay woman was right that it would choke a horse!” I on the other hand quite liked it (that is why it is not a full thumbs downs room-note). When I came into the living-room the mornings after I smoked it I detected a quite pleasant smoky, herbal odour.

Price:
Years ago I paid $100 for the 80’s tin. At the time not so much because the dollar was low and the euro strong. Good ol’ days.. So with that price in my mind I was absolutely not sure if I would win the auction for the 70’s tin. I had a lower budget so I set a not too high maximum bid. In the end I won the vintage State Express London Mixture for $30.

Conclusion:
For me State Express London Mixture belongs in the same pantheon of legendary pipe tobacco blends as for example the Sobranie mixtures, Marcovitch and the old Dunhill offerings. It has an unique old world quality inside and on the outside of the tin. Sadly blends like this one can’t be made today. Syrian latakia is no longer made and sourcing the specific oriental tobacco varieties is nearly impossible. Something which I really regret because for me the key to adventure in pipe tobacco lies with the latter. Well ok, perhaps McClelland could pull it off with their stock of Syrian latakia and Grand Orientals series. But still, there is more to pipe tobacco than just putting ingredients together. I can’t really choose between the 2 vintages. The 80’s version was a fantastic roller-coaster taste-wise. If you hit a piece of oriental leaf in the bowl *booom!*, lots of flavour! On the other hand the 70’s one had an absolutely great basic taste with more subtle flavours of herbs and spices from far away. But it is not only the ingredients, also the classy look of the tin is absolutely superb. When you see it it almost calls out to me: “See the exotic places mentioned on my luxurious lid. I promise that if you smoke me and close your eyes your mind will be transported to far away countries where you will experience all their delights.” And I must say in all honesty, it did that to me, it was that good.

I would like to thank Jon Guss for his essential contribution to this blogpost.

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August 4, 2015

Luxury tobacco from Lauenburg

Lauenburg

This year the destination for the summer holiday of Ellen and myself was Germany. Instead of staying in one location we opted to make a week-long trip from the North of Germany, Lübeck, to the Middle-East part; the Ahrtal. In between those two locations we resided in hotels and B&B’s. Of course I planned to visit several tobacco-shops and even a tobacco-factory: DTM in Lauenburg, situated on the northern bank of the river Elbe, east of Hamburg. Lauenburg is just a lovely old town with a picturesque historic centre alongside the Elbe. Small, enchanting streets up the hill lead to what is left of the once mighty Lauenburg castle. Also the view from there is stunning, you cannot only see the beautiful river Elbe and the old town, but also the flat marshland of Lower-Saxony. Lauenburg has one café/restaurant where you can smoke inside: the Alten Schifferhaus, where I left Ellen so I could visit DTM without her beautiful but prying eyes.

2015 Dan Pipe catalogue cover

First of all, there are 2 separate business entities: Dan Pipe and Dan Tobacco Manufacturing (DTM). Dan Pipe is a retail and catalogue company. Dan Tobacco is a tobacco production facility. The history of Dan Pipe began in 1972 when, after a holiday in Denmark, teacher and enthusiastic pipe smoker Heiko Behrens decided to sell the creations of then unknown Danish pipe makers. In a small catalogue handmade pipes by Former, Emil Chonowitsch and Poul Hansen were presented together with factory pipes from Tabago, Torben Dansk, Danmore and other Danish producers. Soon also pipe tobacco was added to the catalogue, including Dan Pipe‘s first own-brand Torben Dansk. The quality of the pipes and tobaccos from the Dan Pipe catalogue provided good word-of-mouth advertising amongst the German pipe-smokers so gradually the customer base grew.

Holger Frickert © Pipes & Tobacco Magazine

By 1976 the business was growing so rapidly that a new location was necessary. Behrens contracted craftsman (and aspiring young dentist) Holger Frickert to construct and design a showroom. Frickert was leading a class in art and design and that class rebuilt the shop in the form of a boat. It was an extraordinary design, with sails atop the room. Sadly I could not find any pictures of it.. Frickert’s passion for handicrafts, smoking and pipes led him to abandon dentistry and join Behrens’ business in 1978. He began repairing pipes as well as designing his own plus he became responsible for the catalogue presentation. The company was renamed for legal reasons in “Danske Pibe“.

In 1985 Danske Pibe had grew so large that a much more spacious home had to be found. The “Grashof”, a large farmhouse with thatched roof from the 18th century offered ideal conditions. There was space in abundance and on top of that the in 1987 lovingly restored old house, which also housed the store, had a special rustic charm. Over the years it became a “magnetic pole in the north” for tobacco and pipe enthusiasts from all parts of Germany and the surrounding countries. Since the beginning of the 1980’s one of the specialities of the company were the house-brand tobaccos, which soon covered a wide range of flavours. But quality and delivery problems became a threat so decisive action was necessary. A new supplier who was able to cover the entire range of house-brand tobaccos was not in sight. Because of that the decision was made by Danske Pibe to establish their own tobacco factory. In 1991 a suitable building was found in Lauenburg and that was the beginning of subsidiary Dan Tobacco Manufacturing. Simultaneously the parent company returned to its old name Dan Pipe.

The DTM building is kind of special. It is an old former grain malting house, built of red brick into the steep slope of the Elbe river banks more than 100 years ago with a construction solid like an ancient castle. Enclosed by anywhere from several feet to several hundred feet of rock, the temperature and humidity in it varies no more than 2,5%. The ideal place for storing and producing pipe tobacco. The inevitable start-up problems were soon overcome and thanks to the creativity and experience of the employees of both companies they succeeded in a remarkably short time to generate a sizeable range of tobacco products. Those tobaccos were of such excellent quality that they gained a high international reputation. Thus exports to, for example, USA, Italy, Russia and Japan followed.

Pfeifen Timm

In 1994 Dan Pipe acquired 4 stores of the Pfeifen Timm chain in Hamburg’s city centre, a pipe-specialist well-known throughout Germany. Thus, the tobacco assortment now included many Timm house-brands. Even a fresh wind went through the cigar assortment and it was greatly increased. Sadly in November 2001 a fire laid the Grashof in ruins. Luckily in Lauenburg at DTM enough space was available, so it became the new home of Dan Pipe. The years during and after the financial crisis were difficult. The shops in Hamburg suffered losses and had to be closed. Dr. Heiko Behrens realised he needed help and so Maria Sousa became the other director. New sources of income had to be found in which the company succeed. Nowadays besides pipe-tobacco, high class water-pipe tobacco is made in Lauenburg.

Part of the Dan Pipe shop interior

I visited Dan Pipe / DTM several times now. But the first time (like so many things) was special. In 2012 I was busy with the quest for forum tobaccos. It was arranged that good friend and chauffeur Ed and myself would stay there for two days and visit the DTM factory. When we arrived we immediately noticed the sweet smell coming from the building. Someone was making a batch of aromatic tobacco for sure! Inside the Dan Pipe store shop assistant Ralph Kaschwich looked at us a bit questioning. “You come here for two days? Netherlands? Forum tobaccos? Let me make a phone call..” After a brief conversation things were cleared out and we were asked to wait for Andreas Mund, the master blender. That waiting certainly was not a punishment! The store has a beautiful interior from 1920 which is made from solid mahogany and comes from an old Hamburg pharmacy. It has many drawers and shelves where besides pipes about 140 DTM tobaccos are displayed in sample-jars. There also is a table with a bench where you can quietly sit, have a drink, take a piece of cake and (of course) smoke.

Andreas and me in the DTM warehouse

Soon Andreas greeted us. An ordinary looking man on first sight, you could take him for a construction worker if you saw him. Later it turned out that he actually had been a construction worker before he became involved in DTM. In 5 years he learned the tricks of the trade from former master blender Jürgen Westphal, who created almost all original DTM tobaccos and was going into retirement. The tour around the factory started at the top floor where the raw tobaccos are stored in lots of crates, boxes, bales and barrels. I do not know how many tons exactly but with a turnover of approximately 60.000 kg. per year you can imagine the scale of the place. DTM has to buy their leaf tobacco on the same terms as the big companies; by the container. So lots of tobacco have to be stored for quite a while before they are completely processed. Not bad, on the contrary, it can slowly mature and improve its rich aromatic characteristics day by day. The tobaccos come from all over the world. Virginia from Brazil, India, the Philippines and Zambia, oriental tobaccos from Lebanon and Bulgaria, burley from Mozambique and Malawi, latakia from Cyprus, Kentucky from India and perique from the USA.

Andreas and a barrel of perique

What surprised us was the transparency and openness business-wise in general. “I have so many tons of this and buy it for about that price so and so, etc.” The bottom line is that Andreas is also responsible for the purchase of raw tobaccos. For some of those he must wait nine months after ordering until they are finally delivered (eg. latakia), so he must carefully calculate whether his current stock is sufficient. It was remarkable that the dry, raw unprocessed tobacco indeed had no remarkable smell (long live casings). Well, except latakia and of course perique. Talking about that last one, DTM has a couple of barrels of the stuff, standing in a dark corner. Apparently perique and light are not a good combination. The smell of it is just… Whoaaa….Malevolent..

In the next hall upstairs were the ready tobaccos waiting in large boxes to be further processed. Also here nothing was too crazy. Much was made open, it was grabbed, sniffed at. Delicious! I wished I had a couple bags of this tobacco I thought several times. I noticed that most employees smoked shag or cigarettes and no pipe. “Yes, we smoke pure Virginias here and no garbage made by Lucky Strike for example with 70% tobacco and 30% wood chips.” Andreas said. Incidentally he smokes a pipe but with the daily work cigarettes are just easier. Plus he uses cigarettes to try out new raw tobaccos. A trick he learned from Jürgen Westphal. If it does not taste in a cigarette, it certainly does not taste in a pipe.

Andreas and me before the flavour extracts

On the lower floor in the building stood the old machinery which until recently was used for the production of tobaccos. Plus there were lots of shelves stacked with all kinds of aromatic extracts. “We are lucky.” Andreas said “The centre for flavour extracts is Hamburg, which is close to Lauenburg. There are many companies which make this stuff so it is very easy for us it acquire.” It was a very strange experience to smell some extracts. Sometimes it smelled so strong, so concentrated, that you could not figure out what exactly was inside a bottle. Also some flavours had several subcategories, for example Butter Vanilla, Crème Vanilla etc.

When we walked around the corner to the next room we saw the mighty flake presses made by famous company Robert Legg from London. Stately red-black devices that looked like they were forged from ancient iron. 2 presses could be heated in order to make Virginia cavendish. However, this was not done because apparently it is cheaper to buy ready-made cavendish. The slabs of flake coming out of the machine are 9 kg. Nice to see that some of those slabs were for Hans Wiedemann’s HU Tobacco, who lets several of his offerings make by DTM. On another wall were so called post–presses. They are needed because the tobacco that comes from the big press has a tendency to expand again. The reason for this is that DTM wants to use Arabic gum (adhesive for the flakes) as little as possible.

Metal tobacco cylinder

Then we came in the big factory hall, the place of the large, new machine. An impressive sight, especially the big metal cylinder in which the raw tobacco is moistened and cased. Almost everything coming from the DTM factory is cased with honey. Large buckets of the naturally sweet stuff stood beside the machine on the sticky floor. The hall looked slightly blue of the vapours and smoke from the whole process. I will not describe in detail what happens because Ed made a short film about it.

Measuring the cut tobacco

But, in short: The tobacco is moistened/cased, then it gets compressed, cut, the moisture level gets corrected and eventually it all ends up in large boxes. However, the machine which had to cut the tobacco (made by German machine factory Winicker & Lieber who also make the machines for Mac Baren and Pöschl) did not (yet) function optimal. Therefore a little bit of the batch was cut and measured by hand so the machine could be recalibrated. This continued until the cut was right.

Packing department

On to the all female packing department. I expected the work was done by machines but nothing could be further from the truth. Everything was done by hand! The tobacco weighing, putting it in tins/pouches, closing the tins/pouches, putting stickers on it.. I have so much respect for the women who do this work. When we were there they were mainly busy with pouches for Switzerland, a very large market for DTM. I had to laugh when Andreas remarked that those pouches contained a blend with 50% oriental tobaccos. “Not good, not good..” He said, and pulled a dirty face. “Up to 30% in a blend, nothing more. But the customer is king.” Also the ladies were packing an aromatic blend of DTM. You could tell right away because the whole room smelled like candies were packed in stead of tobacco. The tour continued in the repair workshop. Pipes are being fixed here by boys who are still quite young. Some pipes shown to me belonged to a man who monthly needed new mouthpieces because he chewed them up. “Pipes are to smoke, not to eat”, Andreas sighed with a smile. From the repair workshop we went to the tobacco warehouse of Dan Pipe. The place where everything in the catalogue (and more) is stored. Impressive to see all those tobaccos and pipe smoking paraphernalia.

Michael Apitz

Through the tobacco warehouse we came back in the store where Michael Apitz had joined Herr Kaschwich. He is responsible for creating many of the aromatic tobaccos of DTM. And is a walking encyclopaedia of everything that has to do with pipes and tobacco. Plus he is not afraid to share his knowledge and give his opinion, an intense man. I knew little of aromatic tobaccos so it was about time to speak to him. “Herr Apitz, may I ask something…” “No! First I have a question for you! How many tobaccos can one taste and judge on one day?” “Ehrrr, um… Three?” “No! Only one.” And a whole explanation followed. He showed and let us smell a lot of tobaccos together with an explanation of them. Very informative. With one of the first tobaccos which he took from the shelf he asked us what we smelled. As in, you never going to guess it. I smelled it.. And again.. Ehrr, aniseed? He looked at me with big eyes. Correct! *Phewww* Every time we were in the shop and there were no other customers he came up with another topic to talk about. Once again, very informative.

The last time I was there we spoke with each other non-stop for about 1.5 hour until I really had to get back to Ellen, who I left at the Alten Schifferhaus. Just before I went Herr Apitz asked me what I liked to smoke the most. “Well, a good Balkan I guess.” I answered. He then rushed to the tobacco warehouse and came back with a pouch of Bill Bailey’s Balkan Blend. “Here, this is for you, enjoy it!” Which for me characterizes Dan Pipe / DTM. Warm and passionate people with the typical “no-nonsense working hard and effective” German mentality.

Here are some DTM-made tobacco recommendations:
– BiBo (Buddies): An ultimate aromatic statement created by Michael Apitz. The absolute pinnacle of sweetness. Forget the sweet American, Danish and Dutch blends, this one tops them all. It tastes and smells like Jaffa cakes, but then into the extreme. I once smoked this one in the evening in my living-room and asked Ellen what she thought. “Well, not bad” was the answer. Until she came downstairs the next morning.. “Whaaaat!? What is this odour? It smells like a friggin’ candy shop in here!” It took a week before we could not smell BiBo any more.. “I rather have you smoking latakia!” Ellen sneered in my direction.
– Bill Bailey’s Balkan: A bit strange, Kentucky in a Balkan, but it works out well and results in a cool and satisfying smoke.
– Midnight Ride: A rich, full flavoured classic English blend. If you want to know how Perique can work its magic in a latakia-mixture, try this one.
– Old Ironsides: A latakia lovers dream. Dark and strong but also cool and creamy this flake makes you come back for more.
– Skipper’s Flake: A no-nonsense straight Virginia flake. Pure unadulterated bright leaf heaven. ‘Nuff said.
– Smooth latakia: One of the newer offerings, created by the wife of Andreas who also works at DTM. Black cavendish combined with latakia make this (like the name says) a smooth smoke. It reminds me a bit of McClelland’s Frog Morton.
– Sweet Vanilla Honeydew: One of the few aromatic tobaccos I really like. Tastes like creamy vanilla and smells like those divine butter biscuits grandma used to bake. A real crowd pleaser.

Thanks go out to Paul and Ed for a lot of the pictures you see.

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February 13, 2015

Curing is the cure

Recently I realized with a shock that I had never written a proper blogpost about an essential tobacco process: curing. Ok, here and there in older blogposts I told stuff but nothing combined. So I put all the bits and pieces together with some additional info. The primary purpose of curing leaf tobacco is to accelerate the ageing and drying processes under controlled conditions to make it ready for consumption. Trust me, you do not want to smoke fresh tobacco.. Curing allows for the slow oxidation and degradation of carotenoids in the tobacco leaf. This produces various compounds that give cured tobacco the “smoothness” of the consumed end-product. The primary methods of curing include: air curing, flue curing, fire curing (or smoke curing) and sun curing (considered by some people to be the same as air curing).

Air curing: here the leaves are allowed to dry by exposure to air in well ventilated barns. Fans can also be used in this process to make the air movement stronger to accelerate the loss of moisture. This air curing process normally takes from 4 to 6 weeks. It is completed when the central vein of the leaf is completely free of sap. This type of curing is used primarily for burley. Light air cured burley and dark air cured burley to be precise. The top grades of light air cured burley, which are yellow, are referred to as “White Burley”. These larger, thinner middle leaves are those most desired for the manufacture of fine pipe tobacco and premium quality cigarettes. White burley has a fine texture, excellent burning qualities and the ability to absorb large amounts of casings and flavourings. The top and bottom leaves are used in the manufacture of snuff, plugs, twist and inexpensive brands of pipe smoking tobacco. The taste is nutty, sometimes with a bit of a cocoa note.

Dark Air cured burley is mostly used for chewing tobacco, plugs, snuff and inexpensive brands of pipe tobacco. The lower grades (or heavier leaves) are used in some tobacco mixtures to give the tobacco blend more “body”. The taste is earthy, spicy and cigar-like and the colour of the leaves ranges from light to dark brown. Most cigar leaf is also air cured but will undergo an extra step: “bulking”. Essentially this means that big bundles are made of the leaves so that they can be laid to rest in order to start the fermentation process. The pepperiness of burley and many of the Central American-grown Cuban-seed cigar strains comes from the nicotine that naturally is in the leaf.

Fire curing (or smoke curing): here the leaves are essentially BBQed. In the case of dark fired Kentucky burley they are exposed to open fires (smouldering, not blazing, otherwise the tobacco will prematurely burn up) of hardwood and hardwood sawdust that are maintained on the barn-floor and give off smoke. In some cases, the amount of smoke is fairly moderate. In addition to drying the tobacco the fire curing process imparts an unusual, modest smoky and wood-like taste and aroma to the tobacco. Latakia is also a fire cured tobacco but has a far more pronounced smoke flavour and aroma. This is due to the intensity of the fumes and aromatic quality of the used woods. Syrian latakia is derived from a tobacco leaf known as “shekk-el-bint.” When it is harvest time the plant is cut and the leaves and flowers are laid on the ground to dry in the sun (essentially sun curing). When they have dried they are taken to storehouses, where they are smoked for a period of 13 to 15 weeks. The smoke is primarily made by using nearby hardwoods and pines, probably from the Baer forest, such as Aleppo pine, Turkey oak and Valonia oak. Also lesser amounts of other aromatic species like Lebanon cedar and Greek Juniper were used.

Cyprian latakia comes from a Smyrna or Izmir-type tobacco plant that is known as “Yellow Cyprus.” The Yellow Cyprus leaves are harvested by de-stalking them and are made on long poles to be hung in a tobacco shed. The leaves are then smoked over open smouldering fires. These fires are made from hardwoods, some pine and aromatic shrubs and woods such as prickly cedar and myrtle. It has been reported that the Mastic shrub is primarily used in the smoke generation for Cyprian latakia. The following formula may approximate the shrubs and woods used for the fire/smoke-curing process: Mastic 90%, Myrtle 4%, Stone pine (this one or this one) 4%, Cypress 1%, Other 1%. The nicotine content does not seem to be severely affected by the process. Dark fired Kentucky burley with its significant nicotine level is not that much different from the dark air cured variety. The moderate nicotine level of latakia does not vary greatly from the oriental base leaf it is made of.

Flue curing: here the leaves are cured by exposure to indirect heat. This is created by moving hot air, smoke or steam through a flue or pipe inside a building (often a barn) thus allowing the heat to strongly warm up the building. The higher heat causes a more rapid drying effect and is the traditional method for curing Virginia. The yellow colour you often see Virginia has comes from the heat exposure. Generally the process will take about a week. This way of flue curing was not discovered until 1839. In that year a slave, Stephen Slade (owned by farmer Abisha Slade from Caswell County NC), fell asleep one night while keeping an eye on the wood fires used for curing the barns of tobacco. Whether it was the stormy night, instinct or just what woke him, no one will ever know. But he awoke realizing that the fires in the tobacco curing barn had almost gone out. Rather than throw wet wood into the dying fire, he rushed to the charcoal pit near the forge. He grabbed several charred log parts and threw them on the embers. The application of the sudden, drying heat, derived from the charred logs, produced an amazing effect on the green tobacco. The result was 600 pounds of the brightest yellow tobacco ever seen.

Flue cured tobacco generally has more sugar, less oil and a lower nicotine content. The presence of the sugar counters tongue bite but can cause heat issues while smoking. Naturally sugars tend to have a higher combustion temperature. Because of the ability of this curing method to maintain the sugars in a relatively stable percentage a form of flue curing is used in making candela cigar wrapper. The heat not only fixes the few sugars present but the chlorophyll as well thus allowing the wrappers to stay green.

Sun curing: this method is used in Turkey, Greece, Bulgaria, Macedonia, Romania and Mediterranean countries which produce oriental tobaccos. Leaves are strung out on racks and exposed to the sun for 12 to 30 days to remove most of their moisture before being air cured to complete the process. The sun’s direct heat fixes the leaves at a yellow to orange colour with a high sugar content. Then they are stored in bales and allowed to ferment.

Pressure-fermentation

Additional or supplementary curing can be done by the use of heat and/or pressure after the initial process. A good example of pressure is the technique of pressure-fermentation which is used in making perique. This process remains a traditional craft, not much has changed since the early 20th century. First air cured tobacco is hand stripped. The leaf which is used is considered to be pretty similar to burley. The only moisture added is just prior to the stripping to make the leaves pliable. How many moisture is used is up to the craftsmen. You just have to feel it. Then the tobacco is rolled into “torquettes” of approximately 1 pound (450 g) and packed into hickory whisky barrels. These are topped off with a wooden lid and pressed by using oak blocks and massive screw jacks. Thus forcing nearly all the air out of the still moist leaves. The barrels are unpacked at least three times during the active fermentation phase (around five months). The torquettes are then repacked in the barrels in reverse order (former top bundles on bottom and bottom bundles on top) to permit a little air back into the tobacco. They are then closely monitored with periodic increases of pressure. After at least a year of this treatment, the perique is ready for consumption.

A good example of supplementary curing by the use of heat is the fascinating Belgian leaf, Semois. First it is air cured (after all Semois is a type of burley) and then it is sort of heat cured. This because the tobacco is toasted in what looks like a metal custom made wood-burning oven. Inside is a large drum which is heated by a fire below and can spin around. The tobacco is put inside and while tumbling it is getting toasted.

Th-th-th-that’s all folks!

April 15, 2014

The older the better

± 90 year old Capstan Medium Navy Flake

I still can remember the first time I bought tinned pipe-tobacco about 3½ years ago. I checked the tin for the expiration date and could not find it to my surprise. My (twisted) mind went like: Tobacco is a leaf, leaves are like vegetables and they can’t be kept good for a long period (I still remember the withered cauliflower in my fridge started quoting Shakespeare..). So where was the damn date?? At that time I did not know that it is with most tobaccos like it is with most wines, the older the better. My eyes were opened by a story from GL Pease in which he tells that the owner of a store he used to work (Drucquer & Sons) used to age certain blends and sell them later at a higher price. At that time I also became active at some international fora and saw that especially in The States it is quit common to stock up on blends you like. Being a cheap Dutchman, this made me think. Every year the prices of tobacco go up here because of the bloody taxes. So to be able to smoke tobaccos at yesterdays prices and have the benefits from ageing… *big grin*

But first of all, very important, it is no guarantee that ageing a tobacco will make it better. A shitty blend will never become ambrosia for your taste buds. It is not a certainty that a tobacco which should age well will actually do so. Having said that, what actually happens when you age a blend? Time makes sure the various components of the mixture will marry, blend together into a more consistent whole. Also lot of tobacco species contain sugars which are needed for fermentation. That process transforms, changes the leaves used. It provides a less sharp, mellower but richer and more complex taste. So the more sugar in a tobacco leaf, the better it will ferment and the richer it will taste after ageing.

There are 2 types of fermentation: aerobic and anaerobic. Aerobic fermentation happens in the American-style pull-lid tins (which contain more free oxygen) and in mason jars with bulk blends. Anaerobic fermentation is what occurs in the European-type vacuum sealed tins. Because there is more air in the American style tins the ageing dynamics are different. It is not so much that they age faster than the European-style tins than that it is just a matter of.. Difference. Experienced cellarers: please let me know that precise difference! Thanks! And when an old tin is opened of course new changes will begin to take place just like a wine is “breathing”.

Let’s take a look at the different species of tobacco and how they react to ageing:

Virginia: Ages the best of all the tobaccos because of their high sugar content. If you have a blend with a lot of Virginias in it you have a good chance it will become more yummie with time. Within half a year you should notices the first changes and within 1 to 5 years it should really begin to shine. After those first years the speed of change will become slower, more gradual, but the blend will continue to improve. How long? I guess it will take 30 to 40 years before the mixture will go over the top and a certain descent might begin. But even then the smoke can be absolutely sublime.

Oriental: A high sugar level (just below Virginias) is also present in oriental tobaccos. Because of this they also age very well with the same ageing-expectancy as Virginias.

Latakia: Mixtures with latakia reach their summit in about 5 years and then begin to decline more rapidly. Latakia does not really age but gets softer, loses its edge with time. So if a blend depends on the smoky, leathery and spicy taste of latakia you should not stash away the tin for too long. But if there is good layering of other tobaccos underneath the dark leaf (hello Virginia and orientals) the blend still can deliver a fantastic smoke. Even though it will transform into something more harmonious, something less pungent. The old Balkan Sobranie Smoking Mixture is a good example of this. It still tastes wonderful despite some pipe-smokers prefer the newer version because of the fresher latakia.

Burley: This leaf is low in sugar so there is not much fermentation going on. Just as with latakia it will become more smooth and blend in with the other tobaccos like sweet Virginias who get better with time as I told above. The delicious Estoterica Stonehaven is a prime example of this and will age very, very well.

Perique: Because of the pressure-fermentation process with making the peppery leaf it will not change much over the years. But as with burley the combination with Virginia is a golden one. The thought alone of well-aged Escudo makes my mouth water.

Cavendish: In a way the same goes for cavendish as for perique. Because of the double fermentation process it will not really age.

Aromatic tobaccos: Sweetened aromatics do not seem to age well. These tobaccos often have quite a bit of Propylene Glycol in them which serves as a humectant and carrier of aromatic flavours. So over a long time frame, they are pretty stable. The biggest change is that the aromatic components and characteristics can degrade or change over time. So what you find in a tin 5 years from now may not be as pleasing as it is today.

Here are some tips and facts about ageing and cellaring your precious tobaccos:

– Preferably tobacco should be left in the original sealed tin. So check it out before storing to make sure it is not damaged. Look for damage to the tin, bumps, pin holes etc. Just make sure the vacuum seal is good. Then you can store it in a cool, dark place without a lot of fluctuations in temperature. An ideal temperature would be in the range of 15-21°C. So DON’T put tobacco in the refrigerator or freezer! That may cause damage to the cell structure of the tobacco. Also pay attention to the humidity, even though the tobacco is in airtight tins. High levels of humidity can cause corrosion and/or rust to the tin-metals and could compromise the seal. You also do not want to store your tobacco where it is exposed to light for long periods of time. Besides the light itself it often means heat, which can cause all kinds of unwanted chemical processes in tobacco. So do not try to speed up the ageing process by heating up your tins or loose tobacco.

– I would recommend mason jars for the storage of bulk, loose and opened tins of tobacco. I prefer glass because it is a non-porous material and can be disinfected very easily. Airtight plastic containers are also ok but I still prefer glass. I just don’t feel ok with plastic. It’s a personal thing. If I do use plastic I make damn sure that it is brand new and that the tobacco is the first thing to hit the virginal bottom ever. The good thing is, mason, ball and bail top jars are pretty inexpensive and can be bought almost anywhere. They also come in a variety of sizes. That way you can use a small one to put some tobacco in that you regularly smoke and a large one for tobacco that you really want to age. Preparing the jars for storing/jarring/canning/whatever is one of the most important steps in the process of storing. Make sure that you sterilize the jars before you use them. I wash the mason, ball and bail top jars (including the rubber rings) with boiling water. I never use soap or something like that because I am afraid there will be a residue somewhere and my tobacco starts to smell like Lakeland-style blends. Then I dry the jars and rings with clean paper towels and the tobacco can be put inside. It is advisable to label each jar with the contents and put a date on them before storage. Some people prefer to place the filled jars in boiling water to heat them up and then place the lids on to create a vacuum seal. I have never done that and I have had no problems at all. My older jars have created their own vacuum while in storage. Just one more thing, the rubber rings will start to smell like the tobacco inside. So if you want to refill the jar with an aromatic after having smoked a for example latakia-heavy blend out of it, just make sure you replace the rubber ring. Nothing can get the smell out of it..

©MarkC

– Vacuum sealing is great for many things but is pretty useless for tobacco. Tobacco needs some air to maintain the ageing process. A perfectly vacuum sealed bag or container will probably keep the contents fresh, but it may not really age the way you expect it to. So.. Having said that I realize that vacuum sealing is ideal for aromatics! One tip from a Dutch forum member: do not vacuum loose tobacco in a seal-bag. It will destroy and break up the tobacco strands.. Preferably put the tobacco in an unused tin, put that in the bag and vacuum the hell, ehmm, air out of it.

Wish I was able to buy more of these..

– When you find a blend you like it is always a good idea to buy 1 tin to smoke now and 1 (or more) to cellar. That way your collection will keep growing with tobaccos you like and you have the benefits of ageing. A win-win situation.

– Do not store pipe tobacco and cigars together. Cigars are like little sponges and they will eventually absorb any moisture, aromas, and flavours that are nearby. Having said that, do not store pipe tobacco in a (cigar) humidor. 1. The cedar in humidors absorbs moisture and it will suck all of the moisture from your tobacco like a vampire. 2. It will absorb the aroma of the tobacco blend. 3. The cedar could also add a cedar aroma and flavour to your tobacco.

– Sometimes you can find so called “sugar crystals” on aged tobacco. Mr. Pease has done some rudimentary playing with them, though no full-scale analysis, and found them not sweet, not very soluble, and not very likely to be sugar. Probably they are organic acids that have surfaced as a result of pH or other changes in the chemistry of the leaf as it ages. But good new, the presence of these crystals usually indicates something good has happened to the tobacco that hosts them! PipesMagazine.com member cgrd took some neat pictures of the crystals on a flake of Stonehaven from under a microscope which you can see here.

My Marcovitch with a lot of mould on top of it.. Argghh!!!!

– Mould is the enemy of (aged) tobacco. How do you know it is there? Well, if there is a spider-web like, hairy substance on your tobacco. Bad news… Your nose will offer the second clue. Tobacco with mould stinks in a way that is difficult to describe but once you have smelled it, you’ll never forget it. Imagine the aroma of the sweaty feet of your girlfriend combined with the scent of over-ripe French cheese..

– Nicotine has nowhere to go and it does not seem to break down through ageing. But ageing can change the pH of the smoke which will change how readily the nicotine is absorbed. The more alkaline the smoke, the more nicotine you will get into your bloodstream. My personal experience is that older tobaccos are stronger. Or they just made them stronger in the ol’ days. When men were more manly!

– There is a free site where you can fill in all the data about your tobacco collection. This way you can show off to your friends what you precisely have: http://www.tobaccocellar.com/

± 90 year old Capstan “fresh” in the tin!

In my Pleasures of life in Belgium 2014 blog-post I told you about my ± 90-year old knife-cutter tin of Capstan Medium Navy Flake that was opened by Martin. For more pictures see below. Astoundingly the condition of the tobacco inside the tin was perfect! Which is a testament to the quality of the old “knife lid” or “cutter top” tins. I had a few of those: a tin of Craven Mixture from the 1930’s, a St. Bruno Flake tin from the 1960’s and the Capstan Medium Navy Flake tin from the 1920’s. All of them were a bit corroded from the outside but clean as a whistle from the inside. Spotless!

Ancient Capstan in a mason jar

Back home from the meeting I had the chance to properly gaze at the ancient Capstan. Unfortunately all the flakes were more or less stuck together because of the age so I had big difficulties keeping them whole. I am well acquainted with the current production and compared to that the old flakes were pretty dark and very thin. In fact I have never seen such thinly cut flakes, only Esoterica’s Stonehaven comes close. The smell from the tobacco was instantly recognizable. Typical (current day) Capstan, but somewhat diminished. I could smell more tobacco than topping/casing. And that was also the case with the taste when I lit up my pipe. The current production leans on the topping/casing while with the old version those flavours had degraded somewhat over the years. Instead the aged Virginia tobaccos had taken the reign and transformed the flakes into an exceptionally smooth mouth-watering whole. But in all honesty, I did like the contents of my 1989 Capstan tin better. That one had the best of both worlds: still intact topping/casing flavours and aged tobacco.

So buy those blends you love and start your own old treasure tobacco collection!

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March 5, 2014

One Thousand and One Smoky Nights

I always had a love for the Middle East; the pyramids and temples near Cairo, the ancient city of Damascus, the holy places in Jerusalem, the heart of the Ottoman empire Constantinople (Istanbul), mysterious Baghdad and the Muslim centre of Mecca. They all fascinate me to no extent. When I walked through the busy streets of the grand Khan el-Khalili bazaar in Cairo I knew I had to visit more places like that. Unfortunately, just as I was making plans to visit Damascus all hell broke loose with the still ongoing Syrian Civil War.

Kai

Talking about Syria, at the beginning of this year I received an e-mail from a Syrian-American named Kai. He had moved to Rotterdam last year for work (he is an architect) and he just got back to pipe smoking after taking a break for a while. Kai used to smoke Mac Baren HH Vintage Syrian in the USA and asked if he could get that blend in The Netherlands. I had to disappoint him but gave some tips where he would be able to buy it. We kept on mailing and I discovered that he was born in the Syrian port-city of Latakia. A word well known by us pipe-smokers because of the fire-cured dark leaf with the same name. Kai then was raised in Damascus until he moved to the USA just a few years before the civil war broke loose. Smoking the HH Vintage Syrian is his way to relate to his roots. Sadly his visa was not renewed by the Dutch government, which pissed me off pretty much, so now he is moving back to the States. But I promised Kai not to say anything about his situation in this blog. His dad always said, don’t get near two things in life: politics and drugs. A wise man. So Kai, this one is for you, enjoy the read.

According to an 18th century belief tobacco did not originate exclusively from the Americas but was also domestic in various parts of Asia and Africa. It was also believed that people in the Middle East used tobacco before my ancestors gazed upon the New World. However, since the 19th century the prevailing opinion has been that the Old World, including the Middle East, was introduced to tobacco by the early European discoverers.

Tobacco first arrived in the Ottoman Middle East at the end of the 16th century. Which is about 100 years after its introduction in Europe. At the beginning of the 17th century Portuguese and other European sailors, who travelled around the Indian Ocean within the Red Sea and Persian Gulf, introduced smoking to the Arabian Peninsula. Perhaps even as early as 1590 to Yemen and the Hijaz. 10 years earlier than tobacco’s introduction into Yemen it was brought to Constantinople by English sailors and traders who personally used tobacco.

Turkish woman with pipe

At first tobacco mainly was the interest of physicians and appeared in medical manuals by the end of the 16th century. Its leaves were prescribed as a remedy for bites and burns. Soon after that, in the early years of the 17th century, tobacco also began to be smoked recreationally. In the first decades of the 17th century tobacco already was smoked openly in places where people gathered like markets and streets. These early smokers were probably townspeople who could have more readily afforded the expensive import from America and the Caribbean. A lot of those imported tobaccos came through the Syrian port of Latakia. However, by 1700 the Ottoman market was producing most of its own tobacco because, of course, regional merchants had noticed the demand. Local varieties allowed for the consumption of tobacco to become a pleasurable pastime for people from all levels of society (men AND women! Well, at least in the private sphere..) and the one constant was that it was certainly in high demand.

Later a number of regions within the empire became centres for tobacco production and distribution. Varieties of Indian, Syrian, Iraqi and Persian tobacco were imported and smoked in the Arabian towns. Local varieties of tobacco, known as tittun or dokhân were also cultivated and widely consumed within Arabia. Tobacco also was grown in Macedonia, Anatolia, northern Syria (particularly in the hills around the port of Latakia I mentioned before) and after some time in Lebanon and Palestine. Persian and Kurdish varieties, known locally as tunbak, were also prized but were mostly used in water pipes (hookah). This is correct because I asked Kai if he already smoked pipe in Syria. He answered that he did not smoke the tobacco-pipe, but made use of the water pipe. Only, he didn’t smoke the typical ultra-aromatic mu‘assel we associate with the hookah but used tunbak, which is a natural tobacco.

It was not easy for Middle Easterners to smoke tobacco for quite some time. That was made clear by the number of Islamic fatwas expressed by the Ottoman administration towards the lawfulness of smoking. This because tobacco was not known at the time of the Prophet, it is not named in the Qur’an. Which resulted in a debate over its legality to spread throughout the empire. The main question in debates was “if the consumption of tobacco was harmful to the user and his or her surroundings”. Islamic scholars interpreted general guidelines stated in the Qur’an or the hadith to support their arguments for or against its use. Soon after the rise in popularity of tobacco the religious authorities in Mecca grouped it with wine, opium and coffee. Thus issuing a fatwa banning it as an intoxicant.

Not only was the debate over the consumption of tobacco religious, but also political. As early as 1610 an English traveller wrote about seeing “an unfortunate Turk riding about the streets of Constantinople….. Mounted backward on a donkey with a tobacco-pipe driven through the cartilage of his nose. Just for the crime of smoking”. I sometimes feel we are close to such a situation in our modern times.. Two years later, Sultan Ahmed I issued a temporary ban on smoking. In 1631, Murad IV began a campaign against the consumption of tobacco and outlawed its cultivation in the empire, but this failed. In 1633, after a devastating fire in Constantinople, Murad IV outright forbade tobacco consumption and inflicted severe punishment on smokers. During this time of smoking prohibition many people preferred to use crushed tobacco (snuff) to avoid being caught with a pipe. Murad IV also banned coffee and ordered the closure of coffee-houses, where both coffee and tobacco were consumed. What a horrible man..

Fortunately the bans by Murad IV and others before him did not produce the desired results. Thus proving that coffee and tobacco consumption were already well rooted within the 17th century Middle East. In other words, smoking was not eradicated during these prohibitions. In 1646, during the reign of Ibrahim, the Turkish government issued a decree allowing for the consumption of tobacco. The religious legalization of smoking was granted in a fatwa issued in the early years of the 1720’s by Damascene Islamic scholar Abd al-Ghani al-Nabulsi. He wrote an essay entitled (I hope I type this correctly) “al Sulh bayna al-ikhwan fi hukm ibahat al-dukhkhan” which translates as “Peace Among Friends Concerning the Legalization of Smoking”. Al Nabulsi’s position on the consumption of tobacco was that smoking is like food. If it hurts stop it, if it does not, then why not smoke? Brilliant. The question regarding tobacco’s harmfulness remained a controversial issue for centuries to come. As it still is today. Nonetheless, it was not until the 18th century that tobacco consumption became a legitimate social pastime practice as was illustrated in many coffee-house illustrations of that time and later.

From the late 17th century onwards the tobacco pipe became a highly personalized possession in Arabia. With ornamented varieties coming from pipe-maker guilds in Turkey, England, France, Greece, Egypt, Palestine, and Lebanon. Probably every town of any size had at least one pipe-maker. Even potters in villages could turn out a few pipes from moulds brought from bigger cities. A lot of pipes were also produced in Mecca and Medina as smoking was popular in the heart of Arabia. Even the Sharif of Mecca engaged in tobacco consumption: “He sat upright on his divan, like an European, and smoked tobacco in a pipe like the “old Turks”. The simple earth-made bowl was set in a saucer before him, it’s white jasmine stem was almost a spear’s length.” Clay pipes were a preferable means for consuming tobacco. They were very portable and therefore more convenient to the highly mobile consumer (such as a pilgrim making the hajj). Furthermore clay tobacco pipes were readily available in any market and to customers from all levels of society.

In the early 17th century two ways of smoking existed: “with water” or “dry”. But (of course) smoking tobacco through a dry pipe was superior to the water method. Which was done through the hookahs I mentioned earlier or narghiles, Middle Eastern innovations. The main device associated with tobacco consumption in the Arabian provinces was the oriental pipe, referred to in Turkish as the chibouk (Arabic: shibuk). The English-style kaolin pipes were likely to be more influential to styles in Istanbul, the imperial centre of the empire, where tobacco and the English pipes reached Turkey by the harbour. The 3-part chibouk arrived from North Africa in the Middle East and was readily adopted as the main instrument for smoking tobacco in the early 17th century. The chibouk consists of three elements: the head or bowl (Turkish: lüle), the stem and the mouthpiece. The bowls were made from a variety of materials including wood, stone, meerschaum or even metal. But the common material was clay. The stems were made of various woods or reeds and ranged in length from about 1 meter to 4 (!) meters. The mouthpieces were usually made of amber but could also be made of coral, gold and enamel. Precious stones could be added according to the taste and purse of the purchaser.

Climatic and cultural differences led to the development of two different types of pipes in Europe and the Ottoman Middle East. The hot weather in much of the Middle East created a preference for the inhalation of “cold smoke” while in the cooler weather of Europe smokers preferred “hot smoke”. Well, a moderate hot smoke of course. The technical solution to this issue of cooling the smoke within a dry pipe resulted in the 3-part style of the chibouk. For instance, the longer stem length allows the smoke to cool before it reaches the smoker. Wet silk was often applied to cover the stem to even increase its cooling capabilities. The longer stems, up to the 4 meters I mentioned before, were preferred in the hotter climes of the southern portions of the empire. Shorter stems, 20 centimetres to 1 meter, were used in the more northern, cooler climates. The varying lengths of stems are portrayed in numerous illustrations from the 18th and 19th centuries.

Today, tobacco is cultivated and cigarettes are manufactured in parts of the Middle East, North Africa and Muslim Asia. But only Turkey ranks among the world’s top 10 tobacco-producing countries. Though many reports claimed that the people of Persia and the Ottoman Empire consumed vast amounts of tobacco, actual consumption seems to have been less than in most parts of Europe. These days the tobacco consumption in Middle Eastern countries is only about one half of that in the West. In many countries most people used to smoke cheap, locally produced tobacco. Now more expensive import brands are popular almost everywhere. Either directly imported or manufactured under licence. Such a shame because it were the locally produced (oriental) tobacco gems that fascinated us pipe-smokers. As-salāmu ʿalaykum!

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February 21, 2013

Oriental Opulence part 2.

Turkish tobacco farmers

Ok where was I.. Oh yes! Oriental tobacco. (Click here for part 1.)

Tobaccos grown in Turkey
The three principal tobacco growing areas of Turkey are:
1. The Aegean zone – Izmir
2. The Black Sea zone – Samsun Baffra
3. Marmara and Thrace – Brussa

It should be remembered that within each type there are several grades. Also, the tobaccos that bear the same names as their Greek cousins are quite similar. They have the same basic aroma, nicotine content and burning and other qualities.

Smyrna (lzmir)
Izmir tobacco constitutes a very large part of the entire Turkish tobacco crop. No wonder because it is one of the most well known oriental tobaccos. It has a very small leaf with a small vein construction and a low nicotine content. The color varies from light green to pale gold and it is very sweet and lightly aromatic. It is excellent for blending because it “marries” with practically any other type of tobacco.

Samsun-Maden (Samsun tobacco grown in the Black Sea area)
Real Samsun, which cannot be successfully grown in any other part of the world, is considered by the Turks to be among the world’s finest tobaccos. It has a small leaf, is light in colour and has an extremely fine texture. It is generally used in pipe tobacco of superior quality.

Baffra
Basically the same type tobacco as Samsun. Baffra tobacco has small, red or darker brown leaves of fine texture and it gives off a very pungent odor. It is not quite as fine a tobacco as Samsun and is usually used to give flavor and aroma to all blends.

Trebizond
The other Trebizond tobacco has large, light red leaves of fine texture. Its taste is strong and it is very aromatic. The leaves are usually “topped” in the growing, which adds to their size and to their nicotine content. Most Trebizond is grown for local (Turkish) consumption.

Oriental tobacco

Tobaccos grown in former Yugoslavia
This region produces many varieties of oriental tobacco. The most outstanding are Prilep, Yakka and DjebeI. All three are Basma types and the most popular and widely-produced is the Prilep variety. The Yakka tobaccos are more delicate and are very similar to Greek Basmas. The Djebels are grown in rather restricted quantities and are very similar to the Bulgarian Djebels.

Tobaccos grown in the Black Sea zone
In areas surrounding the Black Sea, Georgia produces Sukhum (Sokhoum) tobacco, a strain from the Samsun seed. Grown in and around Sukhumi, some experts consider it the finest oriental grown anywhere.

Tobaccos grown in Bulgaria
Bulgaria produces in its Macedonian area oriental tobaccos (like Djebel) that are similar to the Basma and Bashi Bagli types of Greece.

*Phewww* ok, that were the different species of oriental tobaccos. In the older days they were widely used in pipe tobacco. Nowadays they are rare. No I say that wrong, they are not rare. Nowadays specific oriental tobaccos are hard to get. The real issue is the quantities pipe tobacco manufacturers have to purchase in order to get them. Most of the tobacco farmers in the regions I mentioned also grow other crops. Tobacco isn’t their only, or even their main source of income. Most produce only about 1000 kg or less per year. A lot in our ears, but not in tobacco manufacturer ears. Much of that 1000 kg is used in the production of local cigarettes. Almost all what is left gets mixed and piled up together and is sold to the big cigarette companies. The scraps often go to pipe tobacco companies. And many scraps of oriental tobacco still make… Oriental tobacco. That is why in many current mixtures an unnamed assortment of the exotic leaf is used.

Let´s quote master-blender GL Pease on this: If I wanted to get a container full of any particular variety, about 4.5-tonnes, it would be possible to do so, but consider the fact that there the US pipe tobacco market, overall, is only about 1600-tonnes, and the vast majority of that is OTC aromatics. That container full of Turkish leaf, used in a mixture that may comprise 15% oriental, would yield about 30-tonnes of finished product. It would take a lot more decades than I have left to recover the investment!
So he is bound to what a tobacco broker can offer him, instead of him buying specific oriental tobaccos.

Sun curing

This is kind of logical but oriental tobaccos are sun cured. The leaves are exposed to the sun to remove most of their moisture before being air cured to complete the process. Then they are stored in bales and allowed to ferment.

Now something about the use of oriental tobaccos in a blend. Orientals can have flavours that range from sweet to musty to buttery to floral. Since most of them have a pronounced flavour a little can go a long way. According to a German master-blender 30% on the whole of a mixture is the maximum. I would say that 25% is enough. But if you like a specific oriental you can also smoke it straight although I don’t recommend that. Together with some Virginias they really sing. If you smoke it in a blend halfway the bowl the oriental taste often is the strongest.

Recommended mixtures with lots of orientals are:
– Balkan Sobranie Original Smoking Mixture (by J.F. Germain)
– Dunhill: Early Morning Pipe*
– GL Pease: Cairo, Embarcadero, Caravan, Ashbury
– HU Tobacco Joschi’s Oriental Sunrise
– McClelland: Bulk No. 2025 English Cavendish, Bulk No. 2045 Oriental Mixture, Bulk No. 2050 Oriental Cavendish Mix, Bulk No. 2020 Matured Cake, Bulk No. 2030 #1 Grade Balkan, Oriental No. 12, Oriental No. 14, Grand Orientals series (a great way to get to know almost extinct orientals)
– McConnell: Old London Pebblecut (formerly made by Ashton), Oriental
– Peter Stokkebye: Balkan Sasieni, Balkan Supreme
– Presbyterian Mixture
– Samuel Gawith: Skiff Mixture, Sam’s Flake
– Tabaco Sentimiento Nacional Mezcla Oriental Fuerte

* Available in The Netherlands

Dutch Pipe Smoker

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Oriental Opulence part 2.