Lohmar pipe-show 2015

Lohmar_2015While a big part of the pipe-smoking world had their attention focused on the enormous Chicago Pipe Show, another, smaller, European-German part, attended the interesting and cosy Lohmar Pfeifenmesse. I went there last year and had a blast despite the gruesome weather. So on the morning of the pipe-show I opened the curtains a bit nervously and… Sunshine! I knew it was going to be a good day. After a quick shower Rob (forum nickname Robbie-San) already rang the doorbell, just as last year I rode with him. The only difference was that we did not have to pick up the other Rob (forum nickname: Smoking Rob) because he had a gig with his band that evening and could not make it. Yoda greeted me once again in Rob’s car and like last year I had made cheese-sandwiches for the road which we both happily ate while chatting away.

Yesss! Excellent weather!

Yesss! Excellent weather!

To Rob’s delight I pulled out an aged tin out of my bag of Peterson Sweet Killarney, one of his favourite tobaccos, as a “thank you” for driving me. The journey went a lot faster this year, I guess it helped that the German highways did not look like rivers now. Just before 10.30 am we arrived at Villa Friedlinde in the heart of Lohmar, the annual location of the pipe-show. 2015 was a special edition, the 10th one, still organized by pipe-maker Volker Bier. Like last year a large section of the surrounding park also was part of the show. That Volker closely works together with the local authorities was proved by the fact that even the mayor of Lohmar attended the Pfeifenmesse.

dunhill_princeOnce inside I immediately looked for the stand where I bought the Dunhill Shell cherrywood-shape last year, hoping to find more of those gems. But instead I bumped into Eddy. He mailed me some time ago that he recognized one of my Dunhill prince-shaped pipes in my Prince of Pipes blogpost. To be precise the Dunhill Bruyere from the early patent era. Apparently that pipe once belonged to him! He asked me where I bought it, at Esterval, I answered. That also was the vendor where he once bought it. Sadly the old mouthpiece got so thin by all the maintenance over the years that it had cracked. Eddy had it replaced by German pipe-repairman Marco Janzen.

Eddy

Eddy

Unfortunately he was not 100% happy with the new mouthpiece because it was thicker and wider as the old one. On top of that he always had been a little afraid of smoking this fragile prince too hot. So Eddy traded it with another German against a Dunhill bulldog-shape and probably that man sold it to Esterval again. We exchanged some pictures and from seeing those we both came to the conclusion that I now had the old prince of Eddy. After all the mailing we did we decided to meet at Lohmar and bring some of our Dunhill princes. Eddy had brought a Dunhill Shell patent era with him which could have been the brother of one of mine, exactly the same style mouthpiece. During the day we now and then bumped into each other and every time kept chatting a bit. Wonderful guy.

Rainer and Markus at the HU Tobacco stand

Rainer and Markus at the HU Tobacco stand

A stand I did not wanted to miss was the one of HU Tobacco. Sadly owner and master-blender Hans Wiedemann could not come to Lohmar. I mailed him about a question of his excellent Fayyum Kake a couple of months ago and heard to my terror that he had suffered a heart attack. Thank the heavens he is well on his way to recovery but the Pfeifenmesse came to soon for him. So for the day two friends of him, Rainer and Markus, took over business. I also know Rainer, we regularly mail with each other, swap tobacco samples and he helped me out with my blogpost of the vintage Dunhill London Mixture which was made in Germany.

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Yummie home-made liver-pâté

It already was very busy at the stand but Rainer immediately recognized me and we shook hands. I had some things for him and he for me. I brought some Germain Rich Dark Flake with me for him and traded a pouch of Condor against some local made liver-pâté. Believe me, for someone who does not like the soapy Lakeland tobacco aroma it was an excellent exchange. The liver-pâté was made by the local butcher in Rainer’s home-town and is mouth-watering yummie. On a side note, Rainer gets his tobacco canned at that same butcher. Meat or tobacco, what is the difference? Also Hans had a surprise for me, Rainer handed me over a bag with a tin inside. “Guard it with your life, the contents are very wanted!” he said. Inside the bag was one of the last tins of Fayyum Kake! Thank you very much Hans! Fayyum Kake is no longer made (for now), it is pressed by Hans himself and with his condition it just became too much work. For the rest I bought some delicious Balkan Passion and Director’s Cut at the stand.

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Standing in the queue before the food-wagon

Unlike last year the food stand now was outside the villa, a wagon with a big round plate beside it where potatoes were baked. The stomachs of both Rob and I grumbled a bit so we decided to get some Bockwurst. What I did notice was that the prices had gone up, €4 for a simple Bockwurst with one tiny slice of bread was a bit on the expensive side for me. Next year I’ll bring more sandwiches with me.. Behind me in the queue before the food-wagon stood German blogger Ralf Dings of the excellent Jogi-wan blog. He did not immediately knew who I was but when I said “Dutch Pipe Smoker” an expression of recognition came over his face. We talked a bit about how close HU Tobacco came to closing down because of Hans’ heart attack and that that really would have been a crying shame. When Rob and I finally could order some food and drinks I made a strange movement with my hand and accidentally slapped the Dunhill Root Brair I was smoking out of my mouth. It just missed the hot surface of the big baking-plate and hit the side with a loud bang. Under the worried looks of the people in the queue I rapidly picked up the pipe and… Not even a scratch. *Pheww!!*

Foundation by Musico pipes

Foundation by Musico pipes

With our bellies filled it was time to properly look at all the stands. Compared to last year I was a little less impressed with the selection of pipes. The stand where I bought the Dunhill Shell cherrywood shape did not have any new models that I liked. However, they still had the same prince I saw at the previous Lohmar edition but because it was from the 90’s I choose not to buy it. Yes I know, I can be a snob.. I very much liked the offerings of Foundation by Musico, classic shapes with sometimes beautiful blasts. Sadly only just above my budget.. Which I had with quite a lot of pipes. Oooh, this one is nice! Owww, €250.. Nevermind.. As a rule I never pay more than €150 for a pipe (only 1 exception, I once bought a Winslow Harlekin). Partly because I am a cheap ass Dutchman and partly because Ellen will kill me if I come home with an expensive piece of smoking-wood. (“When do you spend some money on me, you cheap ass bastard!”)

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Morta pipes by Colja Schoppe

Maike from Maike pipes has a better price-quality ratio, which resulted in almost selling all of her available pipes. I’ll be sure to keep an eye out for new offerings from her. Holger Gunia, master of the short, stubby pipe also did some good business. Few pipes were left when I examined his stand. Obviously inspired by Roger Wallenstein but taking it to a new level a real eye-catcher were the pipes of Uwe Maier. Good to smoke and put on your livingroom-cupboard as a piece of art. The large morta pipes of Colja Schoppe were also very impressive. Not my thing but I can perfectly imagine lots of pipe-smokers will like his offerings.

Rob

Rob

While walking around we bumped into Fred, d’Artagnan and André. The last two also were there last year. After having talked a while Fred and André went their own way and d’Artagnan joined us. Beside pipe-stands there were also stands who sold other hand-made things. Last year I bought Ellen a dark blue bracelet so now I wanted something different and found just that. A lady had for sale all kinds of rings and pendants. I picked 2 pendants, one with a stone which had a purple hue (the favourite colour of Ellen) and one with an ammonite in it. d’Artagnan liked that last one so much that he decided to buy one for himself. Because of the lovely weather we all had dry throats and there was only one cure for that: beer! The voluptuous lady at the stand of the local Lohmar brewery recognized us immediately. Last year we told her we were Englishmen but now we decided to tell the truth, that we were merely Dutchmen. Luckily her smile stayed the same and the beer was once again pretty good (although it could have been a bit colder..). We then went to park near the villa and sat down on one of the wooden benches to catch some sun, chat and smoke a pipe of course.

Rob at the beer garden

Rob at the beer garden

Soon it became time to go, the Lohmar Pfeifenmesse was getting quieter and quieter. I already had in mind to go eat something at the local Brauhäuschen. But the restaurant was still closed when we got there and a note on the door said it was reserved that evening. Later I found out that it was reserved for the Lohmar crowd.. We drove on and found a nice beer garden where we sat down and had some tasty German beers. Unfortunately the kitchen of the beer garden opened late so once again we went looking for a place to eat. “All I want is a picturesque, decent restaurant preferably in a good looking setting” I grumbled to Rob.

Prost!

Prost!

d’Artagnan has some fancy navigating devices in his Mercedes so he pointed us towards just the place I was looking for: Café Restaurant Meigermühle, located in an historical timber framed building at the edge of a forest. To our surprise their neighbour was the local Lohmar brewery (who had a stand at the pipe-show remember). As soon as we stepped out of our cars the same voluptuous lady saw us and invited us inside, where we got a short tour in which she explained the making of their beer in rapid German. Afterwards still smiling we went to the Meigermühle and sat down on the outside terrace. The choice what to eat was easy for all of us: Schnitzel! And to be perfectly honest, the one I had was far better than the mediocre one from last year in Kleve. Tender and tasty with a delicious pepper-sauce, ooooh yeah! After dinner we went our separate ways, d’Artagnan was going to nearby Cologne and Rob and I drove back to The Netherlands. Back at my sleeping address in Brabant we shook hands and we thanked each other once again for a wonderful day.

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Lohmar pipe-show 2014

OLYMPUS DIGITAL CAMERALast year when all the business with the forum tobaccos had been taken care off German master-blender Hans Wiedemann of HU Tobacco asked if I was coming to the next Lohmar Pfeifenmesse (Lohmar pipe-show). We then finally would be able to shake hands after the loads of mail-contact we had. Hans lives in the South of Germany which is far away from where I live in The Netherlands and according to him the Lohmar pipe-show was the closest to my home. I looked it up and indeed Hans was correct, it was a 230 km. ride for me. He also asked me if I could promote the pipe-show a bit on the Dutch/Belgian pipe-smokers forum, which I of course did. At first there was not much response so I decided to ask if fellow forum-member Robbie-San (real name Rob but there are more Robs in this story) was willing to go to Lohmar with me. We had met before at several meetings and I knew he was a good guy and pleasant company. In the end another forum-member, Smoking-Rob (behold, the other Rob), asked if he could join us. Of course, the more the merrier! Also a couple of other forum-members said they would come.

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Villa Friedlinde

It was going to be the 9th edition of the Lohmar pipe-show organized by pipe-maker Volker Bier and his friend Jürgen Hofer. The location is the same every time: Villa Friedlinde in the heart of Lohmar. This year a large section of the surrounding park also was part of the show. To my delight I read in the announcements on a German forum that Volker closely works together with the local authorities who are proud to host the event. Even the site of Lohmar-town promotes the pipe-show. I mean, these days here in The Netherlands you won’t easily see towns supporting a smoking-event. In fact, we don’t have smoking-events any more..

Yess, the Force was with us!

Yess, the Force was with us!

After a few messages back and forth Robbie-San and I decided that he would drive to Germany. He has a car that runs on diesel and that is cheaper. We’re Dutch remember? But that meant I had to come to Brabant first because Robbie-San lives there. No problem, I work there every last half of the week and have an address where I can spend the night. Saturday 10 May at 08.30 sharp Robbie-San rang the doorbell. I grabbed my belongings including some cheese-sandwiches that I made for the road. I had to laugh when I stepped into the car because on the corner of the dashboard stood a miniature Yoda. So the Force was going to be with us! We drove to somewhere along the edge of the city of Nijmegen where Smoking-Rob was waiting for us. After the handshakes he presented a tin of MacBaren HH Old Dark Fired to Robbie-San as a thank-you for driving. For me he had a tin of vintage (1980’s) Capstan Medium Navy Cut that I traded with him for some Janneman Flake.

The Force let us down a bit, Stau! (traffic-jam)

The Force let us down a bit, Stau! (traffic-jam)

On the way to Lohmar it seemed the Force let us down a bit. In The Netherlands it already was raining a bit but the roads in Germany were a gigantic water-ballet so we were forced to drive slowly. On top of that we encountered some “Stau”, which translates as “traffic jam”. Oh well, Robbie-San and me were enjoying the cheese-sandwiches and Smoking-Rob his pipe while we all chatted away. So a bit later than expected we arrived at the site in Lohmar. It was pretty busy with cars but we saw a place where we could park. Behind us stood another Dutch car and it turned out that it belonged to a fellow Dutchman, André. He already had been inside and was just going to put some new acquisitions in his vehicle when he spotted us

My

My “new” Dunhill shell cherrywood shape

“Arno, quickly come with me” he said “I have seen a gorgeous estate Dunhill!” So he literally dragged me through the masses in Villa Friedlinde  to an outside tent in which a vendor had displayed numerous estate pipes. First my eye fell upon a good looking Dunhill shell prince but that was not the one André meant. “No no, here, this cherrywood shape, look at this one! See the blast and how crisp it still looks?” I could not argue with him and felt the Force was with me! Although it was not a patent-era Dunhill the pipe (birth-year 1976) was stunning and the price was ok. My godfather had given me some money for my birthday so I was able to buy it. Sadly I did not have enough cash to also buy the Dunhill prince, other things also had to be purchased.

Robbie-San looking at some pipes in the busy tent

Robbie-San looking at some pipes in the busy tent

Before going back inside we went to the farthest tent where Hans Wiedemann should be. Should, yes, he was just taking a smoke outside the narrowness of the tent. We politely waited until he got back and in the meanwhile admired his tobacco-range on the table. He had three new blends: Red Sparkle, White Dog and an unique blend, Fayyum Kake. The first cake to come from German soil as far as I know. Hans has invested in a tobacco press at his home and this is the first creation to come from it. He had a bar of the blend laying on the table so I decided to slice off a piece and put it in my new Meindert prince. I looked around and decided to walk around the tent. I noticed it was BUSY, people stood shoulder to shoulder but no pushing or things like that. Everybody was really polite. I admired several pipes and snapped pictures of them and their makers. Germany is a big country but it still surprises me how many pipe-makers it has. And also female pipe-makers! Behind one of the tables sat a shy looking short haired woman: Maike from Maike pipes. When I asked if I could pick up and admire a couple of her pipes she even shrank back more behind her table. No need because what she makes is beautiful. To my delight, when I came back later, I saw that she had sold some of her pipes.

Peace man! Thank you brother! (Robbie-San and Hans)

Peace man! Thank you brother! (Robbie-San and Hans)

When Hans came back we were finally able to shake hands. It was a real pleasure to talk to him in person after all our mutual correspondence. Unfortunately it was busy so we we had to keep the conversation short. I also wanted to buy a couple of tobaccos including his excellent Sunset flake. When I pulled my wallet he asked a lower price for the tins, “because it is you”. Well, thanks Hans! “Come back later when it is more quiet, we talk more then” he said. Check! So Robbie-San, Smoking-Rob and myself walked back towards the villa. Just behind the villa was a tent which included a beer-stand from a local brewery. We were all feeling like having a nice cold German beer so we asked the voluptuous woman behind the bar what our choices were. Dark beer and bright beer was the answer. The two Robs took the bright beer and I the dark one ( I love dark beer). De-licious! We had to laugh with the friendly lady because for some reason she thought we were from England and spoke German so well. Robbie-San played his English gentleman role perfectly.

The metal-rod system of Gigliucci

The metal-rod system of Gigliucci

After the beer we went inside the villa and almost immediately bumped into fellow forum-member Robert Jan who was anxious to see the displayed wares. Loads of pipe-makers were lined up beside each other and we shuffled from table to table admiring the handicrafts. We stopped at the table of a man who made the shanks of a lot of his pipes very thin. That is not possible I thought, the shank would be very delicate and prone to breakage. It turned out that the carver, Andrea Gigliucci from Italy, made a system with an metal rod inside the shank to give it strength. I saw a pot-shaped pipe of him which with a little tweaking would make a formidable prince. In English with a thick Italian accent he told me that he had never tried to make a prince-shaped pipe. I hope I can give him the order someday!

Holger Gunia pipe

Holger Gunia pipe

We also passed the table of a pipe-maker who seemed to have specialized himself in the making of short stubby pipes: Holger Gunia. I immediately had to think of another fellow forum member, Huub, who has a vast collection of this type of pipe. I myself am not a fan of these shapes but I surely could appreciate the handicraft and especially the rustication of some pipes which almost seemed to sparkle, very strange but very nicely done. Inside the villa there also was a kitchen which served food and beverages for little money. We all were a bit hungry so decided to go for some typical German food, Bockwurst, which tasted delicious. A must-try when you visit Germany.

The bracelet Robbie-San bought

The bracelet Robbie-San bought

Outside in one of tents there was a table on which all kinds of leather goods were for sale. All 100% handmade in Germany and unique. Robbie-San saw a stunning bracelet which he had to have. Very un-Dutchlike he did not haggle when he heard the price. “I know all the handicraft in the bracelet is worth the money” he said. I wanted to buy something for my girlfriend Ellen so I opted for a dark blue bracelet. You know, I believe that a man has to keep his woman content. If I come home with an expensive (in her eyes) pipe her mood will be much better when she is given a nice present.

The German gentlemen

The German gentlemen

Robbie-San and I wanted to drink something hot (all the rain did not exactly make us feel any warmer) so I got a coffee and he a cup of tea. We sat down at a large table where some Germans already had taken place. I looked at the pipes of one the men, nothing special, but then saw a tobacco I did not know yet, Exclusiv Royal. I asked if I may have a look and the tin was given to me. I looked at it and smelled it, yummie! A granulated cut, interesting. Robbie-San was given permission to fill a pipe with the blend so I pulled out a tin of McClelland Pebblecut and asked if the German gentlemen knew it. They had never seen an American tobacco before and happily filled up a sample bag with it. I wonder what they thought of it when they eventually smoked it.

Fltr: Smoking-Rob, myself, Hans and Robbie-San

Fltr: Smoking-Rob, myself, Hans and Robbie-San

After the hot beverages we went back to Hans because Robbie-San had to get some tobacco samples for another forum member. Smoking-Rob was sitting outside the tent and talking to Rainer, the “little finger” (helper) of Hans. Inside Robbie-San could fill up his sample-bags the blends of Hans while I further talked to the master-blender. I asked him if he had any new projects and he told me he was, amongst other things, working on an oriental-heavy mixture. Interesting! I hope I get a sample of it before it comes out. He also complimented me with this blog and was a bit shocked at how much viewers I had so far, about 90.000. Hell, I am also shocked at how many people read my humble writings. Hans then got momentarily busy with a client who ended up with a gigantic bag full of tobacco tins. He told me that he only buys tobacco once a year, at the Lohmar pipe-show and all blends of HU Tobacco. Impressive! To my utter delight I also saw a tin of Brullende Leeuw in his bag. The forum tobaccos were selling well, Hans told me. When Smoking-Rob once again joined us we did make a group picture with Hans. Smile! And after that it was time to go home. We comprehensively thanked Hans for the time he took for us and walked to the car.

At the restaurant in Kleve

At the restaurant in Kleve

On the way home we decided that we would have dinner in Kleve, near the Dutch border. Unfortunately before we got there Robbie-San was flashed by a speed-trap camera, I hope for him that the fine is not too high.. When we arrived in Kleve it was raining cats and dogs. We got out of the car, went looking for a place to eat, could not find one, got soaking wet and went back inside the vehicle. We drove to another part of the centre and passed a decent looking restaurant. There we all opted for another typical German (ok, typical Austrian..) dish, a Wiener Schnitzel. When, after a looong wait, the waiter finally brought the plates my Schnitzel was clearly smaller than the others to the amusement of the Robs. What, did I get less because of my fat looking head?? Hmzzzgrumble.. After dinner we drove back through the beautiful region of Nijmegen where I was born and said goodbye to Smoking-Rob. Robbie-San then dropped me at my sleeping address  in Brabant, we shook hands and we thanked each other for the wonderful day. Once home I kissed Ellen, said I got her a beautiful, handmade and expensive present and gave the bracelet before pulling out the Dunhill. She shook her head while smiling at me.

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The Dunhill Shell Story

Dunhill_logoMy love for Dunhill pipes began when I purchased a Dunhill Bruyere pot model from 1976 through a member of the Dutch pipe smokers forum. Before that I had a couple of bent Petersons, a few Winslows and that was it. I was searching for a really good pipe to smoke latakia-blends in, a pipe that would do a fantastic blend justice. And well.. The Petersons did not cut it.. Absolutely beautiful pipes but as far as smoking goes.. Mwah.. I must say, I still have a Peterson from 1923 and that one smokes superb. But the newer ones were just not my thing. My Winslows are superb pipes for aromatic and Virginia/Virginia-Perique blends, but latakia, no. At first I saw a Dunhill pipe as a bit snobbish, not something I like. But when I read something more about the history of Alfred Dunhill (I love history) I began to feel more for the brand. The Dunhill Bruyere pot I bought was a great smoker when filled with the dark leaf. It just tasted better, the draft was better, the mouthpiece felt better etc. But I did not like the look of the pot very much. And then I fell in love with the Prince shape.

My Dunhill Shell Briar from the patent eraLike I said in my “Prince of Pipes” post, for me the epitome of the prince pipe is an army mount Dunhill Shell briar from the patent era. Why a Shell? I guess just personal preference, I like a beautiful sandblast more than a straight grain. But how did the Dunhill Shell pipe came into being? The “marketing” tale is this: Alfred Dunhill went down into his basement during winter. He wanted to make a couple of pipes (as far as I know he was a gifted blender, not a carver, but ok..) and he accidentally left a half finished one by the heating boiler. Sometime next summer he suddenly thought of the pipe. He found it and it looked like some of the grain had “shrunk”, leaving a relief pattern similar to that of a sea-shell. In reality the company experimented since 1914 with Algerian briar (attractive and pretty inexpensive) for a smooth-finished pipe.  But without success because of the softness of the briar. So the blocks were simply laid aside the stove. After several months it seemed that the heat from the stove had affected the condition of the Algerian briar blocks. They had shrunk to a mere “shell” with the grain standing out in relief similar to that of a sea-shell (I feel like repeating myself). And so the Shell finish was born. Working together with the London Sandblasting Company to perfect the process of accentuating the briar relief, a patent was finally awarded in late 1918.

Pipe bowls lying in their oil bath.

Pipe bowls lying in their oil bath

Another invention was the treating of the wood with oil (oil curing), which strengthened it and removed impurities. Here is how Alfred Dunhill explained the process of oil curing and sandblasting in the patent application: This invention relates to the treatment of the surface of the wood of wooden tobacco pipes, for decorative purposes, and refers to a process by which the grain is accentuated or made to stand out in relief, thus giving the wood a very elegant appearance, without interfering with the durability of smoking qualities of the pipes. Although the sand blast has been used previously for the treatment of the surface of wood, to accentuate the grain, I have found in practice that this treatment in itself does not give satisfactory results as there is a tendency for the wood to become cracked and injured, a result that does not occur with my process where it is used as an auxiliary to the treatment by steeping (in oil) and by heat.

Bowls drip-drying

Bowls drip-drying

In carrying out my invention, I shape the pipe in the ordinary way. I then steep it for a suitable time in a mineral or vegetable oil. For instance, in the case of Algerian briar, a wood very suitable for the production of these new tobacco pipes, the article may be steeped for a long period say for several weeks, in olive oil. After lt has been removed from the oil, I subject the article to the action of heat. This process occupies a number of days, the oil exuded or coming to the surface being wiped off periodically. The result of the treatment is that the grain of the wood is hardened and stands out in relief to a certain degree, but the oil coming to the surface forms an impervious coating.

Sandblasting a pipe

Sandblasting a pipe

I (then) submit it to the action of the sand jet or sand blast, which removes the hardened coating of oil and also has the effect of cutting away the softer wood between the grain and leaving the harder portion -the hardness of which has been intensified by the process of steeping and heating- in very high relief. If the article is again steeped in oil, it will take up a further amount and the treatment by heat and the sand jet or sand blast may be repeated; and so on for as many times as may be required according to the extent to which it is desired to accentuate the grain or make it stand out in relief. The resulting article is extremely hard and constitutes an admirable tobacco pipe for the smoker.

See the underlying red stain?

See the underlying red stain?

The sandblasting techniques were not completely mastered by the Dunhill pipe makers in the beginning of the 1920’s. So the pipes were aggressively, deeply blasted through a “double blast” process. Because of the softness of the Algerian briar especially in the early years the shape of the pipes was often dramatically altered. Sometimes so much that the regular shape number no longer could be used. In the late 1920’s and 1930’s the blast was more controlled, but still deep and craggy. This style continued into the 1960’s and is now considered classic. Since the late 1960’s Algerian briar became unavailable for Dunhill thus much harder briar (Grecian) had to be used for the finish. The consequence of course was that the Shell blast became significantly more shallow. The stain of the Shell is black with an underlying layer of warm red. So especially older Shell pipes reveal a warm shade of red when you hold them in the light. However, I remember reading somewhere (can’t find it now, you always see this..) that Dunhill once decided to make the Shell finish all black. It was not appreciated by Dunhill fans..

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My 1927/1928 army mount Shell prince

I now have two Shell prince pipes, both from the patent era. And I LOVE them. The first is an army mount from 1927 or 1928. I saw this one on the English ebay; the mouthpiece was pretty oxidised, the white spot had turned black and the rim was a bit shaved off. It did have a “buy it now” price that was pretty low so without thinking any further I bought it. When I received the package and saw the pipe it looked better than on the pictures. I even could see the registration number on the stem. I send the pipe to the repairman and he did a wonderful job, it was good to go for years to come. Today this Shell prince is my benchmark pipe for latakia blends.

IMG_0021What I forgot with my first Shell I did do with my second: ask more about the pipe. My second Shell I recently bought (also on ebay) from a very nice British fellow named David. On the picture I saw a patent era Dunhill pipe from 1950 in pristine condition. Except for the tenon, which was cleanly broken. I took the gamble and made a bid which was, to my delight, the winning one. I send pictures of the broken tenon to the repairman and he just said: send it over. One and a half week later I received the pipe back and to my relief the repair was immaculately done. The original mouthpiece was saved, only the tenon had been replaced. I also saw a strange “C” stamp on the bottom that I did not not know of. Well, I know that a “C” stamp can stand for Churchwarden. But obviously this was no churchwarden. I kept on mailing with David (who in the past had a lot of informative talks with Richard Dunhill) and asked him if he knew anything more about the pipe. This was his answer:

IMG_0024In answer to your question, I don’t, I’m sorry to say, have all the background to your pipe, but I am able to tell you that I purchased the pipe in Brighton (on the south coast of the UK) in about 1997. I purchased it from the estate sale of the original owner (whose name was not publicly declared at the time) and whom I understand received it from Alfred Dunhill Limited as a “gift” at some point in the early 1950’s. The pipe may have been given to him because of his association with the Dunhill business as a stockist, a valued supplier, a personal friend of the Dunhill family or perhaps even a favoured customer (actors, celebrities of the era and those notably in the public eye were actively courted and encouraged by Dunhill to be seen and photographed with ‘white spot’ pipes between their teeth in the 1940’s & 1950’s) Unfortunately, however, the exact provenance of your pipe we shall never know for sure.

See the

See the “C” stamp on the left?

On the subject of the ‘C’ stamp, the reference you found is quite interesting as it depends on where and how the ‘C’ is used on a Dunhill product. For instance, it may indeed indicate ‘Churchwarden’ if aligned with the ‘style’ stamp, or a large capacity one-off bowl if used after the letters OD on a Dunhill ‘special’ (ODA’s & ODB’s being slightly smaller)… It was even used on top grade straight grain or ‘Dead Root’ pipes at one time to indicate the degree of quality e.g. DRA, then a DRB, DRC etc.. (I’ll stop now!!) – there are so many different subtleties in the stamping. Incidentally, the ‘C’ for complimentary was also used on other products as I had an early Dunhill lighter that had it over-stamped on the base and which I knew had been a retirement gift.

My two patent era Shell briar prince pipes

My two patent era Shell briar prince pipes

Pipes, such as yours and that are marked with a ‘C’ were deliberately undated (as there was no need to identify the start of the one-year guarantee period) and were stamped with the ‘C’ to show that they were given free of charge to their original owners. Most of the pipes specifically made for members of the British Royal Family were also, I understand, marked with the ‘with compliments’ ‘C’ stamp. That said, don’t get too excited… King George V, his son The Duke of Windsor and his successor, King George the VI, were famously known for ignoring the ‘royal drawer’ preferring instead, to select pipes for themselves from Dunhill’s standard, year-dated stock as they liked to ‘browse’ through the choice and extensive range on offer to all who visited the Dunhill shop in London.

I love information like this, for me it makes the pipe and history come alive. So I hope to stumble upon many more old Shell briar princes, for a good price of course. After all, I’m Dutch.

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I crave for some Craven Mixture

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A 1932 ad for Craven Mixture

Some time ago while browsing on the British ebay I saw an old still full and sealed tin of Carreras’ Craven Mixture. Somewhere in the back of my mind I remembered reading about it. After a quick Google search I knew it. It was the blend famous novelist and author J.M. Barrie called “Arcadia Mixture” in his famous “My Lady Nicotine” book. The ebay tin looked pretty good so I decided to bid on it. To my pleasant surprise I won it for very little money. The lady from who I bought it was somewhat worried when she had send the package: “You are not going to smoke it right? It’s OLD!” I answered “Madam, I have every intention of smoking it!” And so I did.

A 1918 ad for Craven Mixture

A 1918 ad for Craven Mixture

Craven Mixture originally was made by the Carreras Tobacco Company. The House of Carreras was a tobacco business that was established in London in the 18th century by a nobleman from Spain, Don José Carreras Ferrer. In the early 18th century Carreras began trading in London. This was a time when cigars were increasing in popularity and Don José became a pioneer in his field. However, although business went very well it did not become a major company until his son, Don José Joaquin, began to specialise himself in the blending of tobaccos.

George Grimston Craven, 3rd Earl of Craven

George Grimston Craven, 3rd Earl of Craven

By 1852 Don José Joaquin Carreras had established himself near Leicester Square. In 1853 he was granted the high honour of being the sole supplier of cigars and tobacco to the Spanish Legation (a diplomatic representative office lower than an embassy) in London. Don José’s fame as a skilled tobacco blender soon spread. He produced special blends to suit the individual tastes of the highest members of society. Fashionable and distinguished customers visited his showrooms to select their own tobaccos. One of Don José’s most famous customers was the third Earl of Craven. A special blend, yes you guessed it correctly, Craven Mixture, was created specially for him.

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Another 1932 ad for Craven Mixture

Carreras soon opened another shop. This time in the Arcade in London’s newly developed and fashionable Regent Street W1. Here he was visited by royalty from many countries. Some of Don José’s tobacco brands became world famous. As well as Craven Mixture, you had Guards’ Mixture, Hankey’s Mixture and others. Over one thousand brands of cigar (!) could be bought from Carreras. Together with snuffs, cigarettes, pipes and other tobacco related items. The business remained in the hands of the Carreras family until 1894 when Mr. W J Yapp  took control. In 1903 Carreras leadership fell to Bernhard Baron when he and Yapp both became directors.

J.M. Barrie c. 1910

J.M. Barrie c. 1910

J. M. Barrie, best known as the creator of Peter Pan, was a valued customer during the 1890’s. When he wrote “My Lady Nicotine” (which was published in 1890) he centred the story around a mythical tobacco called Arcadia Mixture. It did not take long before Carreras realised that the only tobacco Barrie  bought was the Craven Mixture. In January 1897 Barrie confirmed to Don José that Arcadia Mixture and Craven Mixture were one and the same. Shortly after that Carreras began using Barrie’s endorsement in his advertising. Craven Mixture sales increased rapidly at home and abroad.

Basil Rathbone and Nigel Bruce as Holmes and Watson

Basil Rathbone and Nigel Bruce as Holmes and Watson

In the stories of Sherlock Holmes the blend also appears. It was Dr. Watson’s favourite pipe tobacco. Holmes recognized it by it’s characteristic fluffy white ash. It was said to be of such extraordinary character and delicacy that it stopped all conversation.

After some very, very successful decades the Baron family (which had held a controlling interest in Carreras since the early 1900’s) decided to sell their shares in 1958 to Rothmans. Carreras Rothmans Ltd. was formed in 1972, when Carreras Limited was used as the vehicle for the merger of various European tobacco interests to form Rothmans International.

Nowadays Craven Mixture is no longer made. Although McClelland re-created the blend: 221b Series, Arcadia. Cornell & Diehl also made a re-creation: 531, Yale Mixture.

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My freshly opened circa 1930’s tin of Craven Mixture

Ok, enough history. Let’s go back to the tin I purchased. I date this one to the 1930’s because of the mention of Arcadia Works on the tin (post-1928) and the resemblance to the tins on the advertisements you can see in this post. Besides a little rust the knife-cutter tin looked just fine, the foil below the lid was intact. Still, you can never know how the tobacco in the tin behaved after about 80 years. There can be microscopic holes which let the air out,  the inside could be very badly rusted etc.. So a bit nervous I pulled the little knife on the lid away, took a deep breath and placed it on the foil thus penetrating it. To my absolute delight I heard a 3 second long hiss of escaping air and smelled the ancient tobacco. Yessss!!! That meant the tin still was sealed! Quickly I cut away the rest of the foil by turning the lid around. I could not believe the tobacco inside was still moist and springy after all this time. The smell was a bit sour, like a pile of autumn leaves on the earthy ground.

IMG_9429I grabbed my old patent era Dunhill shell briar prince, filled it up and lit it. I was rewarded with a very smooth smoke and taste. Of course the ingredients had decades to blend inside the tin. The mixture is fairly strong in the nicotine department. After only one third of a bowl I already found myself running to the fridge for some fruit-juice to temper my fast aggravating queasiness.. Identifying the individual elements in this mixture is pretty difficult. As far as I can taste after one bowl this blend contains Syrian latakia. At least, after smoking quite a lot of McClelland Three Oaks Syrian past week I can pretty safely say it is Syrian. Besides the typical smoothness and smokiness of the Syrian dark leaf I also detected Virginias. I do not think a lot of bright Virginias were used since the blend is not really sweet. Orientals I did not detect. The flavour is quite straight, pure, strong and unified. The smoke has a constant and consistent taste and body from start to end.

No one who smokes the Arcadia Mixture would ever attempt to describe its delights. J.M. Barrie. Well, I just did.

Here are some more pictures of my tin:
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The lucky bastard ;)

Shaun (forum nickname: Nekker)

Shaun (forum nickname: Nekker)

Fellow Dutch/Belgian pipe-smoker forum member and friend Shaun is a lucky bastard. Besides having a drop dead gorgeous girlfriend and a model for a sister, the favour of the almighty pipe-smoking God also shines upon him.

Yesterday he was walking with his mother over a flea market in the Belgium city of Leuven, where he lives. Shaun likes to do that because he is always on the search for estate pipes. At a stand he saw 2 unsmoked pipes. Hmm.. Probably Bruyere Garantie, he thought. Until he saw the famous white dot on both pipes. No no no, this is not possible, raced through his mind. He turned over the pipes and read: Dunhill Shell Briar Made in England. *Gasp!!!*

The vendor already saw Shaun looking at the pipes and shouted: “5 euro a piece but because today the sun shines you can have them for 7 euro if you take them both!” Being a bit re-educated by us cheap Dutchmen Shaun managed to close the deal for 6 euro for both pipes! The only thing was, the stem of one of the Dunhills was broken. But nothing an expert craftsman couldn’t fix.

The two Dunhills Shaun bought

The two estate Dunhills Shaun bought

Enthusiastic Shaun told the story on the forum. But being a Dunhill lover I wanted to know how old the pipes were and asked for some pictures of the downsides and information. Soon I got just that. He posted pictures from the pipes and when I saw them my eyes went wide and my mouth fell open. Both stamps read: Dunhill Shell Briar Made in England Patent No. 417574/34. He actually bought two unsmoked Dunhill patent era pipes for 6 euro! I did some quick research, looked a bit better and discovered that the intact one came from 1948 and the broken one from 1942! A war pipe! Pretty rare!

Alfred Dunhill jr. sells pipes in the ruins of the bombed store

Alfred Henry Dunhill. sells pipes in the ruins of the bombed store

In 1941 during the London Blitz in WWII Alfred Dunhill’s store, and many other in the surrounding area, was bombed and destroyed. A popular tale tells that when that happened, Dunhill employees called Sir Winston Churchill at four o’ clock in the night. This to assure him his private collection of cigars (which were kept in the store’s humidor) had already been relocated to safety. And with that attitude Dunhill continued to sell pipes from the debris and ruins of the store.

But that was not easy.. During the war briar and vulcanite for the stems were very hard to get. The whole Mediterranean region was swept up in conflict so the Algerian briar (which was used for Dunhill’s Shell Briar pipes) was difficult to get a hand on. The same went for the Italian briar that Dunhill used for the smooth-finished pipes. Vulcanite was either rationed or prohibited. Because of this Dunhill fitted most pipes from this decade with stems made of horn. Of course when vulcanite became more available they could be replaced.

The old Dunhill store on Duke street

The old Dunhill store on Duke street

During WWII the UK gave permission to make smoking pipes to only six firms. Dunhill was one of them. Briar was divided equally between the six firms. But… Not all of it was of high quality. The rationing plan of the government encouraged the making of so called “utility pipes”. This were low-cost pipes that could be made from poor quality briar. The internal management of Dunhill reported that only about a quarter of the equally divided briar supply was good enough for high-quality pipes. Auwtsch.. That really hindered the export of Dunhill pipes for years to come. It wasn’t until the early 1950s, when the reconstruction of the UK was really on its way, that Dunhill was able to expand once more at home and abroad.

I hope that Shaun can get that pretty unique pipe fixed so he can smoke it with a lot of pleasure until the end of his days.

The Prince of Pipes

The first half year that I smoked pipe I was looking for a shape that appealed to me. One that was able to make my favourite latakia mixtures shine. I found it in the Prince of Wales (or in short “prince”) shape pipe.

Before I mostly used full bents. They hung comfortably in my mouth, smoked pretty good, I was satisfied. Until the point that I smoked blends with latakia more and more. I got the feeling I did not got the maximum out of those mixtures. And that frustrated me. What is the point of smoking excellent tobaccos when you can’t get the most out of them??

© Neill Archer Roan

© Neill Archer Roan

Then I stumbled upon an article by the famous pipe blogger Neill Archer Roan: Finding That Magic Fit Between Pipe and Tobacco. In short, the complexity and tastefulness of English/Balkan blends is amplified in pot and prince shaped pipes. Those have square tobacco chambers which are most of the times more broad than for instance billiards. Because of that broadness there is more tobacco-surface that burns at once. That means more flavour. This was also acknowledged by the old owner of De Graaff. Once one of the most famous Dutch tobacco shops. The man (apparently a walking pipe and tobacco encyclopaedia) always smoked latakia mixtures from a pot. Yes, which has the same smoking characteristics as a prince.

But I prefer a prince above a pot. This because of the more elegant shape. Pot pipes are often straight and I still like a slight bend in the mouthpiece.

Loewe prince

Loewe prince

In contrary to common belief the prince shape was not designed by Dunhill, but by Loewe & Co. An old name in British pipe making, similar to brands like Comoy, BBB and GBD. It is said that Emil Loewe (a Frenchmen by origin) was the first to make pipes made from briar in England. Most of the customers in his shop were theatre people from the West End who liked the elegance in his pipes.

In the 1920’s he designed a pipe for Edward, the then Prince of Wales (hence the pipe-shape name “prince”). Who later became Edward VIII and finally was the Duke of Windsor. The shape is a statement of the stylishness of the period. During the reign of his father (also a heavy smoker) Edward was a leading socialite of the 1920’s and 1930’s. The epitome of the elegance of the period. Befitting his royal stature, nothing he owned was less than first class. His taste was impeccable. At least, that is the story..

My story continues when I asked on the Dutch pipesmokers forum if anyone had a prince shaped pipe and was willing to sell it. One member replied and for a measly sum I was able to buy my first prince. It was a Rossi with two smoking channels in the mouthpiece which made it hell to clean.. The sole reason I sold it some time ago. But the pipe smoked very good! Finally I had the idea I was getting more out of my tobaccos. But when proper used you can smoke a pipe only once a day. So I desperately needed a second one. I had read once that Mr. Pease liked the GBD brand much. So after a short search on e-bay I luckily found a GBD New Standard prince from the ’70’s. This one I still have and is one of my favourite pipes. It tastes amazing, especially with Abingdon. The only downside is that it smokes wet. But nothing a pipe cleaner can’t fix.

My Dunhill Shell Briar from the patent era

My Dunhill Shell Briar from the patent era

From there I bought more and more prince shaped pipes and I fell in love with the Dunhill brand. For me the epitome of the prince pipe is an army mount Dunhill shell briar from the patent era. And a few months ago I managed to acquire one on e-bay! Not easy because 1. they only sporadically become available and 2. are VERY expensive. But being Dutch (read: cheap hehehe) I managed to get it for a really good price. I just got lucky that I bought it from someone who did not know much about pipes. All hail to the pipe-smoke God.

Currently my prince collection consists of the following pipes:

GBD New Standard rusticated

GBD New Standard rusticated

GBD New Standard

GBD New Standard

Peterson prince from 1923

Peterson prince from 1923

Dunhill Shell Briar from patent era (1927 or 1928)

Dunhill Shell Briar from the patent era (1927 or 1928)

Dunhill Bruyere from the patent era

Dunhill Bruyere from the patent era

Dunhill Root Briar from 1962

Dunhill Root Briar from 1962