April 15, 2014

The older the better

± 90 year old Capstan Medium Navy Flake

I still can remember the first time I bought tinned pipe-tobacco about 3½ years ago. I checked the tin for the expiration date and could not find it to my surprise. My (twisted) mind went like: Tobacco is a leaf, leaves are like vegetables and they can’t be kept good for a long period (I still remember the withered cauliflower in my fridge started quoting Shakespeare..). So where was the damn date?? At that time I did not know that it is with most tobaccos like it is with most wines, the older the better. My eyes were opened by a story from GL Pease in which he tells that the owner of a store he used to work (Drucquer & Sons) used to age certain blends and sell them later at a higher price. At that time I also became active at some international fora and saw that especially in The States it is quit common to stock up on blends you like. Being a cheap Dutchman, this made me think. Every year the prices of tobacco go up here because of the bloody taxes. So to be able to smoke tobaccos at yesterdays prices and have the benefits from ageing… *big grin*

But first of all, very important, it is no guarantee that ageing a tobacco will make it better. A shitty blend will never become ambrosia for your taste buds. It is not a certainty that a tobacco which should age well will actually do so. Having said that, what actually happens when you age a blend? Time makes sure the various components of the mixture will marry, blend together into a more consistent whole. Also lot of tobacco species contain sugars which are needed for fermentation. That process transforms, changes the leaves used. It provides a less sharp, mellower but richer and more complex taste. So the more sugar in a tobacco leaf, the better it will ferment and the richer it will taste after ageing.

There are 2 types of fermentation: aerobic and anaerobic. Aerobic fermentation happens in the American-style pull-lid tins (which contain more free oxygen) and in mason jars with bulk blends. Anaerobic fermentation is what occurs in the European-type vacuum sealed tins. Because there is more air in the American style tins the ageing dynamics are different. It is not so much that they age faster than the European-style tins than that it is just a matter of.. Difference. Experienced cellarers: please let me know that precise difference! Thanks! And when an old tin is opened of course new changes will begin to take place just like a wine is “breathing”.

Let’s take a look at the different species of tobacco and how they react to ageing:

Virginia: Ages the best of all the tobaccos because of their high sugar content. If you have a blend with a lot of Virginias in it you have a good chance it will become more yummie with time. Within half a year you should notices the first changes and within 1 to 5 years it should really begin to shine. After those first years the speed of change will become slower, more gradual, but the blend will continue to improve. How long? I guess it will take 30 to 40 years before the mixture will go over the top and a certain descent might begin. But even then the smoke can be absolutely sublime.

Oriental: A high sugar level (just below Virginias) is also present in oriental tobaccos. Because of this they also age very well with the same ageing-expectancy as Virginias.

Latakia: Mixtures with latakia reach their summit in about 5 years and then begin to decline more rapidly. Latakia does not really age but gets softer, loses its edge with time. So if a blend depends on the smoky, leathery and spicy taste of latakia you should not stash away the tin for too long. But if there is good layering of other tobaccos underneath the dark leaf (hello Virginia and orientals) the blend still can deliver a fantastic smoke. Even though it will transform into something more harmonious, something less pungent. The old Balkan Sobranie Smoking Mixture is a good example of this. It still tastes wonderful despite some pipe-smokers prefer the newer version because of the fresher latakia.

Burley: This leaf is low in sugar so there is not much fermentation going on. Just as with latakia it will become more smooth and blend in with the other tobaccos like sweet Virginias who get better with time as I told above. The delicious Estoterica Stonehaven is a prime example of this and will age very, very well.

Perique: Because of the pressure-fermentation process with making the peppery leaf it will not change much over the years. But as with burley the combination with Virginia is a golden one. The thought alone of well-aged Escudo makes my mouth water.

Cavendish: In a way the same goes for cavendish as for perique. Because of the double fermentation process it will not really age.

Aromatic tobaccos: Sweetened aromatics do not seem to age well. These tobaccos often have quite a bit of Propylene Glycol in them which serves as a humectant and carrier of aromatic flavours. So over a long time frame, they are pretty stable. The biggest change is that the aromatic components and characteristics can degrade or change over time. So what you find in a tin 5 years from now may not be as pleasing as it is today.

Here are some tips and facts about ageing and cellaring your precious tobaccos:

– Preferably tobacco should be left in the original sealed tin. So check it out before storing to make sure it is not damaged. Look for damage to the tin, bumps, pin holes etc. Just make sure the vacuum seal is good. Then you can store it in a cool, dark place without a lot of fluctuations in temperature. An ideal temperature would be in the range of 15-21°C. So DON’T put tobacco in the refrigerator or freezer! That may cause damage to the cell structure of the tobacco. Also pay attention to the humidity, even though the tobacco is in airtight tins. High levels of humidity can cause corrosion and/or rust to the tin-metals and could compromise the seal. You also do not want to store your tobacco where it is exposed to light for long periods of time. Besides the light itself it often means heat, which can cause all kinds of unwanted chemical processes in tobacco. So do not try to speed up the ageing process by heating up your tins or loose tobacco.

– I would recommend mason jars for the storage of bulk, loose and opened tins of tobacco. I prefer glass because it is a non-porous material and can be disinfected very easily. Airtight plastic containers are also ok but I still prefer glass. I just don’t feel ok with plastic. It’s a personal thing. If I do use plastic I make damn sure that it is brand new and that the tobacco is the first thing to hit the virginal bottom ever. The good thing is, mason, ball and bail top jars are pretty inexpensive and can be bought almost anywhere. They also come in a variety of sizes. That way you can use a small one to put some tobacco in that you regularly smoke and a large one for tobacco that you really want to age. Preparing the jars for storing/jarring/canning/whatever is one of the most important steps in the process of storing. Make sure that you sterilize the jars before you use them. I wash the mason, ball and bail top jars (including the rubber rings) with boiling water. I never use soap or something like that because I am afraid there will be a residue somewhere and my tobacco starts to smell like Lakeland-style blends. Then I dry the jars and rings with clean paper towels and the tobacco can be put inside. It is advisable to label each jar with the contents and put a date on them before storage. Some people prefer to place the filled jars in boiling water to heat them up and then place the lids on to create a vacuum seal. I have never done that and I have had no problems at all. My older jars have created their own vacuum while in storage. Just one more thing, the rubber rings will start to smell like the tobacco inside. So if you want to refill the jar with an aromatic after having smoked a for example latakia-heavy blend out of it, just make sure you replace the rubber ring. Nothing can get the smell out of it..

©MarkC

– Vacuum sealing is great for many things but is pretty useless for tobacco. Tobacco needs some air to maintain the ageing process. A perfectly vacuum sealed bag or container will probably keep the contents fresh, but it may not really age the way you expect it to. So.. Having said that I realize that vacuum sealing is ideal for aromatics! One tip from a Dutch forum member: do not vacuum loose tobacco in a seal-bag. It will destroy and break up the tobacco strands.. Preferably put the tobacco in an unused tin, put that in the bag and vacuum the hell, ehmm, air out of it.

Wish I was able to buy more of these..

– When you find a blend you like it is always a good idea to buy 1 tin to smoke now and 1 (or more) to cellar. That way your collection will keep growing with tobaccos you like and you have the benefits of ageing. A win-win situation.

– Do not store pipe tobacco and cigars together. Cigars are like little sponges and they will eventually absorb any moisture, aromas, and flavours that are nearby. Having said that, do not store pipe tobacco in a (cigar) humidor. 1. The cedar in humidors absorbs moisture and it will suck all of the moisture from your tobacco like a vampire. 2. It will absorb the aroma of the tobacco blend. 3. The cedar could also add a cedar aroma and flavour to your tobacco.

Aged Full Virginia Flake © Hermit

– Sometimes you can find so called “sugar crystals” on aged tobacco. Mr. Pease has done some rudimentary playing with them, though no full-scale analysis, and found them not sweet, not very soluble, and not very likely to be sugar. Probably they are organic acids that have surfaced as a result of pH or other changes in the chemistry of the leaf as it ages. But good new, the presence of these crystals usually indicates something good has happened to the tobacco that hosts them! PipesMagazine.com member cgrd took some neat pictures of the crystals on a flake of Stonehaven from under a microscope which you can see here.

My Marcovitch with a lot of mould on top of it.. Argghh!!!!

– Mould is the enemy of (aged) tobacco. How do you know it is there? Well, if there is a spider-web like, hairy substance on your tobacco. Bad news… Your nose will offer the second clue. Tobacco with mould stinks in a way that is difficult to describe but once you have smelled it, you’ll never forget it. Imagine the aroma of the sweaty feet of your girlfriend combined with the scent of over-ripe French cheese..

– Nicotine has nowhere to go and it does not seem to break down through ageing. But ageing can change the pH of the smoke which will change how readily the nicotine is absorbed. The more alkaline the smoke, the more nicotine you will get into your bloodstream. My personal experience is that older tobaccos are stronger. Or they just made them stronger in the ol’ days. When men were more manly!

– There is a free site where you can fill in all the data about your tobacco collection. This way you can show off to your friends what you precisely have: http://www.tobaccocellar.com/

± 90 year old Capstan “fresh” in the tin!

In my Pleasures of life in Belgium 2014 blog-post I told you about my ± 90-year old knife-cutter tin of Capstan Medium Navy Flake that was opened by Martin. For more pictures see below. Astoundingly the condition of the tobacco inside the tin was perfect! Which is a testament to the quality of the old “knife lid” or “cutter top” tins. I had a few of those: a tin of Craven Mixture from the 1930’s, a St. Bruno Flake tin from the 1960’s and the Capstan Medium Navy Flake tin from the 1920’s. All of them were a bit corroded from the outside but clean as a whistle from the inside. Spotless!

Ancient Capstan in a mason jar

Back home from the meeting I had the chance to properly gaze at the ancient Capstan. Unfortunately all the flakes were more or less stuck together because of the age so I had big difficulties keeping them whole. I am well acquainted with the current production and compared to that the old flakes were pretty dark and very thin. In fact I have never seen such thinly cut flakes, only Esoterica’s Stonehaven comes close. The smell from the tobacco was instantly recognizable. Typical (current day) Capstan, but somewhat diminished. I could smell more tobacco than topping/casing. And that was also the case with the taste when I lit up my pipe. The current production leans on the topping/casing while with the old version those flavours had degraded somewhat over the years. Instead the aged Virginia tobaccos had taken the reign and transformed the flakes into an exceptionally smooth mouth-watering whole. But in all honesty, I did like the contents of my 1989 Capstan tin better. That one had the best of both worlds: still intact topping/casing flavours and aged tobacco.

So buy those blends you love and start your own old treasure tobacco collection!

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December 8, 2013

The quest for forum tobaccos – Part 2.

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Hans Wiedemann

Fasten your seatbelts ladies and gentlemen. At the time I wrote part 1 I never, ever expected that there would be a part 2 of my quest for forum tobaccos. I just experienced too many disappointments and thought that it would all end in nothing. But…. As you can read in the last response at the bottom of the page Hans Wiedemann from HU Tobacco once again took pity on me and helped me out. Once again it often was not smooth sailing, but we persevered and in the end overcame all obstacles.

So, to refresh our memories, why the forum tobaccos? Well, this year the Dutch/Belgian Pipe Smokers Forum exists 5 years. Because of that last year the idea arose for some special forum tobaccos to celebrate the jubilee. 3 tobaccos to be precise, a latakia mixture, an aromatic and a Virginia flake. Of course I had to open my big mouth and I became responsible for the creation of those tobaccos and the artwork. Why? Because it is a dream of me to see a blend which is created by myself is made available for others. And that is more difficult than I thought..

A lot of things were possible with Hans BUT only if we were buying 50 tins of 100 gr. per sort. So that is 150 tins in total! 15 kilo! I thought that the forum-members would never buy such an amount. Deeply disheartened I explained the story on the forum and asked how many tins the members were willing to buy. This because I had to have to money upfront. No Rudi this time to buy all the tobaccos and later see how he would sell them. To my utter and absolute amazement within only a couple of hours the amount of 50 tins per sort was reached! The next days the quantity kept growing. And that without knowing an exact price or having the actual blends! In the end 73 tins of the aromatic were ordered, 109 tins of the latakia and a whopping 116 tins of the flake. A total of 298! 29,8 kilo of tobacco! Wow! Unnecessary to say that Hans and I could continue. The role of Hans would be that of advisor and mediator between myself and the tobacco factory he sometimes worked with. I was responsible for pretty much everything else. The creation of the blends, the artwork, collecting the money from the forum members and the distribution of the tins.

Round 1. My first idea for the flake was that of a light Virginia flake in the vein of Orlik Golden Sliced, Dunhill Flake and Capstan. So I asked for a light natural Virginia flake with only a slight topping of tonka-bean and even less orange. Unfortunately the tobacco factory thought this was to be the aromatic so they applied way to much of the topping. Hans first got the sample and well, he did not like it to say the least.. Also the tobacco factory were not happy with having to add an aroma to a flake. It would not work they said. On top of that the first samples Hans send to me to my home address did not reach me and got lost in the mail..

Round 2. From this time on Hans decided to send packages to my working address. That way we both know they would arrive. In the package I got were 3 flakes, 3 aromatic samples and 3 latakia samples. Let’s start with the flakes. Because the application of an aroma on a flake was not a good idea I had to choose between several already existing flakes. The first one I smoked was bland and uninteresting. The next couple of flakes were pretty decent but had the same problem: they were available here in The Netherlands.. So I had to step off the idea of a light, pure Virginia flake. I told Hans to search for a flake, as long as it did not have latakia, that was not available here or too well known in these parts.

For the aromatic I had already mailed several ideas to Hans which were translated into 3 samples: 1. Black cavendish, burley and bright Virginias with an aroma of coconut and vanilla. 2. Black cavendish, burley and several Virginias with an aroma of passion fruit and ahorn. 3. A lot of Black cavendish, bright Virginias and a bit of burley with an aroma of coffee and vanilla. I smoked all the samples and could not find a clear winner. So I send some samples away and let a couple of folks smoke them. All had the same favourite, the one with coffee and vanilla. But for me it lacked a certain punch, it needed some more aroma.

I mailed Hans some ideas for the latakia mixture and he mixed two samples himself of which he thought I would be satisfied with. The third sample was mixed by the tobacco factory after an idea of Hans. Before the samples were send through to me Hans already smoked the factory sample and he was raving about it which made me feel very positive.. ..Until I smoked the actual sample. It tasted bitter and I did not like it one bit. Having learned my lesson with the aromatics I send away some samples hoping for some sound opinions. After all, my taste is not the taste of everyone. When I received the feedback it became clear that the blend indeed was too bitter. To make things worse I also was not impressed with the samples Hans made himself. Solid and well crafted blends, don’t get me wrong, but nothing special. And I wanted something special. So at the end of round 2 Hans and me were not happy men. We still did not have a flake, the aromatic was not good yet and the latakia mixture also was not up to par. In the end we tried to be as positive as possible.

Round 3. I received 2 flake samples which were not available in The Netherlands. Hans already had smoked both and very much liked one of them. I also tried this one and indeed, it was absolutely superb! The other one was pretty good but that was it. To be 100% sure I once again let people smoke from the samples and luckily everyone opted for the one Hans and I were enthusiastic about. With the flakes we had a very clear winner, yeah!

With the aromatic the tobacco factory had a slight problem. They could not boost the aromas they had used any further, they were at their maximum. Whaaaat?? Luckily they opted for some other but similar tasting aromas. Those were of higher quality but also more expensive. Well, so be it. I had already decided to not cut down on the quality of anything regarding the tobaccos. When I received the sample I could not have been happier. Exactly what I wanted, here we also had a winner, I liked it very much!

What I did not like was the new latakia mixture sample. For me it looked, smelled and tasted not special enough. Luckily I had a plan B. I once smoked one of the house-blends of a German tobacconist and I absolutely loved it. One of the best latakia mixtures I ever smoked. Period. So I asked Hans if he wanted to inform if we could use it as a forum tobacco. And we could! BUT I had a big dilemma now. I already told the forum that the flake was an existing one but that the aromatic and latakia mixture would be unique blends. Now the latakia mixture was available somewhere in Germany.. I needed some advice about what to do and found it by some friends from the forum. They said I should be open about it and let the forum decide if the project should stop or go ahead. So I opened up to the forum members and clearly explained the situation. Thankfully the vast majority (you can never please everyone) was very understanding and said I should go on.

Yesss!!! I had 3 winners! Now the financial part. I am very straightforward and told Hans immediately very clear what kind of price I wanted for the tins and why. Well, I offended him bigtime by doing it this way.. It took me a lot of e-mails to smooth things out between us. A lesson well learned. Needless to say we got the tins for a very good price thanks to Hans. I could have made a bit of profit on the tobaccos but I decided to keep them as cheap as possible.

I got busy creating the artwork, collected the money from the orders of the forum members and relaxed a bit. I send the finished artwork to Hans who would send it through to the tobacco factory. He also arranged some blank sample tins for the Heukelum meeting. I printed the labels at my work and put them around the tins. Absolutely stunning! Just before the meeting I got the sample artwork which was printed by the tobacco factory themselves. Compared to my own prints it was a bit grainy and dark. Still ok but I am a perfectionist, it was not up to my standards. The thing was, I forgot to ask Hans how we should do things with the labels and Hans forgot to inform me that we were better off printing the labels at a professional printing-company. Another lesson well learned. Now I luckily can perfectly live with the printed labels.

So, FINALLY here are the 3 Dutch/Belgian Pipe Smokers Forum tobaccos:

Genietmoment

GENIETMOMENT
Contents: Black Cavendish, Golden Virginia, Burley
Flavouring: Coffee, Vanilla
Packaging: 100g tin
Tin description: Create an enjoyable moment for yourself with this high quality mixture, consisting of Black Cavendish, Golden Virginia and a bit of Burley topped with an aroma of coffee and vanilla.
Background information: One of my ideas for the aromatic forum tobacco was to do something with coffee. I come from the Dutch province of Noord-Brabant where taking the time for a nice cup of coffee is common. But a coffee flavour is very difficult to incorporate in a tobacco because it has a tendency to dominate. Despite that Hans and myself were successful in creating a delicious mixture by the addition of some vanilla. The main ingredient is Black Cavendish (also typical Dutch) with some Golden Virginia added and a bit of Burley. The inspiration for the artwork I got from coffee and beautiful women. Both enjoyable for most men. I also found it nice to put a woman on the cover because of our female forum-member, Monique (Milleluci).

Janneman Flake

JANNEMAN FLAKE
Contents: Brown and Red Virginias, Perique
Flavouring: None
Packaging: 100g tin
Tin description: Pressed brown and red fire-cured Virginias, full and soft of taste, are cut into long flakes and together with a pinch of perique, to round off the whole, they provide a fitting tribute to the “pater noster” of the Dutch/Belgian Pipe Smokers Forum: Janneman.
Background information: On the PRF Rotterdam-meeting last year we talked about forum-member Janneman, that he meant a lot to many starting pipe smokers. Many folks of the forum got there because of the movies or Pijpenboek from Janneman. Would it not be nice to honour him with something? We asked ourselves. At that moment the whole forum tobacco story had just begun so I said “Isn’t it a nice idea to honour Janneman with a forum tobbacco?” Everyone agreed and I kept the idea throughout the whole journey. So Janneman, thank you for inspiring many of us! The flake itself is very natural, full and interesting of taste and contains Red Virginias, firecured Brown Virginias and a bit of Perique. The artwork stands for another hobby of Janneman: flying of kites.

Brullende Leeuw

BRULLENDE LEEUW
Contents: Light and Red Virginias, Latakia, Oriental, Black Cavendish, Perique
Flavouring: None
Packaging: 100g tin
Tin description: The exquisite balance of this exotic mixture stands for the unity between the Dutch and Belgian Pipe Smokers Forum members. That together many pipes may be smoked!
Background information: Like I already told,when it became clear that the latakia mixture was not according to my standards I decided to fall back on Plan B, using an already existing supreme quality tobacco. I immediately knew which one I wanted, I did not know if I was able to actually get it. And luckily I could get it. The blend is beautifully balanced with light and Red Virginias, Latakia, Oriental tobaccos, some Black Cavendish and a pinch of Perique. For the artwork I was inspired by the unity of the Belgian and Dutch forum members. The lion stands for a nice shared symbolism, thus the name “Brullende Leeuw” (Roaring Lion).

The forum tobaccos are available for everyone at the webshop of HU Tobacco.
For your information, HU Tobacco also ships to the US and other countries. For questions please e-mail Hans Wiedemann, he speaks English (and German of course): hu-tobacco@t-online.de

Kind words of Hans to the forum who sums it all up pretty well

Last but not least I want to thank:
– Hans for the wonderful cooperation, without you this all would not have been possible!
– The members of the Dutch/Belgian Pipe Smokers Forum for being a great bunch (thanks for the whisky!) and having faith in me.
– The tobacco testing members of the forum who’s opinions and advice about the tobaccos and other things have been very valuable to me.
– The forum tobacco distributors in The Netherlands and Belgium, you made my work a lot easier.
– My dear friend Ed.
– My girlfriend Ellen for her everlasting support <3.

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November 30, 2013

HH Vintage Syrian vs. 3 Oaks Syrian

In my blog-posts Latakia Lover and Syrian Latakia I described the dark leaf that comes from Syria and why it is so rare these days. In fact, there are only two companies of which I am 100% certain that they still have it: Danish based Mac Baren and American based McClelland. Important to know is that they both use Syrian latakia that originates from the same stock! Which is the reason for this post. I was curious what was the better, tastier blend that contains the fire-cured shekk-el-bint: Mac Baren HH Vintage Syrian or McClelland 3 Oaks Syrian. I choose these blends because there is no other type of latakia in them. For example, McClelland Wilderness also contains Cyprian latakia.

Background information:
HH Vintage Syrian: The inspiration for the recipe of HH Vintage Syrian originates back to the start of Mac Baren Tobacco more than 120 years ago. This blend is typical for that time and it is easy to describe as a “back to nature” tobacco. The reason for calling this tobacco HH is quite simple. HH are the initials of the founder of Mac Baren Tobacco: Mr. Harald Halberg. If you look closely you will find the same initials in the small Mac Baren logo at the top-centre of the tin. It is incorporated into the shield held by the lions.
3 Oaks Syrian: The original 3 Oaks Syrian was composed by Ted Gage for the Bufflehead Smoke Shop in the Kansas City area. In 2005 or 2006 there were changes in the laws for mail orders which went outside the state. These ruined the thriving store and it had to close down. In 2009 McClelland started manufacturing the blend according to the original recipe.

Contents/cut:
HH Vintage Syrian: Syrian latakia, oriental, Virginia, Kentucky. Coarse cut, so that means it can contain some chunky pieces. Surprisingly enough this blend contains (or should contain) more Syrian latakia than 3 Oaks Syrian but the looks do not show it. 3 Oaks is darker in appearance.
3 Oaks Syrian: Syrian latakia, oriental, Virginia. Ribbon cut which I also found to be a bit chunky.

Package/tin description:
HH Vintage Syrian: A flat stylish 100 gr. tin with a black lid containing a stylized illustration of a lion’s head. “The base of the blend, a little under half of the volume, is a smooth and yet powerful Latakia from Syria. This tobacco gives the blend the overall smoky taste, a powerful taste and yet without any tongue bite. To add a spicy note to the blend, Turkish Oriental has been added. A mix of different Virginia tobaccos from 3 continents adds a sweet natural taste. To complete the taste with depth and body, we added a little Dark Fired Kentucky from the US. The HH-Vintage Syrian Latakia is a loose cut tobacco, which guarantees a smooth and steady burn. It does not get hot which means you will find extremely little bite on your tongue. When you empty your pipe after smoking, you will find only fine grey ashes, the sign of a slow and dry smoke.”
3 Oaks Syrian: A typical 50 gr. American “pop” tin with a yellow label. On it is an illustration of a weapon shield with the name of the blend and oak-leaves around it. “Rare Syrian Latakia, with its renowned mellow smokiness, is balanced with naturally sweet Orientals and aged Virginia leaf to create a satisfying blend reminiscent of classic Syrian Latakia blends of old. Formulated by Tad Gage to reflect the character of original Three Oaks Pipe Tobacco, it tantalizes with intriguing differences.”

Smell from the tin:
HH Vintage Syrian: When I opened the tin it did not smell like an average Cyprian latakia blend. Yes you can smell the smoky dark leaf but nothing overpowering. It reminds me of the current time of the year, autumn, with its fallen leaves. Imagine smelling a campfire in an October-time forest from 100 meters away that mainly consists of dry and half-dry autumn leaves. I also detect a certain sweetness that (I think) comes from the Virginias.
3 Oaks Syrian: Even more muted than the smell of HH Vintage Syrian is the tin-odour of 3 Oaks Syrian. It just whispers “subtle”. Fortunately there is almost no hint of the typical McClelland “ketchup” smell. Maybe when you have freshly opened the tin, but after some time that odour vanishes. Overall there is a certain kind of mustiness with none of the contents overpowering each other.

Taste:
HH Vintage Syrian: What surprised me when I first lit this blend was the overall sweetness. Hmm, I think the Virginias are cased.. However, this sweetness combines nicely with the herbal flavours of the orientals. But undeniably the star of this mixture is the Syrian latakia which unlike its Cyprian cousin has a warm, broad, smooth and subtle taste of smoky incense, sandalwood and red wine. It just says, ey, don’t worry, I am here, I will not overpower the rest of the contents, just sit back and enjoy. If you smoke very slow you can sometimes taste hints of apricot and apple-cider which I found fascinating. Halfway the bowl the sweetness goes away and the nutty Kentucky comes a bit more to the front. This stays until the end of the bowl when there is only fine grey ash left.
3 Oaks Syrian: The first time I tried this blend I only smoked pipe for half a year. I found it to be too mild and flavourless. I reluctantly finished the tin and gave away some. Some months ago I decided to pop open another tin. I let it air for several days and loaded some in my beloved Dunhill patent era Shell Briar prince. After all my taste buds had improved in the 2,5 years after I first tried the blend. With the charring light I got a symphony of flavours. 3 Oaks does not contain as much Syrian latakia as Vintage Syrian so the orientals get to shine more. Which they do halfway the bowl. I think the Virginias used are mainly the red variant because of the breadlike, yeast taste I experience throughout the smoke. At the end of the bowl the flavours get a bit more dark, like in dark chocolate. Here also a fine grey ash is left. What struck me about this blend is the subtleness and complexity. I now smoke for a bit over 3 years but I still feel my taste buds are not up to par with what this mixture has to offer. It reminded me a bit of the John Cotton’s No. 1 Mild I smoked before. There is magic happening but you have to carefully, with your full attention, search for it.

Combustibility:
HH Vintage Syrian: No problems here, even if you are not paying full attention during the smoke you do not have to re-lit often.
3 Oaks Syrian: This one is more difficult to keep lit is my experience. Like if saying, if I do not have your attention I might as well go out..

Room-note:
HH Vintage Syrian & 3 Oaks Syrian: My girlfriend Ellen seems to handle Syrian latakia better then the Cyprian dark leaf. She still does not like it but at least she does not force me to sit at the other end of the room in my smoking chair. When I smoke one of the blends in the late evening I notice a nice, faint incense smell the next morning. My benchmark that the used latakia was of high-quality.

Miscellaneous:
HH Vintage Syrian: In my first months as a pipe smoker I tried a couple of generally available Mac Baren blends and they bit me HARD. Later I learned that I was not the only one who experienced the phenomenon. So when I first lit up this blend I was fearful of the dreaded “Mac Bite”. And.. It did not happen to my relief! Ok, if you provoke it by puffing way to hard it will bite you, but that goes for a lot of blends. In the nicotine department I would rate this one light-medium to medium.
3 Oaks Syrian: This blend benefits from a bit of airing time when you have opened it. The flavours will improve then. If you like a nicotine shot while smoking, don’t go for this blend. It is just way too mild. A disadvantage of 3 Oaks was that it did not shine in many of my pipes. Only in a couple I had the impression that I got a lot out of the blend. HH Vintage Syrian on the contrary tasted good in all pipes I smoked it in.

Price:
HH Vintage Syrian: At 4noggins you pay $13,43 (± €9,88) for a 100 gr. tin. In Germany such a tin will set you back at €19,75 (± $26,84).
3 Oaks Syrian: At 4noggins you pay $10,49 (± €7,72) for a 50 gr. tin.

Conclusion:
And my winner is…… *drumroll* HH Vintage Syrian! I admit I am not a Mac Baren fan. Often I called the brand Mac Blahren, masters of mediocrity, never a satisfying smoke only a burned tongue. Well… I had to swallow those words bigtime for their magnificent HH Vintage Syrian blend. Mac Baren did an amazingly good job with the creation of this almost divine mixture. A classic. That also goes for McClelland’s 3 Oaks Syrian despite it being second. Maybe in a couple of years when my taste buds have (hopefully) developed even more it can push off HH Vintage Syrian of the Syrian latakia throne. Only too bad the supply of Syrian latakia is not infinite. Until when can we enjoy these blends? No one precisely knows but I hope long enough for me to squirrel away a vast amount of tins in my tobacco closet.

October 16, 2013

Attractive Aromas

Me sniffing at raw tobacco leaf at the DTM factory

Tobacco leaf is the main source of flavour and aroma in any tobacco product (Duh!) But aside from latakia and perique (which are stinky enough from themselves) and orientals, raw leaf itself has little smell or taste. And by raw leaf I mean Virginias and burleys, they are almost always cased. For example, I’ve smelled pure and dry Virginias in the tobacco warehouse from the German DTM factory. It made me think of fish-food in stead of the hay-like aroma I am used to. Also tobacco crops vary from year to year, they are not consistent. So flavouring supplements are necessary to create both taste and aroma and help maintain a consistency in them. In the early days tobaccos had a subtle flavouring, but at the end of the 1960’s the high aromatics came into fashion. You know, the kind of blends that dissolve the glazing on your teeth and your girlfriend/wife love. Anyway, additives to tobacco products can be classified in two categories: casings and top dressings (toppings).

No tongue bite please!

Casings: Sometimes you read on labels of tins that a blend for example contains unflavoured Virginia and/or burley. Well, the truth is that very few tobaccos have no flavouring at all. Although a casing can be as simple as sugared water or honey. I know that DTM uses honey for the casing of many of their raw tobacco leaves, the factory floor is pretty sticky because of it. Casings are used at the early stages of tobacco processing to ease the negative qualities of a certain kind of leaf. Ehmm.. Some burleys can be somewhat sour and produce a more alkaline smoke, which can lead to the dreaded tongue bite. The use of a sweetener, a casing containing some sugar, can solve both problems. Some Virginias can be harsh, but also here, with the right casing that can be fixed. In general (of course their are exceptions) casings are not used to flavour the tobacco as much as to make it ready for other processing. Like you make a mild marinade for a piece of chicken to slightly give it a flavour, make it more tender and prepare it for cooking.

Casing machine at DTM

The flavour of a casing should be compatible to the base tobacco that is used. For example, white burley has a certain kind of nuttiness and would match well with chocolate. Which is a commonly used casing for burley. The tobacco which has to cased is put into a machine that somewhat resembles a large clothes dryer with little sprayers on the inside. The casing is then heated and injected into the chamber. Through the use of tumbling, steaming and vacuum pressure the casing works its way into the leaf. Casings are often steamed into the leaf. The steam helps to open the pores and insert the added flavour into the tobacco. Because of this process, casings are usually water-based. After the casing of the tobacco it is dried. Often by putting the leaf on a conveyor which passes through a heated chamber. This reduces the overall moisture content of the tobacco to a level that is more manageable. This level generally is between 12% (pretty dry) and 22% (very moist). The ideal moisture for smoking depends on you, the smoker. But usually it is between 13% and 16%.

Rope tobacco

The following step will be determined by what the blend is supposed to be. If the intention of the final product is to be an unflavoured blend, for example a Virginia/perique or latakia blend, then the base tobacco is ready to use right after coming out of the heating chamber. The tobacco will be put in a container or something like that in which the finished blend, combined with the other components, is mixed and then is packaged. If the the final product is to be a plug, flake or rope the process starts with raw leaf that will be cased like I told above. After coming out of the casing machine the leaf immediately goes into the press. This because higher moisture is needed to get a good pressing. Or it goes through the drying procedure and is re-hydrated to the right level.

Thanks to top dressings the (in)famous Captain Black White is what it is..

Top dressings (toppings): These are flavourings that most of the time are applied at the end of manufacturing process. That signature flavour, that particular tin aroma, that heavenly room note; all the responsibility of the top dressing. They are usually alcohol-based. When the water based casing is applied, the drying process will bring the tobacco back down to the correct humidity. But at the end of the process the blender wants to avoid having to use heat to re-dry the leaf a second time. So he uses an alcohol-based flavouring and allows the tobacco to rest for a couple of days. The alcohol will evaporate which leaves the concentrated flavour behind with little additional moisture.

Propylene glycol

Most casings and top dressings contain a “fixing agent” to assure that the flavourings will stick to the leaf and remain stable until used. In addition to fixing agents hygroscopic agents are used. Hygroscopic agents are chemicals used to control the moisture content of tobacco. They prevent the tobacco from becoming too dry in a dry climate or from picking up moisture in a humid area. The most widely used agents are sorbitol, propylene glycol and glycerine.

Andreas Mund and me before shelves full of concentrated flavours

Concentrated flavourings are preferred by most tobacco blenders. This because the extract/concentrate can be manufactured much more uniformly and is less subject to changes while being stored than natural flavourings. When I visited the DTM factory I saw shelves and shelves full with all kinds of concentrated flavourings. According to master-blender Andreas Mund the city of Hamburg (pretty nearby the factory) is the centre of the world for concentrated flavourings. Lucky DTM! It was a strange experience when I opened up some of the flasks and bottles and sniffed the contents. You read something on the label like “chocolate” and when you smell it you absolutely don’t recognize it because it is THAT concentrated. So it won’t be a surprise that some blends use as little as 8 tablespoons of fluid per 100 pounds of tobacco.

Chocolate

Here are some of the most common flavourings:
– Chocolate is manufactured as a natural product from the coco bean. It may be fortified with some cocoa which is synthetically produced.
– Fruit flavours are obtainable in both natural and synthetic form. Natural fruit flavours are extracted from processed fruit.
– Licorice comes from the licorice root and can be fortified with synthetic chemicals.
– Menthol can also be made synthetically or it can be used in its natural state which is distilled from peppermint oil.
– Rum used in tobacco is most of the time the Jamaican type. Jaaah man! It can also be synthesized.
– Vanilla can be used in its natural form but for the most it is manufactured synthetically.
– Wine flavours are as varied as the types of wine available: burgundy, sherry, madeira, etc.

Gawith & Hoggarth: Kendal’s Banana Gold. One of the few blends anywhere with banana-aroma

It is very difficult to create a good aromatic blend. You have to take in consideration the natural aroma of the leaf plus whatever the casing adds. Virginias often have a hay-like aroma and if that is not taken into account you could end up with something entirely different than you were hoping for. Also certain flavourings take advantage of other ones. A bit of vanilla boosts the taste of chocolate. Or flavourings have a tendency to overpower others, like coconut. And then there are flavourings that just don’t match with tobacco in general. For example, Paul has always looked for a blend with a nice banana-flavour and has not found one yet. Banana and tobacco.. Should work one would think. Well, I spoke with aromatic master-blender Michael Apitz from DTM and asked him why they did not have any blends with banana-flavour. He took me to the warehouse and showed some old tins with… Banana flavoured blends. “You know, there is a reason we don’t sell them any more and why they are collecting dust in the warehouse” he said. “They just don’t taste good and because of that people won’t buy them.” So it may take a whole lot of trying out before the aroma of a blend is acceptable.

And if you want to know why most aromatics don’t taste like they smell, have a look here: Who’s afraid of chemistry? (by Paul)

These days every blender anywhere on the globe can make a high aromatic. But back in the days in the United Kingdom they had the “Tobacco Purity Law”. This law prohibited blenders from the use of large amounts of artificial flavourings and hygroscopic agents in the manufacture of tobacco products. In the early years of the Dunhill store Alfred Dunhill himself used to experiment at home with the creation of new blends. Regularly he got visits from police-officers who thought they smelled illegal things going on.. There was a list of additives that were approved and which had to be dissolved in alcohol or water. BUT they could only be applied at small percentages. For example, it was estimated that less than 0,5% of the weight of any given brand, manufactured in the United Kingdom, consisted of flavourings. This stood in contrast with some brands manufactured in the United States. There sauces constituted as much as 25% of the gross weight of the tobacco product. And in the case of Dutch tobaccos, this number was as high as 35%. So the blenders in the United Kingdom had to use the best quality tobaccos available, primarily the Virginia-type ones, orientals and condiment leaves like latakia and perique. And of course they had to have to skills to create outstanding mixtures. This with the help of all kinds of processing techniques such as stoving, toasting, panning, steaming and pressing. It wasn’t until the 1980’s that the Tobacco Purity Law was abolished by the Thatcher government so that American tobaccos could be sold in the United Kingdom.

Recommended aromatic blends are:
– Cornell & Diehl: Autumn Evening
– DTM: BiBo, Blue Note, Mediterraneo, Memories of Tuscany, Sweet Vanilla Honeydew
– HU Tobacco: Geniet Moment
– Lane Ltd.: 1-Q, Captain Black White
– Mac Baren: 7 Seas Regular Blend*
– Neptune*
– Peterson: Sunset Breeze*
– Planta: Danish Black Vanilla*
– Stanwell: Melange*
– Sillem’s: Black
– Winslow: No. 1*, Harlekin*
– WO Larsen: Fine & Elegant*

* Available in The Netherlands

September 23, 2013

Inter-Tabac 2013 impression

The Inter-Tabac in Dortmund, Germany, is the leading (and biggest) trade fair of the world for tobacco products and smoking accessories. More than 380 exhibitors from 45 countries present themselves on an area of over 30.000 square metres! In 4 exhibition halls renowned companies from all over the world present trends and innovative tobacco products. This includes cigars, cigarillos, cigarettes, smoking accessories, pipes, pipe tobacco, shop fittings, press and spirits. The average reader of this blog must now think like “Yeaahh!! I am going there next year!!” Well.. It is a fair for retailers, not for consumers. Since I belong to that last category, how did I get in?? I got lucky, I was able to secure a ticket through someone I know and who wishes to remain anonymous. Fortunately I was not the only Dutchman there, Paul, Rudi and Martin from the Dutch/Belgian Pipe Smokers Forum also attended the fair. The more the merrier!

Westfalenhallen

In the morning of Friday September 20th I arrived at the Westfalenhallen (where the fair is held) in Dortmund after a relaxed two hour drive. Around the building people were guiding the coming cars smoothly to their parking spaces. Leave it to the Germans to organize such a big event. After a few text messages I knew Paul, Rudi and Martin also had arrived and were waiting for me at the main entrance. I already had a ticket and I chatted with the group while Rudi got their tickets. The group was even bigger than I thought, a small friendly Belgian man also named Paul (nickname Polleken) had joined the ranks. When we entered the halls I noticed that indoor smoking was allowed! It turned out that an exception had been made for the fair. Despite the severe anti-smoking laws I still could light up a pipe, such a blessing!

Poul Winslow (right) talking with Tom Palmer of Peterson while holding the flyer Martin gave him

First we rushed off to the Scandinavian Tobacco Group stand. They represent pipe brands like Dunhill, Winslow, Stanwell, Peterson and Butz Choquin in Europe. Paul always picks out good looking high grade Winslows which he then buys through Rudi. Rudi had a tobacco-shop in Middelburg for quite some time but sold it a couple of years ago. Now he just runs an online store, tobaccoshop.nl. As soon as we entered the stand we recognized the unmistakable figure of Poul Winslow himself. Whoaaahhh!! While I stood there practically drooling Paul and Rudi warmly greeted mr. Winslow, they are year long acquaintances. Soon I got introduced to mr. Winslow and we shook hands. I must admit that I was too shy to talk to the good man.. I wanted to say I am a big fan of his pipes and wanted to thank him for fixing my Winslow Harlekin a year ago. Oh well.. Martin wasn’t shy and he offered a handout of his work to mr. Winslow (Martin makes exquisite hand crafted stone ashtrays, pipe-stands and tampers). “Very nice!” Poul Winslow murmured while looking at the handout. “You know, I got a lot of connections, maybe I can hook you up with someone!” Martin’s smile never left his face for the rest of the day. Further it was a shame to hear that mr. Winslow had a rough year health wise. He is approaching retirement age and sometimes has troubles coping with the stresses and demands of his profession.

A perfectly timed picture of me before the Dunhill wall

In the same room a big part of the wall was taken by The White Spot: Dunhill. As a huge Dunhill fan I felt like a kid in a candy store. Dunhills in all shapes and sizes, with all the know finishes. When looking closer I noticed the stamping of the pipes had changed. Up to 2011 one i.a. saw the well known oval Dunhill stamp. Since 2012 that is replaced by the text “Alfred Dunhill’s The White Spot”. I know there have been discussions on online fora that the Dunhill name was eradicated from the pipes. As far as I could see, that was not the case.

The Kohhase & Kopp 2014 Limited Edition: Rio

After Paul picked out the Winslows he wanted we could move further. For the first time I had the time to properly look around. The halls were huge and packed with all kinds of stands. From very big ones with multiple levels to small ones with just a couple of white walls with some tables. The stand of Kohlhase & Kopp certainly belonged to the first category. Roughly one side of the stand was dedicated to pipe-tobaccos and the other to cigars. They even had some old Cuban guy making cigars at the spot. I am not a cigar-guy but it was impressive to see skilled age-old hands swiftly pack the filler-leaves and roll them into the upper leaf. The newer Kohlhase & Kopp tobaccos were all aromatics which smelled ok, but nothing special in my honest opinion. What was special were the exquisite looking tobacco-tins, collectable objects which would look good in the house of every pipe-smoker.

Rudi doing business at the Designer Berlin stand

Rudi doing business at the Planta/Designer Berlin stand

Another large stand was that of Planta, which also included the Designer Berlin pipes. They had a big wooden barrel standing there of which, when opened, the contents smelled very, very aromatic. It turned out it was filled with the Planta year-tobacco which was free for everyone to sample. Which we of course did. I smoked it that evening when I was back home and my first impression was that it was an “ok” mixture. Not good, not bad. On the tables stood little glass jars with other blends and while I was a bit reluctant to sample some Rudi pushed me to do just that. “That is one of the reasons we’re here!” He said grinning.

FLTR: Martin, myself, Ian Walker and Paul

While Rudi was doing business Paul, Martin and I walked by the stand of Northern Briars. A British family concern led by third-generation pipe maker Ian Walker. As soon as he saw us he pointed with gleaming eyes to the pipes Paul and I were smoking from: Dunhill, British pipes! As it happens to be Ian Walker is going to make the Dutch/Belgian Pipe Smokers Forum 2014 forum pipe. He was delighted to see a small delegation of the forum and enthusiastically began to tell about the pipe. It is a prince shape (he pointed to prince I was smoking from) with pretty thick bowl-walls, we are going to get his best wood with a very nice grain, silver bands (which he makes himself, a skill taught by his grandfather) and cumberland mouthpieces. Ian is really a very, very amicable fellow and I will be delighted to smoke from a pipe made by his experienced hands. The picture you see on the left was made by one of the men from the next stand: Samuel Gawith, another British company.

Four Seasons: a new range of tobaccos from Samuel Gawith

Most of the stands of the well known pipe-tobacco manufacturers were large or very large. The stand of Samuel Gawith was shared with Ian Walker and consisted of just three tables. One to sit at and two with the complete tobacco and snuff range. As if saying, f*ck you, we are Samuel Gawith, we are making tobacco for centuries and we don’t need big and many adornments and decorations. I complimented the men with their company and confessed that I am a big fan of their tobaccos and that I have almost their entire pipe-tobacco range at home. I looked at the displayed tins and suddenly saw a couple I did not know. “Yeah that is our new range, it is called “Four Seasons”. One tobacco for each season of the year. All very natural.” The last few Samuel Gawith outings were pretty aromatic so I asked if I could smell the Winter Time Flake. I just say one thing, if this one comes out I will definitely buy it!! On the right you see a picture with all the new Four Seasons tobaccos. They still had to find an European distributor but more or less assumed that Kohlhase & Kopp would going to do that. Besides the Four Seasons I sniffed at the new Limited Edition 2014 mixture. Luckily pretty natural. I really think the company should stick with their more natural outings instead of trying to jump on the aromatic bandwagon. That is done enough in Europe.. I also asked if they expected to produce tobaccos for a long time to come, bearing in mind the very strict British tobacco laws and including witch-hunt. “Oh we pretty much fall under the radar of the British government. They won’t really bother us, a small and old company. They aim at big companies like Imperial Tobacco. So don’t worry, you will be able to enjoy our tobaccos for many, many years to come!”

Waterpipes anyone?

One of the halls we walked through Paul called the “not-interesting hall”. Here were mainly stands of smoking accessories (lots of lighters), waterpipes, waterpipe tobaccos and electronic cigarettes and pipes. Especially those last items seem to be booming business. Lots of young people like it and… I really don’t know why.. Oh cool, blowing out flavoured water vapour with some nicotine.. Ehrr… Like having missionary-position sex with your longtime girlfriend or wife while she’s on the pill and you are wearing a condom plastered with semen-killing pasta and just before your climax you pull out. Just not exciting..

Girl, girls, girls

Talking about sex, what a lot of manufacturers still believe is that sex sells. At the entrance we were greeted by beautiful girls who were handing out brochures and samples. At quite a lot of stands luscious ladies were trying to lure you inside. While walking through the halls we saw all kinds of stunning women in all kinds of sexy outfits handing out flyers with big tempting smiles. The price for best costume went to the lady in the tight-fitting catwoman/ninja suit. No idea what it had to do with tobacco but eey, you won’t hear me complaining! Even Penthouse had a stand, complete with a woman in lingerie and a muscled Chippendale macho-man..

Part of DTM stand

Back in the more interesting halls we came across the Dan Tobacco Manufacturing (DTM) stand. Since my forum-tobacco adventure last year I know a few people there. Of course year long company figurehead Heiko Behrens was the first to greet us followed by managing director Maria Sousa. Then I suddenly saw DTM master-blender Andreas Mund who guided us through the factory and with who I worked together for a short time last year. Unfortunately Andreas knows no English and my German is shaky at best. Despite that using hands and feet we had a long nice talk, it felt like seeing an old friend again. Like me Andreas is someone with a passion for tobacco and that is where we really connect. I complimented him with the superb flakes he made together with Hans Wiedemann for HU tobacco and got a heart warming smile. Also he was busy with new aromatics for HU Tobacco with new flavours. I’m very curious about that project! Business-wise I think DTM is going through a rough time. With a sad face Andreas told me that they are taking a shot in selling water-pipe tobacco.. Luckily DTM got some business from Rudi so that is why Martin and I discreetly went searching for…

… Mac Baren. And we could not find the stand.. We looked on the information monitors and got the hall and stand number. Still no sight of the famous Danish tobacco brand. Then through a kind of window I saw the Mac Baren logo. Aah, they had a stand within a stand. Lots of people were sitting and talking inside. We walked to a small counter with little jars of the whole Mac Baren pipe tobacco range. I pointed at the HH Vintage Syrian, in my honest opinion the best blend they have and Martin pointed out his favourite, HH Old Dark Fired. Behind the counter stood a middle-aged men, thankfully nodding while hearing our favourites. I also complimented him with the new Capstan, which Mac Baren now makes. And then a question popped up inside my head; the last couple of weeks I heard from several Dutch tobacconists that they could no longer order Capstan. A bit logical because the Dutch importer changed. From the Pronk company, which imports all Orlik/STG products to Van Landewijck, which imports Mac Baren. But still, the change to Mac Baren already happened at the end of last year. So I asked the friendly man why Dutch tobacconists no longer could get Capstan. With a questioning look he said that it should be available in The Netherlands and found it strange that it wasn’t. But he did not have a straight answer so asked me to come back later. Unfortunately I did not made that in time.. Back home I discovered that the friendly man I spoke to was no one other than Per Jensen, Mac Baren Product Manager and master-blender. Fortunately another forum member, Godfrey, went to the fair on Sunday. So he went to Per Jensen for me and came back with an answer. Unfortunately the fault lies not with Mac Baren, but with their Dutch importer Van Landewijck. They decide which Mac Baren-made tobaccos get imported. So the best thing we can do according to Per Jensen is moan and complain with a lot of people at Van Landewijck. But to be perfectly honest, I talked a bit with Rudi who knows much more about the Dutch tobacco trade then I do, I think that Capstan no longer will be available here.. Too small a market, too high prices.

At the end of the day Martin and I tried to score some free cigars. I don’t smoke them, but Martin does. We saw that Rudi and Polleken had sample bags with some kind of Chinese cigars so we went to look for them and came out by a huge stand called “Big Wall of China”. Yup, looks like this is the place. By the way, one of the things I noticed at the fair during the day was the large number of Eastern people. The Chinese economy is growing and apparently so is the their tobacco industry. At a desk with a couple of nice looking long filler cigars on it I talked to a Chinese guy. I kept on chatting away while taking out one of the long fillers and praised its appearance. Unfortunately the guy did not take the bait and I had to put it back.. But we did get two other cigars! Whoohoo!!

Around 5 o’clock my feet were killing me and we all decided to go home. I thanked the group, said goodbye and went looking for my car. The trip home went not as smooth as I hoped, I stood in a traffic-jam for over an hour.. Oh well, back at home I fell into the couch next to Ellen and gave her a big hug. Dream – Visit the Inter Tabac Fair: Check! So anonymous ticket-provider, thanks!!! And also thanks to Rudi, Paul, Martin and Polleken for a wonderful day!

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September 3, 2013

Arno’s.. Ehrr.. Olaf’s Favourite English

When I first contacted master-blender Hans Wiedemann from HU Tobacco at the beginning of 2012 I asked him if it was possible to receive some samples of his blends. From fellow Dutch pipe-smokers forum members Smoking Rob and Huub I had heard and read some positive things about Hans’ mixtures, so I was very curious. I mainly ordered samples from latakia blends. All blends were good but there were 2 “touchdowns”. One of them was Balkan Passion and the other one Olaf’s Favourite English. It was made by Hans for pipe artist Olaf Langner, who prefers solid English mixtures for his smoking den. That sounds just like my cup of (lapsang souchong) tea!

Package: Olaf’s is only available in typical German 100 gram “paint” tins. This because of the lid which resembles that of a paint tin. Ideal if you ask me, because it keeps the tobacco fresh for a long time. I opened my tin half a year ago (I have more tins open and I only smoke 2 pipes a day) and the little tobacco left inside is still as moist as the moment I first popped the lid. On the front is a nice drawing of Olaf and the name of the blend, on the backside a description of the contents. Inside on top of the tobacco is a paper insert with an illustration of a compass on it. The sign the mixture inside was blended and tinned by DTM.

Contents/composition: A sweet base of Virginias, 40% Syrian latakia, 10% Cyprian latakia, perique, quite a bit of Smyrna oriental, darkfired leaf and English black cavendish. Whooo Arno.. In your blog-post Syrian latakia you said that there is almost nothing left of that dark leaf! That is true and despite the contents description there is no Syrian latakia in Olaf’s. I smoked the mixture a couple of times and could not detect the Syrian leaf I know from blends like 3 Oaks Syrian and Wilderness. So I mailed Hans about this and asked if he could verify the use of Syrian latakia. A couple of e-mails further I read that DTM reluctantly acknowledged there was no Syrian dark leaf inside Olaf’s. So from now on 50% Cyprian latakia is used in the blend. Oh, don’t be afraid the taste has changed because of this. I smoked some of a new batch and it was the same as the old one.. The tobacco itself looks dark with some blond strands and is mainly a ribbon cut with some small chunky pieces which make for easy packing.

Smell from the tin: A classic latakia mixture smell arises from the opened tin. Sweet, bitter, sour, salty and smoky notes. However, between these I detect something I can’t really define, a bit mushroom like odour. The only blend in which I smelled this before was GL Pease Lagonda.

Taste: With a lot of latakia mixtures there is a bitter taste at the charring light. Not with Olaf’s. The latakia makes itself known but does not overpower, it provides a kind of full roundness of taste together with the darkfired leaf in which the Virginias can develop. It is not a latakia-bomb. Halfway the bowl the sourness of the Smyrna takes the upper hand a bit which combines nicely with the underlying Virginias and latakia. I know there is perique in the mixture but I think I get more of the spicy pepper side of it than the fruity side. Although… At three quarters of the bowl the smoky and salty latakia is a bit tuned down by the black cavendish. What I then taste I can best describe as a bit salty liquorice with a honey-sweet edge. Maybe that is caused by the combination of the perique and the black cavendish. In the last bit of the bowl the flavours slowly starting to fade out similar to that of the fading sound a great musical piece and in the end a fine grey ash is left.

Combustibility: Once lit the mixture keeps burning pretty easy with few relights. No comments here.

Room-note: I don’t see my girlfriend Ellen hurrying out of the chamber or coughing violently while I smoke Olaf’s so I guess the room-note is acceptable for a latakia blend. She has smelled worse.

Miscellaneous: Olaf’s benefits from a longer shelving time so the flavours have more opportunity to meld together. Pretty necessary for a complex blend like this one. When I opened my tin it was tinned one year before and I found it good for consumption. However, I am very curious how the mixture will taste after a couple of years of peace in my tobacco closet. The nicotine level is medium, it really is a late night smoke in that regard. Maybe it fits together well with a glass of fine whisky or red wine. Also because of the complex character of the blend I would not advise to smoke it in the morning. One thing that sometimes bothers me a bit about Olaf’s is that now and then it has the tendency to bite in the first part of the bowl. From the other side it could have something to do with my body chemistry on some days.

Price: My tin was a bit cheaper but thanks to German tobacco-taxes one 100 gram tin of this wonderful mixture will now cost you €18,35 ($24.21) in Hans’ online shop.

Conclusion: From the first puffs I took from this excellent blend I fell in love with it. For me Olaf’s Favourite English delivers everything I expect from a wonderful English mixture; it is complex but without bragging about it. All the flavours from sweet to smoky to leathery to sour to salty weave throughout the smoke in perfect balance. Personally I think this is one of the best latakia blends on the mainland of Europe and it can easily compete with the finest offerings from blenders like GL Pease.

August 19, 2013

Cut, cut, cut!

Tobacco cutting machine at DTM

The cut of any tobacco is determined by the product that is going to be manufactured: pipe tobacco, cigarettes, cigars, chewing tobacco or snuff. Here I only will go into pipe tobacco cuts (and a bit of cigarette cuts). The ultimate goal of any tobacco manufacturer (or home blender) is to get a well mixed tobacco with a consistent uniformity in taste and “rate of burn”. That means it may not burn too fast (in which case it would probably burn hot) or too slow (which will require the smoker to relight often).

The burning qualities of any blend are determined by the following factors:
1. The type of tobacco used. Thin leaved tobacco will burn better than tobacco with heavier leaves.
2. The moisture content of the tobacco. The degree of dryness affects the speed with which it burns.
3. The type of cut or cuts used. The air circulating around the shredded leaf determinates the rate of combustion. The denser the tobacco, such as plugs, the slower it will burn.
4. The amount of casing or flavouring used. The less casing applied to tobacco, the longer it will burn.

Below I described a lot of tobacco cuts. I am sure I missed some and sorting them out was pretty damn difficult.. Several tobacco cut descriptions are in essence the same. If you think I am wrong somewhere or you know cuts I have not described, please contact me so we all can benefit from that information. Anyway, here they are in alphabetical order:

Broad Cut: Wide ribbon-cuts which burn at an average pace and pack well are often called broad cut. The thickest cut, about twice as wide as a loose cut. Commonly used with air-cured Virginia which is then used to blend with other cuts.

Broken Flake: Flake-form tobacco that has been partially broken up.

Cake: Cakes (also called “plugs”) are dense, hold their moisture well and therefore are handy to carry with you. But they require a little preparation before smoking. The smoker slices off a bit to the thickness he desires and rubs it between his hands to create a fine or coarse tobacco. Whatever his preference is. It can also be cut into thicker slices and then cross-cut twice to make a rough cube-cut. Very versatile this one. Also see “Plug”.

Cavendish Cut: In older blends, Cavendish was generally referred to as tobaccos which had been treated with flavourings or even sugar water. Sometimes they were steamed and then pressed, cut and rubbed-out. These were the original aromatics. Through the years the term has become broadly used and refers to many flavoured tobacco blends. Most of the times the Cavendish Cut was a long cut, between a fine cut and a ribbon cut, depending on the manufacturer.

Coarse Cut: Ribbon cut containing some chunkier pieces.

Coin: Thin tobacco circles which look like coins. You get those when you cut a navy plug, twist, rope or roll cake. The terms “Coin”, “Medallion”, “Roll Cut”, “Navy Cut” and “Spun Cut” are all pretty much interchangeable as they are all sliced off round-shaped, pressed (or spun) tobacco.

Crimp Cut: This is a slightly smaller cut than the granulated one.

Cross Cut: A broad cut that is cut twice, creating small squares.

Crumble Cake: Cakes that are made from ribbon-cut tobaccos. The smoker can easily break off a chunk, crumble it between the fingers and prepare it for smoking. This form shares the moisture-holding capacity of plugs. With the added convenience of being somewhat easier to make ready. The downside is that this form tends to break into small fragments. Which can clog the airway or burn too quick. So if you load a pipe with a crumble cake, put some bigger chunks in the bottom of the bowl and the small fragments on top.

Crushed Plug: This tobacco is cut at right angles to a plug. It may be classified as a coarser and larger granulated tobacco cut.

Cube Cut: Pressed tobacco which has been cut into fine or coarse cube-shaped pieces. The most common type is cube-cut Burley. The thick, chunky pieces burn slowly, so cube-cut tobaccos normally smoke quite cool.

Curly: Thin tobacco circles you get when you cut a navy plug, twist or roll cake. In my experience a curly cut tobacco is much rougher in appearance as for instance neatly stacked medallions in a tin.

Fine Cut: Usually used for (roll-your-own) cigarette tobacco. This is a variation of a long cut and shag cut. Fine cut tobacco is cut between 30 and 40 times to the inch when it is to be used in pipe tobacco. In cigarette tobacco that is 50 to 90 times to the inch.

Flake: Tobacco is placed under very high pressure with varying degrees of heat. It is then pressed into bricks and sliced into broad, flat flakes. These are typically about 1-2 inches wide and 0.1 inches thick. You fold or lightly rub the flake to put it in your pipe. There can be many different tobaccos in a flake. These tobaccos benefit from the pressing because it allows their flavours, densities and moisture levels to marry. It will also help them to have a better synergy as they age. The most common flakes are based upon Virginia and Virginia-perique tobaccos. This because of the density of the flake the Virginia will burn more slowly so you get a cooler smoke.

Granulated Cut: tobacco is cut from stemmed leaf in irregularly shaped, medium sized flakes. Because this cut of tobacco packs quite well with air spaces between particles, it burns slow and cool.

Lanyard: See “Rope”.

Long Cut: See “Shag cut”.

Loose Cut: A long, thin ribbon cut. Commonly found in many Captain Black and Lane Bulk blends.

Navy Plug: This name was given because sailors would fill a long canvas tube with tobacco (or tightly wrap rope around tobacco) and sometimes add flavourings like rum, fruits and spices. Then the tube was twisted tight, mimicking the pressing process. This technique created a dense roll of tobacco about an inch thick which could be cut into smaller pieces or coins. In essence the navy plug is the same as a roll-cake.

Navy Cut: The slices you get when you cut a navy plug. Originally these had a round shape. Later tobacco manufacturers used the term more broadly and a Navy Cut could also be a rectangular flake or slice (for example Capstan). Good examples of round Navy Cut tobaccos are Escudo and Peter Stokkebye Luxury Bullseye Flake.

Medallion: See “Coin” and “Navy Cut”.

Mixture: A term often seen on pipe tobacco packages. It simply is a mix of different tobacco types, cuts and flavours.

Plug: See “Cake”.

Ready-rubbed: Flake tobacco that has been mechanically rubbed out so it can be readily smoked or combined with other cuts. Sometimes you see a regular ribbon cut with pieces of ready-rubbed Virginia flake. This way the Virginia can’t burn too fast and hot and the smoke is kept cool.

Ribbon Cut: More narrow than a broad cut, this has a steady burn and it packs well. It is a good cut for tobaccos that don’t burn easily. Often you see latakia as a ribbon cut because of its poor burning qualities.

Roll Cake: Similar to a Navy Plug, round in appearance.

Roll Cut: A sliced version of roll cake. See “Medallion” and “Coin”.

Rope: The tobacco is spun by machine into long ropes which can be as much as 60 feet long which are then cut in larger pieces for sale. There are a few of these ropes which are cut into coins before they are finally packed.

Rough Cut: Tobaccos which are cut into larger flat pieces, a heavier version of the granulated cut. This cut burns slowly and can be used to keep hotter tobaccos from burning too fast.

Shag Cut: Tobacco which is finely cut/shredded into long threads. It is thinner and longer than a ribbon cut. It may range from a 19th of an inch to a 16th in width and in length from a half inch to an inch. Virginia tobaccos lend themselves to this cut because of their large leaf size. A shag cut can easily pack too tightly and burns very well. Just like a fine cut this cut is common for roll-your-own cigarette tobaccos as well.

Slices: In essence the same as flakes. The only noticeable difference is the thickness; slices are thicker than flakes. One of the most well-known tobaccos of this type is (of course) Troost Slices.

Spun Cut: See “Curly” “Coin” and “Medallion”.

Square Cut: Flakes which are cut in squares, the picture is not so good but the only one I could find. A good example of a square cut is Mick McQuaid Square Cut.

Twist: Similar to rope. Leaves are layered and then twisted tightly to mature the tobacco. That is why many ropes and twists tend to be rather strong in flavour and nicotine content. It can be sliced into coins for pipe smoking or cut in thicker chunks for chewing.

If I have forgotten any tobacco cuts or if you have any comments, please let me know!

Dutch Pipe Smoker

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